Somehow it seemed appropriate to honor George Harrison, once the under-rated Beatle, in Brooklyn, once the under-rated borough.

Second fiddle no more. A large group of Brooklyn musicians restored George Harrison  to his rightful place in the pantheon of 20th century genius songwriters.

In other words: George Harrison: you rock. And so do organizers Greta Gertler and Adam D. Gold, whom, just weeks after the 20th anniversary of John Lennon’s death (and the attending tributes and nostalgia) had the audacity and the common sense to celebrate another ex-Beatles masterpiece from 40 years ago.

Only in Brooklyn could a super group of stellar musicians calling themselves The Universal Thump come together to recreate the Phil Spector-style wall of sound that enhanced George Harrison’s 1970 All Things Must Pass.

Only in Brooklyn could this dizzying array of vocalists and instrumentalists, perform the entire, yes, the entire three-album set.  In the process they brought down the house not once but numerous times during the three-hour show at The Bell House last night, November 29th, the 10th anniversary of Harrison’s death from cancer and just days away from the albums release date in 1970.

All Things Must Pass, co-produced by Harrison and the legendary (and scary) Phil Spector, is an album loved by many, including Greta Gertler and Andy Gold, the team behind this hugely ambitious undertaking.

I asked Gertler, a singer/songwriter and pianist, what it is she loves about the album, which ranges from spirituals  such as “My Sweet Lord” to a host of country-style ballads and ‘wall-of-sound’ pop masterpieces such as “What is Life?”

“The album is just so inspiring. I love every minute of it and it makes me feel like writing songs is important in the world,” she told me. “The album is consistently fantastic with a spirit of adventure and exploration.”

“Will there be another show of this?” I asked Gertler after the show eager to know if this group of 40 musicians are set to repeat the magic of Monday night.

“I haven’t even gotten that far,” she told me.

Indeed, Gertler had every right to be exhausted (and elated). What she and Gold accomplished was a masterful feat of producing. The matching of singer to song was near perfect and the musical arrangements were mind boggling good. The album itself is so brilliantly calibrated from song to song that the concert itself had an almost perfect pace.

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