This Thursday at Brooklyn Reading Works at the Old Stone House: The Truth and Oral History or the double life of the interview curated by John Guidry of Truth and Rocket Science will be an extremely interesting event and I urge you to join us for the panel discussion and Q&A.
Stories do not tell themselves. Even once they are told and recorded, stories need some help to be heard and to live in the world. This month’s Brooklyn Reading Works will look at the processes by which people collect stories and use them to tell stories. We will have panelists who use oral history practices to document our world and the lives we lead, and the conversation will explore the work it takes to make stories interesting and give them legs to stand on, as it were. Panelists will represent and explore several different genres and styles of the oral historian’s craft, from traditional first-person historical storytelling to the mediations of photography, academic writing, marketing, multimedia, and social advocacy—as well as stories of how collecting stories ultimately affects oral historians as authors and curators of the human experience.
[a] Brian Toynes and Luna Ortiz, with Gay Men’s Health Crisis, who have developed innovative community-level interventions that use personal stories about change and resiliency. Luna is one of the few people documenting the “House and Ball” scene that came to general public prominence in the film, Paris is Burning, and in Madonna’s “Vogue – but which has also had a much more complex and international history over the last 100 years.
[b] Michael Garolfalo, a producer with StoryCorps, who will talk about the work of StoryCorps and the importance of collecting and listening to the stories we can tell each other about our lives.
[c] Mary Marshall Clark, Director of the Columbia Oral History Office. Mary Marshall will concentrate on the stories of of 9-11 that her team collected here in New York and the process of working with these kinds of interviews in order to create a tangible and personal history of these events.
[d] Jason Kersten, author of “The Art of Making Money,” a true-crime story of a young counterfeiter and his life. Jason’s interviews with Art and his family reveal a host of issues that a writer must confront when getting so close to the subject while trying to tell a true story that is compelling, informative, honest, and in the end protective of the subject’s own history and privacy.
[e] John A. Guidry, who has used oral history and long-interviewing techniques in academic writing (community organizing and children’s rights in Brazil), community development research (all over the US), and public health promotion (HIV health and social marketing).
Suggested donation of $5 includes refreshments and wine. Q&A will follow the reading
