This Thursday: Green Brooklyn Event

On Thursday, September 18th, the Center for the Urban Environment will host Green Brooklyn…Green City—drawing over 3000 residents from all five boroughs to a full day symposium event at Brooklyn’s Borough Hall.  “Green Brooklyn…Green City is unique in its sheer size and breadth,” says Aisha Glover, Director of Public Affairs and organizer of the event, “its New York City’s largest showcase of green and sustainability issues, programs, and products.”

At the 4th Annual Green Brooklyn event, businesses, nonprofit organizations, and government agencies come from across the five boroughs to share ideas with the public about how to live greener in their everyday lives. This year’s partnership with Greenmarket expands the event exponentially and couples the great work of the Council on the Environment of NYC with the Center’s own innovative programming. “Relationships like these,” says Sandi Franklin, Executive Director of the Center, “confirm the city’s status as a place of partnership and innovation. This great city is in the forefront of sustainability issues nation-wide.”

It is not surprising, then, that the event features some of the city’s preeminent leaders—from Brooklyn Borough President Marty Markowitz to businesses like Icestone and Green Depot.

With over 75 exhibitors on site, attendees can learn first-hand from local experts about socially conscious investing, how to solar your building, choosing non-toxic home products (and of course where to buy them!) how real urbanites compost, shopping eco-chic, and what New York City is doing to create a more sustainable future.   Some are ‘events within events’ like the film showing of King Corn, a documentary that tells the seed-to-plate story of a crop that drives our nation—and a sustainability panel for nonprofits that features a number of community leaders, including pioneering nonprofits such as Sustainable South Bronx, Fifth Avenue Committee and Solar One.

“Green Brooklyn… Green City is in its fourth incarnation—and is reaching more and more New Yorkers every year,” agreed Franklin. “Its momentum is in close step with the city’s commitment to developing more sustainable communities. We are excited by the energy of this event and are eager to expand our role as a critical resource for discussions about the issues that most affect the future of our city.”

For full details visit www.greenbrooklyn.org

More Vanishing Cocotte News

This just in on the Cocotte front:

After I sent you the photo, the sign in the window changed–to "Coming
soon, Italian restaurant." But that’s still no excuse for painting over
the painted woman!  I wish the new owners had simply touched up the
Cocotte on the mural to make her look like Giulietta Masina in The
Nights of Cabiria.

The Awning is Up

Eric NYC, the new shoe shop on Seventh Avenue between 2nd and 3rd Streets, has put up its awning. It looks like they will be opening up soon.

Eric NYC is an upscale shoe store with locations on the Upper East Side. They’ve done a nice renovation of the shop that used to be Seventh Avenue Books. I am interested to see what the merchandise looks like and the prices.

Lamp Post Flowers for Jonathan Millstein

As is the custom in New York, people are leaving Korean market flowers on the lamp post at Carroll Street and 8th Avenue in memoriam for a biker who was killed there last week. The Brooklyn Paper had this report.

Witnesses said Jonathan Millstein, who lived in Boerum Hill with his wife and
two sons, had been wearing a helmet during his crash, which occurred
just after 8 am. There were no children on board the bus that killed
him, and police did not issue a summons or arrest the driver, cops said.

At first I didn’t make the connection. But then I did. Jonathan Millstein, 50, was a friend of a friend of mine at the New Lincoln School, a private high school in Manhattan. He was Johnny; Johnny Millstein. I met him at Westbeth, where my friend lived. .

Then he married another childhood friend. He and his wife, Emily, owned a shop called Design East in the East Village. They were famous for their Regular t-shirt that a lot of people wore in the 1980’s: A nice silkscreen of a Greek coffee shop coffee cup. Underneath it said "Regular."

I loved their shop and their designs.

They were pioneering people. A t-shirt and silkscreen shop in a building on Second Avenue near Houston Street settled by squatters,  where they sold their own designs. A cool and ironic t-shirt that sold well. Early settlers in Brooklyn.

Millstein was also known for helping out troubled teens. An article in the Daily News has a nice tribute.

A beloved Brooklyn
man known for giving struggling young men a second chance was killed
Wednesday when he was hit by a bus while cycling, cops said.

Jonathan Millstein, 50, suffered massive head wounds when slammed by an empty school bus while biking in Park Slope at 8:15a.m., police said.

Millstein, who owns a silkscreen design and printing shop in Manhattan,
apparently rode through a red light at President St. and Eighth Ave.
when the school bus barreled into him, witnesses told police.

"I’m shocked that he died in such a horrible fashion," said Steve Herrick, 47, a friend who knew Millstein from the building where he runs Works In Progress NYC, a company that designs and prints graphics.

Millstein, a father of two who lived with his wife, Emily, in downtown Brooklyn, was known for employing teenagers and young men from programs for troubled youth.

"Jon was a really nice guy," said Selassie Samuel, 22, a former intern at the victim’s shop. "He was a lenient boss as long as you got the job done."

         

         
 
       

Welcome to the Neighborhood

Thank You For Your Submission, a blogger from Chicago moves to Park Slope and what does she do? She blogs about it:

Finally, you make it to Park Slope and
unpack the truck. Your new apartment has been left in such a filthy, depraved
condition by the previous tenant that it feels radioactive. You start
scrubbing and won’t quit for the next seven days. But before that, you
learn that your rent check–the certified check you sent via
certified mail 18 days ago for your new dump– was lost, somehow. And
the next day you wake up to find that your Uhaul’s passenger side
window was smashed by a thief. You suppose this is your
official welcome to Brooklyn.

311 gets dialed, a police report gets made. After cleaning up the glass, you and your husband return the
damaged truck. For a solid ten minutes you go toe-to-toe with a tiny
Indian man with a pompadour and jagged, sharklike teeth, screaming at
the top of your lungs that you will not pay for the damage, that
you’ve already paid $70 for the Uhaul insurance. You turn out to be
correct, and are not liable. In triumph you march out looking for
pompadour-sharktooth Uhaul man, but he has wisely made himself scarce.
You and your husband go buy a loaf of bread, beer, and a small jar of
olives and pay $18. You know your life in New York has
begun.

But things start
to improve, sort of. The rent situation
gets straightened out. Stuff gets unpacked, put on walls. Books are put
on shelves, library cards are gotten at the Park Slope Brooklyn
Public Library (which is in a historic building and is quite
beautiful). The utilities are changed, new Internet service is
ordered, Lowe’s is found. You learn where to grocery shop, get great
pizza, ok Chinese, and you find the reasonably priced beer of your
choice (Miller). You learned that if you stand on the corner of 16th
Street and 6th Avenue, you can see the Statue of Liberty,
way off.

That was week one.

Crandall Public Library: A Library My Dad Liked

I feel this nice connection with the Crandall Public Library in Glen Falls, a local library near my dad’s house in East Greenwich, New York.

A great connoisseur of books, my dad thought it was a terrific library and he was a lifetime  appreciator of libraries. He always had a big stack of books out from that library when he was spending extended time upstate.

For those who would like to make a donation in my father’s name please do:  Crandall Public Lirbary, 251 Glen Street, Glens Falls, New York 12801. Remember to mention my father’s name.

I just spoke to the person in charge of fund raising there and we discussed some ideas of what they could do with the money and ways to recognize my dad.

She said she knows how important libraries can be in people’s lives and it’s nice to acknowledge that.

I want to visit the library and walk around the stacks. Go the places he might have gone when he was there.

He really liked it there.

The Lady Vanishes

Cocotte1_2
An OTBKB reader wrote to me with this terrible news about the Cocotte mural on the corner of Fourth Street and Fifth Avenue.

"According to the signage, Cocotte—-the much-missed Fifth Avenue French
restaurant-—will reappear as a bistro. But, sadly, La Cocotte-—the
lovely lady in red whose picture graced the restaurant’s Fourth Street
side-—has been painted over with yellow paint. Many of us will miss the
mural that taught us the two definitions of Cocotte—-a small fire-proof
dish, and a lady of the night."

Photo by David Emmett.

Black Ribbon

A few minutes before a Jewish funeral begins, there’s an interesting Jewish ritual of mouring: the tearing of one’s garment or a special ribbon. Called Kriah, this custom is many centuries old.

In the room next to the funeral chapel at Frank E Campbell, Rabbi Bachman instructed us in what to do and offered an explanation. By ripping the ribbon, we face grief directly. Sometimes men rip their neck ties. He gave each close family member a black ribbon pin to wear for a month.

Before the rip was made, the rabbi said a prayer, the words of Job, “The Lord has given and the Lord has taken, blessed be the Name of the Lord.”

And then we all pulled at the end of our ribbons.

I was going to wear that ribbon for a month but it fell off my lapel the day after the funeral. Today I went into Fiber Notion on Union Street to buy a piece of black grosgrain ribbon.

The owner didn’t have any grosgrain in stock but she did have some black velvet ribbon. As I began to describe what I was doing with it, she artfully tied the ribbon into a a small bow tie bow with two pieces of ribbon dangling below. She cut it with a scissor as I described the ritual of tearing one’s garment or special ribbon.

While she was making the Kriah, the song Lullaby of Broadway came across the radio. I told the woman that this was one of my father’s favorite songs, especially the version by Chris Connor. I don’t know who was singing it but it did have a nice swing to it.

The owner of the shop found a lovely purple safety pin in her drawer. Voila, I have a lovely velvet ribbon Kriah. It’s quite different from the one I lost after the funeral. But hey. It was made with a lot of heart and some music, too.

Have you ever heard two turtle doves
Bill and coo when they love
That’s the kind of magic
Music we make with our lips
When we kiss

And there’s a weepy ol’ willow
He really knows how to cry
That’s how i cry in my pillow
If you should tell me
Farewell and goodbye

Lullaby of Birdland whisper low
kiss me sweet & we’ll go
Fliyin’ high in Birdland
High in the sky up above
All because we’re in love

The Living Room Candidate: Check It Out

Check out The Living Room Candidate. Here’s the idea:

“The idea that you can merchandise candidates for high office like breakfast cereal is the ultimate indignity to the democratic process.”
-Democratic candidate Adlai Stevenson, 1956

“Television is no gimmick, and nobody will ever be elected to major office again without presenting themselves well on it.”
-Television producer and Nixon campaign consultant Roger Ailes, 1968

In a media-saturated environment in which news, opinions, and entertainment surround us all day on our television sets, computers, and cell phones, the television commercial remains the one area where presidential candidates have complete control over their images. Television commercials use all the tools of fiction filmmaking, including script, visuals, editing, and performance, to distill a candidate’s major campaign themes into a few powerful images. Ads elicit emotional reactions, inspiring support for a candidate or raising doubts about his opponent. While commercials reflect the styles and techniques of the times in which they were made, the fundamental strategies and messages have tended to remain the same over the years.

The Living Room Candidate contains more than 300 commercials, from every presidential election since 1952, when Madison Avenue advertising executive Rosser Reeves convinced Dwight Eisenhower that short ads played during such popular TV programs as I Love Lucy would reach more voters than any other form of advertising. This innovation had a permanent effect on the way presidential campaigns are run

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Brooklyn for Barack Trip to Philadelphia

Brooklyn for Barack is organizing a trip to Philadelphia to register voters on September 21:

Sept. 21: Fired up for Philly? Two weeks left to register voters!

Want to bring our neighboring swing state home for Obama? Making sure everyone in PA is registered to vote is a great way to help! We will work with the amazing field staff in NW/North Philly, in a combination of door-to-door canvass and voter-reg. hot spots to find and register voters, recruit local volunteers, and lay the groundwork for get-out-the-vote efforts in November

We will be traveling from Brooklyn in a combination of cars and passenger vans. I will get back in touch with you about travel options.

To go on this trip, you MUST email me your name, cellphone number, and neighborhood, whether you have a car or need a ride. If you have a car, how many folks can you take? Email: jeanne@brooklynforbarack.org. Unless I get that information from you, I cannot add you to the list. Please put “Sept. 21 trip” in the subject line. Thanks!

This Thursday: 7th Avenue Restaurant Tour

The Park Slope Chamber of Commerce announces the first 7th Avenue Restaurant Tour.
When: 7:00 PM – 10:00 PM THURSDAY, SEPTEMBER 18

Where: Seventh Avenue from 16th Street to Flatbush

Join a stroll along 7th Avenue, between 16th and Flatbush
where your favorite restaurants (and maybe a few you haven’t yet discovered) will be sampling some of their signature dishes.
The samples are free, so bring your friends and your appetite.

For a list of participating restaurants ( and growing fast every day) and more info contact Buy in Brooklyn or call 718-303-4364.

Today: Make Sure You Have A Health Care Proxy

I don’t. But the hospice social worker convinced me that it is very important to assign a trusted individual to every person  in your family. NOW. Do not wait. I found this online at the New York State Department of Health.

The New York Health Care Proxy Law allows you to appoint someone you
trust – for example, a family member or close friend – to make health
care decisions for you if you lose the ability to make decisions
yourself. By appointing a health care agent, you can make sure that
health care providers follow your wishes.

Your agent can also decide how your wishes apply as your medical
condition changes. Hospitals, doctors and other health care providers
must follow your agent’s decisions as if they were your own. You may
give the person you select as your health care agent as little or as
much authority as you want. You may allow your agent to make all health
care decisions or only certain ones. You may also give your agent
instructions that he or she has to follow. This form can also be used
to document your wishes or instructions with regard to organ and/or
tissue donation.

A Living Will is also a good idea.

Bedbugs!!! A New Musical From Paul Leschen

Paul Leschen, who was briefly OTBKB’s fabulous Brooklyn restaurant critic has resurfaced wearing his musical theater hat. To read his posts go here.

Sorry we’ve been out of touch so long. I still check in on OTBKB now and then. I’m really sorry to read about your father.

Things
are going OK on this end, I guess…I don’t do food writing anymore
(though I’m tempted to try) since food blogs and Yelp! seem to have
killed that art form. But I’m working in the musical theatre world, and
it’s been great.

I’d like to invite you to see my new rock musical, Bedbugs!!!. It’s
about a female exterminator who accidentally mutates NYC’s bedbugs into
blood-thirsty 80’s hair metal rock gods. It also weaves in themes of
fear, neurosis, and the need to rid ourselves of the noxious forces
which creep into our hypothetical beds (Bush, bad relationships, etc.)

The show is part of the New York Musical Theatre Festival (NYMF) and opens on Tuesday, September 16th.

So, if you’re up to it, I’d love for you to come see the show. Our website is bedbugsmusical.com

Smartmom Loses Her Dad

The Brooklyn Paper used the Smartmom page to memorialize my dad. They strung together some of these blog posts. I didn’t know a thing about it. On Friday Hugh said, "I like the thing in the Brooklyn Paper." I didn’t know what he was talking about. Now I do.

Our beloved Smartmom — Louise Crawford — lost her father, Monte
Ghertler, on Sunday. The Brooklyn Paper staff offers its full
condolences — and, in fact, was so moved by our columnist’s writings
about her father’s death on her Web site, Only the Blog Knows Brooklyn,
that we have compiled these excerpts:

In lieu of flowers, the family is asking for donations to the Crandall Library, 251 Glen St., Glens Falls, NY 12801.

Dad, we love you

My dad died yesterday at 4:15. I was with him when it happened. He
was in hospice in the sunny living room of his Brooklyn Heights
apartment on the 27th floor with its view of the Manhattan skyline he
adored.

For most of the day he moaned softly. At 3:45 or so, my sister
played one of his favorite records, scratches and all, on the
phonograph: “Kinderszenen or Scenes from Childhood,” by Robert Schumann.

Just before he died he had three labored breaths. But there was no fear, no panic in his eyes.

Writing the Eulogy

Last week at the hospital, Hillary, my stepmother, told me that my
father wanted me to speak at his funeral. That was an honor like no
other, but also a huge pressure.

How could I write something — anything — that would compare to what my father would say on such an occasion?

His wanting me to do this was his way of showing his faith in me
about this most important thing that we share: the ability to turn
experience into words, to find the right way to say that which is so
hard to express.

Hillary also said that my father wanted me to read a poem and that I’d know which one.

Hmm. I was stumped. Was it something by Yeats, Shakespeare or Frank
O’Hara? I really didn’t know what poem he was talking about. And I was
stressed. But then it came to me: he probably meant the last two pages
of “The House at Pooh Corner,” by A.A. Milne, a book he cherished. I
read this section at my high school graduation and my father was moved
to tears.

So I am putting all my grief, shock, and numbness into the writing
of this eulogy. At my computer is the only place I want to be right now
tinkering with it, making it better, adding things, trying to write
something worthy of the man.

Planning The Funeral

Sitting in the funeral directors plush office at the Frank E.
Campbell Funeral Chapel was surreal; one of those situations you dread
your whole life but is much more normal than you expect.

We had to choose the coffin and discuss my father’s entombment in
the family mausoleum. We even looked at a layout of the mausoleum. We
want my father next to his dad, Dewey.

“Flowers or no flowers?”

My sister wanted flowers, my stepmother did not. No real stalemate.
We decided against them, because we couldn’t really think of a flower
that represented my father.

The secretary typed up the New York Times death announcement that I wrote and we proofread it.

“It needs a comma here,” I said reaching for a pen.

It all felt so ordinary.

Meeting The Rabbi

This morning, my sister and I met with Rabbi Andy Bachman at
Congregation Beth Elohim. He asked a lot of questions and we got a
chance to tell him much about my father’s life.

Rabbi Bachman seemed to enjoy the story about the time my father
went to work at a shoe store. My father, then 19 or 20, assured the
store’s owner that he had plenty of experience in the shoe business,
but when he was caught inexpertly trying to force a shoe onto a large
woman’s foot, the owner replied: “You’re no shoe man, Ghertler.”

My sister told Rabbi Bachman what a funny storyteller my father was.
It felt sad to have to describe it knowing that we’d never again see my
father rub his hands the way he did when he was warming up for a great
punchline.

Afterwards, we waited under the scaffolding at Beth Elohim for a fierce downpour to die down.

I walked toward Seventh Avenue, but the sudden feeling of wet and
cold made me rethink my plan. Then I saw a black car service car and I hopped in
the back.

“You got lucky,” said a man who was standing on the corner of Eighth Avenue as I got into the car.

Today, the grief was a fog around my forehead. I had the sense that
the world was moving on and I wasn’t part of it. I wanted to say,
“Don’t these people know that Monte Ghertler is gone?”

Friends

Friends called all day. One helpfully stopped by my apartment to
pick up an envelope that needed to be driven over to my stepmother’s
apartment in Brooklyn Heights.

I feel overwhelmed at the thought of seeing a lot of people today.
I feel so inside myself and I don’t know if I will be able to connect
with anyone. I’m nervous about my eulogy and keep thinking of all the
things I didn’t say in it.

Monte Ghertler, 1929–2008

Monte Ghertler, legendary advertising copywriter and creative
director, author, songwriter, connoisseur of art, literature, music,
philosophy, birdwatching, opera, and thoroughbred horse racing, died
peacefully in his Brooklyn Heights home on September 7, 2008,
surrounded by loving family members.

Monte, who had a successful career in advertising, had a way with
words, a sharp intellect, a hilarious sense of humor, and a love of
books, music and his family.

He is survived by his wife, Hillary; his daugheters, Louise and
Caroline; his sons-in-law, Hugh Crawford and Jeffrey Jacobson; and
three grandchildren.

This Blog

I don’t remember when my father started to read this blog, I think it was in 2004 or 2005, but for a few years he read it every day. He especially liked the first year or so when I was writing Smartmom posts daily.

He really liked Smartmom and read the column every Saturday morning in the Brooklyn Paper. He would go to a deli at Pineapple and Henry in Brooklyn Heights where he could always pick it up.

That meant a lot to me.

Now I’m just so glad that I started this blog because it was a way my father could see my writing without me having to actually show it to him—that would be way too intimidating. He was a writer, an intellectual, and a great appreciator of literature. Needless to say, I was always too timid to show him any of my creative work, my novel, my poems.

He did love the songs I wrote when I was a songwriter in my teens and twenties.

But my writing. I was afraid to show him because he was an arbiter of taste and value in my lexicon of life and his opinion was always fraught. A random comment or criticism could really destroy me.

But with the blog I just put the writing out there. I always said that was the reason I started it. What I didn’t realize until yesterday was this: the blog and the column were my way of sharing myself with the father I so admired.

Now I’m so glad that I did.

Old Boyfriend

An old boyfriend called yesterday. I called him first to tell him that my father died. We were a couple from 1979 until January of 1987 and we spent great deal of time with my father and stepmother. I knew that he’d want to know as he admired my father and really enjoyed being around him. My father liked him, too. They shared a deep and abiding interest in books and literature and both attended UCLA (at different times of course). 

I wasn’t sure if my old boyfriend would call me back. I called him after 9/11 just to check in and share what had just happened. We spoke briefly and he promised to call back but never did.

This time he called back. We had a very nice conversation. My old boyfriend is a deep and wise fellow. Ten years older than me, our conversations were often complex and far reaching. His words of comfort yesterday were comforting.

"I think we have memories because it’s so hard to vanish from one another," he said quietly.

"That’s really well said," I said.

"I guess. I think a lot about these thing," he told me.

Talking About My Dad

So many people have asked me to describe my dad. For those who weren’t at the funeral I say, read the eulogy. Yet, with each passing day, I come up with dozens of memories that were not included (I mean, it couldn’t be THAT long a eulogy).

Sometimes I feel like I say the same thing over and over:

He was a brilliant, intellectual man with a great sense of humor.

He skipped out on his college graduation at UC Berkeley to see a famous race horse run.

He wrote great concepts and headlines when he was in the advertising business from the mid-1950’s to the late 1980’s (Aunt Jamima, what took you so long? Who Says a Newspaper Has To Be Dull? Quaker Oats: The Cereal Shot From Guns, Do It The French Way, Step up to Dutch Masters and smile brother smile, Quisp and Quake, Get Your Daily Dose of Dallas…to name a few).

He wrote a screenplay about the night Henry David Thoreau spent in jail, a
Thoreau calendar, an opera based on Nixon’s Checkers speech, a suite of
songs which can be heard on a terrific album by Bob Dorough called This Is A Recording of Pop Art Songs with
lyrics based on a weather report, a Brooks Brothers collection bill, a
traffic ticket, a laundry ticket and the Webster’s dictionary definition of love. There was also the best
selling book called The Couple.

He loved to birdwatch, to read and to look at his view of the lower Manhattan skyline.

He studied the New Yorker listings for art, theater, music, and films he wanted to see.

He loved his house in rural East Greenwich, New York. It was his 40 acres and a lake not too far from Saratoga Race Track.

He watched the towers fall on 9/11 and told me: "What was once the most beautiful view in the world is now the ugliest."

He told fantastic stories. My son has them memorized but I will miss the way he told them.

He was a funny, funny man who had a magnetic personality. He was a tough critic and a great person to walk through a museum with though it could be intimidating. He loved the opera,  Louis Armstrong, Billie Holiday, Bessie Smith, Duke Ellington and Sidney Bechet; he collected jazz and classical LP’s.

He was a loving and protective dad; I  remember he called the morning of Hurricane Gloria back in 1986 and told me to stay home and I did.

He reached for my hand when I crossed the street until I was well past 30; he almost didn’t let me go on a bike trip with two girlfriends from North Carolina to West Virgina when I was 17. Finally he relented; he wouldn’t let me take a semester off from college afraid I’d never return; he visited me every day when I was in the hospital with pre-term labor with Henry…

I cherished every word he wrote me in Birthday cards. I especially loved his doodles of elephants and airplanes.

It was easy to take care of him the way we did at the end. Our love for him abundant and overflowing.

The Shiva

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Shiva means seven in Hebrew and it is the term for the week-long period of grief and mourning for one’s father, mother, son, daughter,
brother, sister, and spouse. During that week, most ordinary activity is suspended and the family is meant to sit shiva at home. Shiva is just one of the bereavement rituals in Judaism.

We decided to receive shiva calls on Thursday and Friday at my father’s apartment with its incredible view of Lower Manhattan. I knew Thursday would be incredible because the Tribute in Lights would be in full view at dusk.

My father witnessed the events of September 11th from his window and was never able to wash those terrible images out of his head. He told me once that he took pictures with a film camera but has never looked at them. I’m not sure he even had them developed.

At that time seven years ago and after he said, and I paraphrase, "What used to be the most beautiful view in the world is now the ugliest."

At the shival tonight, friends filed into the apartment with bags of delicious food. It seemed to be an unusually delicious array of cheeses from Balducci’s, desserts from Sweet Melissa’s, fruits like figs, peaches and plums, homemade quiche and a beautiful fruit tart.

And of course, there was much wine. I brought the bottle of Balvenie single malt scotch, which my father gave to Hugh on his birthday last June. Somehow the deep and woody aroma of this scotch is more evocative of my father than anything. My father loved to add to Hugh’s collection of interesting scotches and he’d always ask for a sip when he came over.

At dusk, the two beams of light did shoot up into the blue night sky. Friends watched in awe as the sky got darker and the lights more vivid.

The Funeral: My Sister’s Eulogy and The House at Pooh Corner

My sister’s eulogy at my father’s funeral was heartfelt and poignant. I will try to summon up as much of it I can remember:

Although the last few months were very difficult, there were moments of grace and joy that I was able to recognize.

When my father left the hospital after a week-long hospitalization in January, I came to pick him up and I assumed he’d want to go home. He asked, "What are you doing now?" I said, "We’re taking you home." But my father had other plans. "Lets go see the Pissarro show at the Jewish Museum."

I will always remember that.

Last fourth of July when we all gathered to watch the fireworks from his window, I remember when his grandson Henry came in with a group of his friends. My father’s face lit up. Later I saw them sitting next to each other on the couch and I was very moved by the site of the two generations talking.

I will always remember that.

My father was, in his own words, "crazy about Sonya" my 4-year old daughter. He loved to be around her and in recent months kept a picture of her near his bed so that he could see her face first thing in the morning. That eally cheered him up.

In the last weeks my father was in and out of consciousness. We brought him home on Friday and on Saturday he whispered "I love you" to me. That is something I am so grateful for and will never, ever forget.

What I’m going to read is what we think my father wanted us to read at his funeral service.

My sister then read the last three pages of The House at Pooh Corner, the end of a chapter called, Christopher Robin and Pooh Come to an Enchanted Place, and We Leave Them There.

She read it slowly and beautifully, which allowed the humor and poignancy to shine through. It’s a difficult section to read because it’s a halting dialogue between two of the most famous characters in children’s literature. My sister’s voice was appropriately childlike and sweet for Christopher Robin and cute and slightly confused for Pooh. This excerpt works on so many levels of interpretation. It really was an amazing reading of something, we think, my father would have enjoyed. Here it is:

Then, suddenly again, Christopher Robin, who was sill looking at the world, with his chin in hands called out "Pooh!"
    "Yes?" said Pooh.
"When I’m—when—Pooh!"
"Yes, Christopher Robin?"
I’m not going to do Nothing any more."
"Never again?"
"Well, not so much. They don’t let you."
Pooh waited for him to go on, but he was silent again.
"Yes, Christopher Robin?" said Pooh helpfully."
"Pooh, when I’m—you know—when I’m not doing Nothing, will you come up her sometimes?"
"Just me?"
"Yes, Pooh."
"Will you be here too?"
"Yes, Pooh, I will be, really. I promise I will be, Pooh."
"That’s good," said Pooh.
"Pooh, promise you won’t forget about me, ever. Not even when I’m a hundred."
Pooh thought for a little.
"How old shall I be then?"
"Niney-nine."
Pooh nodded.
"I promise," he said.
Still with his eyes on the world Christopher Robin put out a hand and felt for Pooh’s paw.
"Pooh," said Christopher Robin earnestly, if I—if I’m not quite—" he stopped and tried again—
"Pooh, whatever happens, you will understand, won’t you?"
"Understand what?"
"Oh nothing." He laughed and jumped to his feet. "Come on!"
Where" said Pooh.
"Anywhere," said Christopher Robin.

Firsts

A friend at the shiva tonight told me something he was told when he was sitting shiva for his father, who died not long ago.

"He told me I was going to be alright but that the hardest thing will be the firsts. The first birthday, the first holidays, the first…"

"New Yorker," I said.

My friend laughed.

On Wednesday I stared at the table-of-contents of this week’s New Yorker Magazine and realized that it was probably one of the first New Yorker’s in the last, say, forty years (at least) that wasn’t perused by my father.

The thought gave me a chill. The idea that life goes on after the death of a loved one is hard to take at a time like this.

The fact that the Talk of the Town and the listings will continue on after my father—a man who studied the New Yorker’s listings closely for theater, music, and art he wanted to see—is gone was, for a moment, deeply, painfully sad.

This was the first funeral my friend has attended since his father’s funeral and that was hard for him. But as he stood out on the roof deck of my father’s apartment building staring at the Tribute in Light, which sent two beams of light into the blue night sky he said, "This is a miracle, isn’t it? This view."

The Funeral: The Rabbi

Rabbi Andy Bachman officiated at my father’s funeral on Wednesday. He spoke beautifully and we were blessed to have him with us at the funeral chapel and the cemetery. A friend wrote to me about  something he said.

    My favorite moment was when the rabbi said "your father was a fortunate man…to have such daughters."  I came home telling Max that I’d heard one of the most poetical and powerful motes, really the most holy nugget of any sacred sacred syllables I’d ever heard in my life in any liturgical moment.  It was a kind of reversal of patriarchical biblical. Power of the female.

My sister is a member of Congregation Beth Elohim, which is Bachman’s synagogue. A fellow blogger, Andy’s blog, Notes, is a thoughtful and thought provoking journal about the  thoughts and daily practice of a raibbi. Before joining Beth Elohim, he founded a group called Brooklyn Jews. He had this to say about my father’s funeral:

    I learned a very simple and profound lesson today while helping friends with a funeral.

    A beloved man died at age 79 and the structure of mourning and remembrance that was so carefully set in place by his daughters was so perfectly attuned to his wishes and to his abiding influence on them as a parent so that even as they were choosing on their accord how to remember and honor him, his touch and voice could still be heard.

    I was so cognizant at that moment of the particular blessings of death–paradoxical as it may seem but it’s true. Love sometimes is so keenly felt at the foundation of a relationship that even when one dies, their presence remains and in real time, one “sees” their soul gently yet radically alter in form.

    Today at the funeral their was exquisite music; humorous and heartfelt stories, delivered with great craft and robust love; and, the most devotional of eulogies displayed by two daughters of a father that I have ever seen or heard.

    It’s a bitter lesson to have to know that even dying is a gift that the dead give to us; but it’s true at times. And it was certainly true today.

    May comfort come speedily to all those who mourn and may the presence of those who’ve gone last forever and ever.

The Funeral: The Music

My friend Amy Burton, who I’ve written about often on this blog, and her husband pianist John Musto were kind enough to agree to play a song by Schubert at my father’s funeral. Amy wrote this the day before:

John and I played through a bunch of Schubert and Schumann, and
Schubert’s Du bist der Ruh (the one playing in my head this morning)
was the best for length, feeling (moving without being morose) and
non-religiosity. 

If you’re interested, here’s a link to the translation:

http://www.recmusic.org/lieder/get_text.html?TextId=18177

Also, I called the funeral home to ask about the piano, and it sounds like a nice grand – very elegant.

Amy spoke briefly before she sang about all the time she’d spent with me in the Riverside Drive apartment during high school and after and her memories of my dad and "that record collection" which she said was a part of her musical education.

Then she and John played and the music made me feel emotions I haven’t been able to access during the last, most difficult weeks of my father’s illness. A combination of joy and loss, the song was a powerful evocation of, as Amy said, the illumination of love. I  actually sobbed during the piece and partly it was out of  satisfaction that my father was being honored in this way. I know my father hadn’t heard Amy perform in more than 30 years but he followed her operatic career with great interest, always asked how she was doing, and somehow knew if she was performing in New York City.

At the end of the service, pianist Alvin Novack, a noted concert pianist and teacher on the South Fork of Long Island, played a Chopin Mazurka, which he said was something that reminded him of my father. He told those assembled that he and my father "were friends as boys in Los Angeles,"  where my father spent his high school, college and post-college years. I found this article about Novack, who like my father, moved to Los Angeles as a teenager, in the East Hampton Star:

As a teenager in Hollywood in the 1940s he was in the midst of a European community. His friends were the children of Thomas Mann, of Bertolt Brecht, "and I got the picture early on. It rubbed off on me."

When his father died ("It was probably the shock of the warm weather"), the teenaged boy stayed on alone and put himself through college.

"Then I was 25 and I suddenly realized I was old for California. So I came to New York City, where 25 was young."

Listening to Novack play I again experienced a crushing and formidable combination of joy and grief. I also felt strongly that we were honoring my father with the power, the beauty and the lyrical melodics of the music. The piece ended on a non-resolving note of such hopefulness and mystery that it made me gasp inwardly.

Afterwards the rabbi spoke briefly and beautifully and we played a piece of music chosen by a friend of my  fahters; she was sure it was one of my father’s favorites. It played as people filed out of the chapel. Pastor Daniel Meeter of Old First Church sent me a translation of The Chorus of the Hebrew Slaves from the opera Nabucco, by Verdi and his own feelings about my father’s funeral:

Fly, thought, on wings of gold,
go settle upon the slopes and the hills
where the sweet airs of our
native soil smell soft and mild!
Greet the banks of the river Jordan
and Zion’s tumbled towers.
Oh, my country, so lovely and lost!
Oh remembrance so dear yet unhappy!

Golden harp of the prophetic wise men,
why hang so silently from the willows?
Rekindle the memories in our hearts,
tell us about the times gone by!
Remembering the fate of Jerusalem
play us a sad lament
or else be inspired by the Lord
to fortify us to endure our suffering!

This chorus is sung by the Hebrews who were carted off to captivity in Babylon by Nebudchadnezzar. This chorus earned Verdi his greatest early fame. Every patriot in Italy learned to sing it. At that time, northern Italy was under Austrian rule, and the Austrian censors were very strict on stifling any Italian patriotic songs. So this chorus became an Italian patriotic song, a song of liberation, freedom, and aspiration. I love this chorus. I was thrilled as soon as I heard the opening chords. It was as perfect a choice as the others: Schumann Kinderszenen, Rabbi Bachman, The House at Pooh Corner, and the Chopin Mazurka.

Eulogy For My Father

I have a really cool dad. Ask any of my friends. It’s one of the very first things you learn about me.

I always felt that way and I still do. In fact, today I feel it even more strongly than ever.

There is so much to say about this man who lived (and died) in a 27th floor Brooklyn Heights apartment with a sumptuous view of the NYC skyline he adored.

A man of many passions, including his wife Hillary, his children, grandchildren, relatives and many friends, my dad enjoyed an eclectic array of culture both high and low including painting, sculpture, literature, music of all kinds, philosophy, film, bird watching, horse racing, food, wine, the natural world and so much more. One has only to browse his huge collection of books and records to see the scope of this man’s interests and the places his mind liked to travel.

To say he was smart would be an understatement. This was a man who read almost constantly and always knew what was going on in the world, the city he loved, as well as what was going on at the museums, the Chelsea galleries, the local film houses, jazz clubs and concert halls.

A connoisseur of both the pop and the esoteric, the atonal and the swooningly harmonic, my father loved Louis Armstrong, Billie Holiday, Cole Porter, George Gershwin and Duke Ellington as much as he appreciated Debussy, Bach, Schumann, Schoenberg, opera, Roland Barthes, William Butler Yeats, Martin Heidegger and Theodor Adorno. 

He loved the new as much as the classic and always liked to be—no needed to be—up to date on the latest thing in the cultural zeitgeist.

But the classics were his passion and he knew his way around the  Metropolitan Museum, where he loved to peruse the 19th century paintings, the ancient Chinese art and the New Greek and Roman sculpture Galleries on the first floor.

And then there were the horses.

His lifelong love of horse racing meant that he missed his own college graduation from the University of California at Berkeley so that he could watch Citation, a Triple Crown racehorse, run in nearby Golden Gate Fields. It also meant that he spent every August at Saratoga Racetrack, not far from the beautiful colonial country home in Washington County, New York he shared with Hillary.

Born to Ethel and Dewey in 1929, Monte grew up in Manhattan a smart, funny kid whose parents divorced when he was young. He lived with his mother and maternal grandparents and sometimes with his beloved Aunt Gladys and Uncle Al Luria in their palatial apartment on East 88th Street with its view of the Guggenheim and the Central Park Resevoir.

Later his parents remarried one another and they moved to LA, another city close to his heart, where my dad became an avid collector of jazz records and autographs, and a student at LA High. He graduated from the University of California at Berkeley and did graduate studies at UCLA in philosophy where he made many lifelong friends.

Returning to New York in the 1950’s, my father went to work in the mail room of an advertising agency and was soon promoted to copywriter when his talent for brilliant word-smithing was discovered.  Soon after he met my mother on the island of Nantucket. They married, had twins and lived on Riverside Drive while he became creative director at Papert Koenig and Lois, an innovative advertising agency..

After PKL went out of business my father spent a couple of years pursuing his own personal projects including a screenplay about the night Henry David Thoreau spent in jail, a Thoreau calendar, an opera based on Nixon’s Checker speech, a suite of songs which can be heard on a terrific album by Bob Dorough called This Is A Recording of Pop Art with lyrics based on a weather report, a Brooks Brothers collection bill, a traffic ticket, a laundry ticket and my sister and my favorite, Webster’s dictionary definition of love. There was also the best selling book called The Couple.

Did I mention that he was a three-time winning contestant on TV’s Who, What or Where Show, probably one of the most exciting times of my life.

Later he met his second wife Hillary, whom he loved dearly. They married in 1989 and enjoyed a full and interesting life together in Brooklyn Heights, Fisher’s Island, and East Greenwich with many interests, friends, and travel to places like Death Valley, Paris, Monhegan Island, and the islands of Greece.

My father retired from advertising sometime in the early 1990’s, which gave Dad and Hillary plenty of time to enjoy their life in Brooklyn Heights and rustic East Greenwich, where they also made some wonderful friends.

In 1991, my husband Hugh, newborn Henry and I followed my father and Hillary to the borough of Kings. Living in Park Slope, it was great to live our lives in close proximity. We had so many memorable times celebrating holidays, birthdays, talking around the dinner table, and watching fireworks from their windows.

Last Fourth of July, a small group of family and neighbors gathered to watch. My dad had been sick for almost a year and it was a gift to be able to do this with him. We’d always joke that my dad was putting on a private show just for us. It really felt that way when the Grucci fireworks illuminated the sky right outside his windows. Thanks dad, we’d say, for putting on such an incredible show.

To say that my father was a huge influence on me would be another understatement.

His appreciation of music and art is inscribed in me as it is in my children. So is his love of words and his superhuman ability to come up with great copy, just the right turn of phrase, something funny, a double entendre or hard to ignore headline. (Get Your Daily Dose of Dallas). An idea man, he was revered by all who worked with him for his pitch perfect instincts and conceptual flair.

So what was it like to have such a cool dad and grandfather? 

Well, my father was a good and generous man who loved his children and his grandchildren, who never forget a birthday, Halloween or Valentine’s Day card and always tried to give everyone the gift they really wanted. I can still hear him ask, “So what does Alice want for her birthday?”

He was protective in all the right ways. I was 30 before he stopped reaching for my hand when we crossed the street. And who can forget the first time I took the crosstown bus alone to school and he followed behind on his bike. And when I needed help (and boy have I needed help) he was always there).

My son Henry, now 17, adored my father and was endlessly impressed by the hilarious true stories he used to tell. For years Henry would ask why doesn’t someone do a documentary about grandpa? Why isn’t grandpa on NPR? Henry is now the repository of all those great tales.  He also wears his grandfather’s shoes (as they share a shoe size) and ties.

Last week at the hospital, Hillary told me that my father wanted me to speak at his funeral. That was an honor like no other but also a huge pressure. How could I write something—anything—that would compare to what my father would say on such an occasion?

Obviously he knew that I’d work hard to convey the multi-faceted man that he was. He knew I’d try to write something worthy of him.

His wanting me to do this was his way of showing his faith in me about this most important thing that we share: the ability to turn experience into words, to find the right way to say that which is so hard to express.

He also told her that he wanted me to read a poem and that I would know which poem he meant.

Hmmmm. I was stumped. And then I felt pressure. Was it something by Yeats, Shakespeare or Frank O’Hara? I really didn’t know what poem he was talking about.

But then it came to me, he probably meant the last two pages of The House at Pooh Corner by AA Milne, a book he cherished. I read this section at my high school graduation and my father was moved to tears.

Now my sister Caroline will read it to you. It’s a beautiful passage and it sums up my father’s penchant for existential sentimentality. Thank you dad for sharing this with us and for everything else you taught us to listen to, read and see.

Don’t worry, dad. We will never ever forget you.

How could we? You are the coolest dad in the world.