POSTCARD FROM THE SLOPE_FOR SALE: BRAND NEW DOWN JACKET

DONTCHA HATE FINAL SALE ITEMS OR DO YOU WANNA BUY A DOWN JACKET?

Case in point. For my dad’s birthday, my sister and I decided to buy him a Brooklyn Industries down jacket. We went to the Brooklyn Industries on Fifth Avenue at Union Street and looked around. We noticed in the back of the store a rack of marked-down Glacier Down jackets in aubergine, gray, and yellow marked down to $35.00 from $98.00. Just what we were looking for.

We knew it was risky to buy a final sale item for a gift but we figured what the hell. We liked the jacket, it was a good price and we’d cross just our fingers that it would fit. To be fair, the sales person made it VERY CLEAR THAT IT WAS A FINAL SALE ITEM. IT’S NOT RETURNABLE AND NOT EXCHANGABLE.

But since it was only $35, we figured, if it doesn’t fit or he hates it, we’d give it to Son or chalk it up to a shopping fiasco.

"To be honest," my sister now says, "we weren’t really thinking."

At The Garden Cafe on Saturday night where we celebrated my father’s birthday, Dad loved the jacket and tried it on. It seemed to fit but when he went to the restroom to see how it looked in the mirror, he decided that the next size might be a better fit.

"Surely you can exchange it for the next size?" my stepmother said. My sister and I looked at each other nervously. "Actually, we can’t," I explained. There was a moment of shocked silence. "But don’t worry about it we’ll get if for you in the next size." We were between a rock and a hard place. If we admitted how little the jacket cost we might seem cheap…

On the way over to Brooklyn Industries Sunday morning, my sister said: "You can handle this. I don’t think they’re going to let you exchange it for the next size. But I don’t to have a scene with the salesperson. " I knew she was probably right but I wanted to try to appeal to their humanity.

ha ha.

"I know this is against the rules," I said cheerfully to the woman behind the counter. "But I’d like to exchange this for an XL because I bought it for my dad and it was a little small." She then launched into the "WE TOLD YOU IT WAS A FINAL SALE SPEECH" and explained: "final sale means we’re trying to get the merchandise out of the store and to bring it back in defeats the purpose. We’re not the Gap or Banana Republic, you know," she added.

Anger was mounting inside of me.  I’m from the customer is always right school of thinking. Especially in a community like this. "I know you’re not the Gap or Banana Republic," I said. "That’s not the point. It’s more of a customer satisfaction issue. I just wish he could have the size he needs. But I understand," I said with all my resevoirs of restraint. It was obvious that she wasn’t going to move an inch on this matter.

Besides, they didn’t even have the jacket in XL.

TO MAKE A LONG STORY SHORT,  I picked out a slightly more expensive army green jacket for Dad (try 4x more expensive: $138.00). It wasn’t on sale and is returnable or exchangable for 14 days.

But now I appeal to readers of OTBKB. Does anyone need a  brand new, never worn aubergine  down jacket that looks something like this one except it doesn’t have a hood.  http://www.brooklynindustries.com/Glacier-Down-P353C50.aspx

It’s really nice and I can give it to you for $35.00. Email me at louisecrawford@gmail.com if you interested. SPECIAL BONUS: BUY IT HERE AND HUGH CRAWFORD WILL TAKE A PICTURE OF YOU IN THE JACKET AND WE WILL POST IT ON NO WORDS_DAILY PIX.

STUFF AND THINGS

DOCUMENTARY AT THE LIBRARY: On Tuesday, January 17, 7 PM at the Brooklyn Public Library at Grand Army Plaza: Documenting Brooklyn Film Series: Los Sures, Produced and directed by Diego Echeverria

Known locally as Los Sures to the many Latinos that live there, Brooklyn’s South Williamsburg has long been one of New York City’s poorest neighborhoods. Filmed at a time when gang and drug-related violence exacted the heaviest toll on the area, this insightful, historically important documentary and its unmediated, candid profiles of five neighborhood residents give voice to a beleaguered community struggling to get by. 58 min.

ARE YOU HAVIN’ A BABY?

Expectant Parents Workshop
Monday, February 13 at 7-9 pm
at Families First
250 Baltic Street
to register, call 718-237-1862
www.FamiliesFirstBrooklyn.org

Taught by the author of City Baby Brooklyn: The Ultimate Guide for Parents from Pregnancy through Preschool–Are you expecting? Wondering what you really need for the new baby? If so, sign up for this Expectant Parenting workshop, which will cover all of the essentials on what to get for your new arrival and where to get it in Brooklyn. There will also be a discussion on what to expect after you bring your baby home, and will address topics such as how to find a lactation consultant, a local mommies group, and tips for surviving the first few weeks. The class also offers you a chance to bond with other expectant parents. The workshop will take place on Mon. Feb. 13, at 7:00 pm, at Families First, 250 Baltic Street, Brooklyn, in Cobble Hill. The cost is $25 for Expectant Mom only. $40 per couple. Sign up at least a week in advance.

POSTCARD FROM THE SLOPE_SORRY NO GUMMIS

Kate, a reader of OTBKB, saw this on Craig’s List and sent it my way. It gave me a laugh. Thanks Kate.

I prefer the Lime over the Orange and recently bought what appears to be an Orange-heavy pack.  If you have a Lime Lifesaver, we can do an even swap.

Sorry, no Gummis.

* this is in or around Brooklyn, NY
no — it’s NOT ok to contact this poster with services or other commercial interests

POSTCARD FROM THE SLOPE_LA BAGEL DELIGHT

Yesterday, one of the guys at La Bagel Delight learned that the store figures prominently in a scene in Paul Auster’s new novel, THE BROOKLYN FOLLIES.

"I just found out about in The Park Slope Paper," he said. "We really oughta get a copy of that book in here."

I asked him if it was true that a customer had once ordered a cinnamon Reagan bagel to which one of the guys responded: "I don’t have any cinnamon Reagans but I can give you a pumpernixon."

He said it happens all the time. "People ask for Pumpernixons and Sesame Street bagels. It happens all the time."

POSTCARD FROM THE SLOPE_THE THIRD GRADE TEST

DAMN these standardized tests that have our third graders so nervous. Daughter’s teacher is pissed off, too.  "They’re so young. They’ve never taken tests before. They don’t even know how to fill in the bubbles," she told me. This very experienced and sensitive teacher really feels for her students.

And so do I. Daughter has been taking the whole thing very seriously. On Monday night she came home from school and said, "No homework because tomorrow’s THE TEST.  I have to get a good night’s sleep and eat a good breakfast."

We didn’t talk much about the test but we worked hard on the good night’s rest part. Daughter got into her footy pajamas at 7 pm and was in bed before 8.

"I’m not tired," she said less than five minutes later. By 9 p.m. she was FINALLY asleep. But that after I read her two picture books and three chapters of BEAUTY AND THE BEAST.

Fast asleep, she looked so adorable and young in those footy pajamas with the reindeer design. Too young to be taking a god-damn bubble test that will determine her promotion to fourth grade.

Tuesday morning, Daughter wanted scrambled eggs. By the time she was ready to eat, they were a tad cold.

"Heat them up, please," she said. "They said we should have a GOOD breakfast!"

This morning we dispensed with the scrambled eggs and were out of the house before 8 a.m.

"I really want you to have a toasted bagel with cream cheese at the Mojo. Remember you need to have a good breakfast," I told her walking up Third Street toward Seventh Avenue.

"Just because they said that doesn’t mean we have to," Daughter said, ever the one questioning authority.

"You know why they say to have a good breakfast? Because your brain works better when there’s food in your stomach. It’s hard to think when you’re hungry." I explained.

"Don’t you think you can think VERY CLEARLY when you’re SCARED TO DEATH that you’re going to FAIL THE TEST." Daughter said.

Daugter ate a rainbow sprinkled Krispy Kreme donut at the Mojo. My girl. She doesn’t have anything to worry about at all.

POSTCARD FROM THE SLOPE_THIRD ST. APARTMENT

I was surprised to learn that Tom and Honey, two characters in Paul Auster’s new book BROOKLYN FOLLIES, move into an apartment not unlike mine.

From page 281: "In March of 2001, they moved into a co-op on Third Street between Sixth and Seventh Avenues; an airy light-filled place on the fourth floor with a sizable living room in front, a modest kitchen and dining room in the center, and a narrow hallway, tht led to three small bedroom in the back (one of which Tom converted into a study)."

Our apartment is notable for its sizable living room AND dining room. I guess you could call the kitchen modest. And yes, a narrow hallway leads to three small bedrooms in the back. They are very small. We never thought we’d last here this long. We didn’t think a teenager would fit in one of those bedrooms. But he does. Quite nicely, I might add.

Husband had a computer-filled office in one of the bedrooms before Daughter was born. But then he had to vacate it and he got a job in the city. Then he did photography in the living room. Now he’s got a job in the city again.

It took days and days for Husband to pack up that office. It was amazing how much in the way of equipment, wires, electronic devices, magazines, and manuals he fit into that office.

Now it’s Daughter’s room, filled with all kinds of tchotckes, a huge Fisher Price dollhouse found on the street the day after Christmas, books, stuffed animals and American Girl dolls in various poses on the window sill.

There are at least ten identical limestone apartment buildings on Third Street. Some have the kitchen near the front, some in the back. Some have three small bedrooms. Or two slightly larger bedrooms. Still, there are approximately 80 apartments that are practically the same between Sixth and Seventh Avenue.

I wonder which building Auster was talking about. 

POSTCARD FROM THE SLOPE_TIES

Now we know that Husband is indispensible.

He left for California on Saturday morning. On Monday morning, Son got dressed according to his school’s dress code: in black khakis, a white button-down shirt, lace-up shoes. He was about to leave when…

"My tie. Dad’s not here to tie my tie," he said.

Panic set in. We’d completely forgotten about the tie. Husband has been meaning to show Son how to tie it since September but both of them were loathe to give up their bonding moment every weekday morning. Or so it seemed.

"I’ll get in trouble if I don’t wear my tie," Teen Spirit said. "I can’t go to school."
"Not so fast young man," I said. "I’ll call Ed." I dialed the number of our neighbor downstairs but there was no answer. I tried again to no avail. Then I did a quick accounting of our other male neighbors. Most of them leave very early in the morning…

Then I called my sister. "Do you know how to tie a tie?" I asked.
"Nope," she said.

Then I remembered that Daughter knows how to tie a tie. She’s watched Husband do it so many times for Son that she figured it out.

"I don’t remember how to do it," she said in a manner that made me think she was either telling the truth or trying to sabotage her brother.

"Well, I guess I can’t go to school," Son said.

Unfortunately, I was in a big rush: had to be in the city at 8:30 a.m. My hands were tied, so to speak.

"Can’t you ask the school administrator or one of your friends?" I asked. Son looked pained. Clearly, he didn’t want to share with his school friends or the school administration that he can’t tie a tie.

"Do what you think is right," I said running out the door with Daughter.

"Okay. And I’ll spend the morning learning how to tie a tie. I’ll google it on the computer and figure it out." he waved cheerfuly.

When I got home that afternoon, Son had, indeed, figured out how to tie a tie. There were ten ties tied hanging on various pieces of furniture in the living room.

Ten ties ready to go. He won’t have to miss any more school this week.

POSTCARD FROM THE SLOPE_RECITAL

Daughter’s friend Sarah had a piano recital on Sunday at the Castle Living Residence on Prospect Park West at Union Street. It turned out we knew quite a few other kids who were in the recital, either playing piano or flute.

Old age homes make me nervous. Always have. I grew up down the street from something called "The Riverview Willard," a really depressing old age home on West 86th Street, where the ancient-looking residents would sit out on the street in wheelchairs, on benches, and folding chairs, looking terribly bored, unhealthy, and sad.

That was back in the 1970’s and things have changed quite a bit. The Castle Living Residence has a lovely lobby with a doorman; more like a luxury apartment building. A sign in the elevator said: Yoga in the morning, the children’s recital at 2 p.m. and "North" a Rob Reiner movie that evening.

By the time we got to the social room on the fifth floor, there were barely any seats left. Priority, of course, went to the dozens of residents who had come out for the show. Then there was the big crowd of parents, siblings, grandparents and friends of the performers.

Standing Room Only.

With 14 performers and a a long program, I nervously expected the show to last hours. But piano/flute teacher Helen Richman is well-organized and clearly knows what she’s doing. The recital ran  smoothly and quickly, starting with a simple but impressive etude played by a 4-year-old followed by a double-threat flutist/pianist in baggy red tights and an adorable plaid party dress with a sash.

A dramatic rendition of the "Star Wars" theme came soon after, as did versions of "Ode to Joy," the "Dreidel song," "When the Saints Go Marching In," "Greensleeves" and more.

An impressive trio of pre-teen flutists made beautiful sounds with their flutes —  something that is not very easy to do.

The audience, many of whom were in wheelchairs, with walkers, or canes, listened attentively. Some sang along. Two dozed. One snoored.

What impressed me most was the poise and ease of the performers. Helen had obviously tutored them in the art of the gracious bow.

After the performance, the performers gave out handmade snowflake and harp ornaments to all members of the audience.

And then there were hot pink and bright blue frosted cupcakes, fruit punch, rice krispy treats and homemade chocolate chip cookies.

The event reminded me of something I experienced or dreamed of: the small town piano recital. Maybe it was the baggy red tights or the fruit punch mix of orange juice and ginger ale; the nervous performers clutching their flutes, their sheet music; the loud clapping of the parents, relieved that their child had survived with no mistakes too glaring, too humiliating (for the child, of course).

Being in the Castle Living Residence, seeing the elderly people living the way they do: it brought up a mix of disbelief, fear, denial, a "not me" kind of distance.

But I sat with it for the duration of the recital. Watching young children make music, tooting their flutes, pressing piano keys while observing those at the other end of their lives. Bitter. Sweet. Mostly sweet.

POSTCARD FROM THE SLOPE_FIFTH AVENUE PERCH

The Noguchi lanterns in the front  of the new Fifth Avenue restaurant, Perch, were, for me, the deal makers. I just love those kind of round Japanese paper lanterns.

The new cafeandsomuchmore, which is between Fifth and Sixth Streets, is lovely to look at and a pleasant place to be. In front there are tables, roomy enough for strollers, high chairs, and leggy people. In other words, the built-in banquettes are comfy.

The middle of the shop is the cafe, kitchen, and counter by day, bar by night. That’s right, in the morning, Perch has the GREAT COFFEE neon going. And in the evening, it says: COCKTAILS.

In the back of the restaurant, a light filled area with more Noguchi lamps and a stylish couch for sitting. Plus the place has wireless Internet access.

Perch is owned by a husband and wife team, who live on Fifth Avenue near 9th Street with two kids under five. They knew that Fifth Avenue needed a child-friendly cafe with good, healthy food. "All of our friends were desperate for a place like this," says Dierdre Jones, the owner, a former jewelry designer, whose husband, a mill worker, designed and built all the built-ins  in the restauarant.

One gets the sense that they’ve created just the kind of place they wanted and needed there to be on Fifth: a place you can go to in the mornings, for brunch, for lunch, and for dinner and  drinks in the evenings.

Not just a restaurant, a way of life: you eat, you compute, you admire gorgeous square paintings by Amy Rubell, you meet friends, maybe you have some coffee or dessert. Cinamon toast for the kids. That’ll work just about any time of day.

For a couple of people who’ve never been in the restaurant business before, they’ve created what I would call a sucessful hybrid cafe/restaurant. It’s self-service: order at the counter and take a red plastic number to your table. The service is speedy, the food is great and you leave a tip in the glass "Karma Boomerang" tip jar.

Easy. Good looking. Tasteful. A nice place to be .Just what the Avenue needed.

POSTCARD FROM THE SLOPE_COMMERCE CONFUSION

I really do get the sense that Commerce Bank is trying VERY hard to make up for the fact that everyone is pissed off at them.

Thanks to Aaron Naparstek and others who fought the original drive-thru design and sucessfully got the bank to reconsider, the bank is now just a banal glass and glitz Florida-style bank (or what I imagine a Florida-style bank to be).

How do you spell non-contextual architecture?

As one Fifth Avenue resident said, " Too bad they didn’t do a nice, apporpriate facade that would have blended in with the Avenue."

But what would they have done with all the glass and glitz?

They must know that everyone is pissed off. The scowling, growling, "I can’t believe this place" looks from passersby might be a tip off.

Also, they being so darn nice. Giving out nice blue pens, lollipops, free savings accounts for kids, toasters.

Maybe it is a nice bank. A useful bank. On Sunday, Daughter and I used their Penny Arcade coin-counting machine. The bank manager, an attractive young woman in super high heels,  helped us, even standing over us and hitting the "Go" button with her long, polished nails as we poured our El Pico can of coins into the slot. BRIGHT RED NAILS.

I love the Penny Arcade. And I love that the place is open 24/7 (what’s the deal? do they ever close? Can you open an account at 3 am on a Saturday night?). There’s this big glitzy conference room and I can’t help but wonder what’s gonna go on in there.

The bank does have an old-fashioned, "when banks had tellers" feeling to it. It’s decidedly not about ATM access. And that’s really new in an old sort of way. They called me today because I put my name on a list for a Safe Deposit Box.

:"The keys came in today, Miss Crawford. Come in anytime, we’re here."

So do we love them or do we hate them? I’m leaning toward liking the bank and resenting the building.  And really disliking the corporation for even thinking that Park Slope needed a drive-thru.

Yet, the fact that they were willing to modify their plan says a lot.

But the fact that they even wanted to do it in the first place is pretty awful.

–Did they even bother to learn the architectural history of this neighborhood?

–Did they bother to admire the Slope’s fine turn-of-the-century architecture?

–Did they really think we drive cars around here (I guess people do but we’re walkers god-damnit – walkers).

The whole thing is as weird-minded as that bank manager in her high heels thinking we needed to be watched over like that while we counted our pennies.

Hey guys,  FIFTH AVENUE is an incredible example of an early 20th century American shopping streets. It’s STILL a lot like that tinted photographic mural on YOUR wall (of turn-of-the- century 7th Avenue).

Fifth Avenue’s old/new balance is changing. Now, the new is out-numbering the old. It’s mostly new shops now. But you gotta love the way the old shops are hanging on: The Pork Shop, the Dance Clothing Store, Shoe Problems, Ask Joe. Next door to Joe’s, the social club, has been rented, I hear, by Steve Buscemi and the guy from The Sopranos, so that place will live on too (it’s okay to clean it up, but keep the aura, guys).

So Commerce Bank, you’ve made quite a splash bringing your big, Florida-style bank to Brooklyn. What were you thinking? Really, what were you thinking?

POSTCARD FROM THE SLOPE_MEETING SIMON DINNERSTEIN

300dpiI finally met the artist Simon Dinnerstein the other day. I’ve been aware of him for a long time: seeing his book at Barnes and Noble, and the signs advertising his classes that are posted around the Slope.

The other morning, we sat in the light-filled parlor of his Park Slope brownstone talking about his artwork, his career, and his penchant for making portraits of interesting-looking people in the neighborhood.

Currently, Simon has a drawing in a show at the Tabla Rasa Gallery in Sunset Park. It is a striking portrait of Thomas Parker (left), who works as a barista at Connecticut Muffin on Seventh Avenue. A few years ago, Simon asked him to pose for one of his classes. He was so taken with his face, "the movement and the lines and the way that his personality comes through," that he wanted to make his own drawing.   

The portrait, in black and white, captures Thomas’s aura, which is, says Simon, "regal and dignified."  Simon tried to follow what he calls "the external and internal map" that is his face. "He is a man who doesn’t ask too much and seems to have a real acceptance of people, of life," says Simon. "The lines on his face reveal his journey" and the portrait projects density and force.

Simon has also done a remarkable painting of Wajih Salem, the tall man with the beard who is one of the sibling-owners of D’Vine Taste. Pictured with a gigantic cactus plant that Simon bought from Zuzu’s Petals, Simon wanted to  juxtapose the complex lines of the plant with Rajiv’s long angularity. "He has a strong sense of form," says Simon, "and a strong internal presence."

Looking through Simon’s book, I see that much of Simon’s work reveals an engagement with Brooklyn, its people and Simon’s personal history in this borough.  This close understanding of the urban life of the community reveals Simon’s ability to look deeply at the internal and external lives of the people around him.

Simon told me about the studio he used to have in Sunset Park where he worked on a painting called "Fullbright Triptich." In the early 1970’s, a Madison Avenue art dealer came "all the way out" to Brooklyn, which was unusual at the time, to have a look at the half-finished work.  "I think that’s a great picture," he told Simon. "I’d like to own it." A week later, the dealer called and offered buy the large (79" x 168") painting over the two years it would take to finish it, a gesture which supported Simon and his family during a difficult financial time. "It was a first class rescue operation and it set everything in motion after that." says Simon referring to his  Rome Prize Fellowship to the American Academy in Rome in 1976-1978.

Simon, who is a bit of Luddite,  was motivated to check out this blog, at the suggestion of a  good friend of mine, who is  taking life drawing classes with him on
Wednesdays; an experience she treasures — a chance to learn drawing
from a master. He knew immediately that
"Only the Blog Knows Brooklyn" was a reference to the short story "Only the Dead Know Brooklyn" by the great Thomas Wolfe, a favorite story of his.

On the day Simon looked at OTBKB, the "Postcard from the Slope" was about Wajid Salam and D’Vine Taste. Simon was delighted to read about the man he’d made drawings and a painting of. We spoke about coincidence and fate; the way unexpected things present themselves in unexpected ways.

After leaving Simon’s house, I walked down Seventh Avenue and noticed a homeless man staring at something in the window of Su Casa, the fabric store on the corner of Berkeley Place. I was intrigued and wondered what the man was looking at so intently. As I passed I saw that it was one of Simon’s class advertisements, which showed a painting from 1983 called "January Light" of a black woman in an orange gown. I kept looking back for a few minutes and the man was still standing there seemingly mesmerized by the painting Simon had just shown me in his book.

Unexpected things. Unexpected ways.

Now all these years later, Simon, who is represented by the ACA Galleries in Chelsea, returns to Sunset Park, not far from the studio where he used to paint. His drawing of Thomas Parker is part of a show called "Past and Present" at the Tabla Rasa Gallery, located at 224 48th Street in Brooklyn. The gallery is open on Friday and Saturdays from noon to 5 p.m. If you would like information about Simon’s classes call: (718) 788-4387.

POSTCARD FROM THE SLOPE_HUSBAND IS OFF TO CALIFORNIA

2cbw0232_stdHusband is off to California for a week and even Opal, our beautiful white dwarf rabbit with the black stripe on her back seems a little unhinged by his leave taking. She’s in the corner of her cage right now doing her vibrating huddle not quite sure why all the lights are on at 4:30 in the morning.

Poor Opal. She’s very attached to Husband.

Husband’s cell phone alarm clock woke us all up. It plays this silly song that we’ve come to call the Clown School Song. "We are graduates of Clown School. We ride out little cars in circles…" Husband was making up some words this morning.

None of us are used to having Husband out of the house for even a day, let alone a whole week. And with the new job and all, Husband vacates his Aeron desk chair and ventures into the big city on a daily basis now.

So he just left in the middle of the night to catch an early Jet Blue flight out of Kennedy Airport. He will spend the week with family in Northern California. Since we didn’t make it out there this Christmas, there is family business and pleasure to attend to.

The apartment feels too big without him. Not to mention our bed: though lord knows I don’t mind stretching out without worry of kicking him.

I’m still wondering how we’ll get the Christmas tree to the Mulch Fest in Prospect Park without him. It’s on the sidewalk in front of the building now.

And God forbid the fancy lightbulb in the dining room light fixture goes out (it’s been flashing). Last night was a flurry of packing and H. didn’t get around to everything he was planning to do. He did, however, manage to leave me with a large selection of No Words_Daily Pix by Hugh Crawford choices and that’s the important thing.

We’re just not used to having him out of Brooklyn for long periods of time. It’ll be a strain on everyone. Opal. Son, daughter. Even the little mouse who’s taken up residence behind the stove will miss Husband I’m sure.

POSTCARD FROM THE SLOPE_FOLLIES COVER

So I got a copy of "Brooklyn Follies." I paid for it: full price at Seventh Avenue Books. As I was paying, Tom the owner said, "I have a little secret for you." He then directed me back to the table where the books were displayed and said to take one of the bottom three books. "Those are signed." Then as a joke: "That’ll be $48.00," he said.  "Oh really" I said, playing along.

But I got it. A signed copy of the new book. Tom, Ping, the other owner of the store, and I looked at the cover. It’s a panorama photograph of the the corner of Second Street and Seventh Avenue. There are various people in the intersection. I recognized two of them. One is a real estate agent who sometimes wears straw hats. I’ve seen her for years. The other is a very nice woman I know from a writing workshop at Writer’s Voice. I wonder if she knows that she’s on the cover (she probably signed a release or something).

 

Of course she knows: the picture looks very posed.

I think it’s really cool that she’s on the cover. She’s a writer and one of her stories is being published in a literary magazine. She’s also an avid reader of OTBKB. If you are reading this please let me know the name of the magazine and tell us the circumstances of you being on the cover. If anyone knows anyone else on the cover please share with the rest of us.

Read the book? Not yet. Been too busy deconstructing the cover.

GRAND ALLUSIONS: DAVID KONIGSBERG

ShowletterPark Slope friend and resident, David Konigsberg, has paintings, including Crossing, White Flats, (pictured left) in Grand Allusions, a group show opening this Saturday December 7th (TONIGHT) at The Painting Center, 52 Green Street in Soho. Reception 5-7 PM

David Konigsberg, is an OTBKB favorite, so get on over there and check it out.  Maybe buy one.

POSTCARD FROM THE SLOPE_BROOKLYN FOLLIES

080507714601_sclzzzzzzz__2Check out Gersh Kuntzman’s piece on the front page of  The Brooklyn Papers about Paul Auster’s new book, "The Brooklyn Follies." The book, which is reviewed by Walter Kirn in this Sunday’s New York Times’ Book Review, features many familiar Park Slope characters, including "Beautiful Perfect Mother" or BPM.

The character’s name is Nancy Mazzucchelli who lives in a brownstone in these parts. But I have my own list of BPM;s as I am sure you do.

FROM A REVIEW ON BOOKLIST: Auster meditates on the theme of sanctuary in American literature, from
Hawthorne to Poe to Thoreau, infusing the novel’s picaresque with
touches of romanticism, Southern gothic and utopian yearning. But the
book’s presiding spirit is Brooklyn’s first bard, Walt Whitman, as
Auster embraces the borough’s multitudes

STUFF AND THINGS

THE FIRST Park Slope Drinking Liberally of 2006 will meet on Wednesday, January 11 at 7:30 p.m. Share your stories of your holiday travels to the red states. Best story wins a pint. Commonwealth at 497 5th Avenue at 12th Street. The Park Slope chapter of Drinking Liberally meets the second Wednesday of every month

Tabla Rasa is an art gallery that profiles works of emerging, mid- career, and established artists of Brooklyn, New York, and the United States. Located in a turn of the century carriage house in industrial Sunset Park, Brooklyn, Tabla Rasa presents solo and group exhibitions in a wide range of styles, themes and media.Through February 4th, go see: Past and Present featuring work  by Lena Gurr, Park Slope resident Simon Dinnerstein, Joseph Biel, Gregory Frux, Sylvia Maier and others. 224 48th Street in Sunset Park. Open Friday and Saturday noon until 5 p.m.

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BAM ROSE CINEMA. KING KONG, BROKEBACK MOUNTAIN, THE PRODUCERS, FUN WITH DICK AND JANE, MEMOIRS OF THE GEISHA AT THE PAVILLION

SHHH. DON’T TELL ANYONE:
  As part of NYC Restaurant Week from January 23-27 and January 30-February 3rd, YOU can a 3-course lunch at The River Cafe during restuarant week for $24.07. Dinner is $35.00.

1 Water St. (at Old Fulton St.)
718-522-5200
2, 3, 4, 5 Borough Hall. B25 at Old Fulton or Elizabeth

COOL STUFF on the BAM Spring Schedule…

VERY INTERESTING: So this year is the centennial of the publication of Sigmund Freud ‘s "The Interpretations of Dreams", a book that, like Darwin’s Origin of the Species, revolutionized our understanding of human nature. In this work, Freud attempted to expound the methods and results of dream-interpretation and the Brooklyn Public Library is havig an discussion on Thursday January 12 at 2 p.m. led by a staff member. Second floor meeting room at the Central Library.

 

POSTCARD FROM THE SLOPE_Don’t Get Me Started

So it’s the after-Christmas breather. Parents are, for the most part, happy to have their kids back in school and/or back on their regular routines…happy (or not) to get back to what they were doing before the vacation…

But don’t get too relaxed! Next week the  public elementary school kids have to take the standardized English Language Arts Tests. Tuesday January 10 is Day 1 of NYS ELA test for grades 3, 4, and 5. Wednesday January 11 is Day 2 of NYS ELA test for grades 3, 4 and 5. Thursday January 12 is Day 3 of NYS ELA for GRADE 4 ONL Y

For the third graders, this is the test that will determine promotion to 4th grade. And for the 4th graders, this is the test that is used for admission to middle school.

The stakes are high and there’s a whole lotta stressin’ going on.

On Thursday morning (that’s TODAY), there’ will be lecture for parents that may be very helpful. It’s the second parent meeting in the series "What’s a Parent to Do?" Presenter Mary Courtney, PhD, clinical child psychologist, will offer useful advice on "Big Worries, Little Worries — How to Help Your Child with Stress." Just in time to quiet the willies around the NYS ELA tests  next week. Auditorium. 8:30 a.m.

*Did you know that the person who first said: "Don’t get me started" was Teddy Roosevelt?

POSTCARD FROM THE SLOPE_BROOLYN BLOGGERS IN THE NEWS

13cbw1129_stdIt’s always noteworthy when fellow Brooklyn Bloggers are mentioned in traditional media. This week, there’s a Talk of the Town piece in the New Yorker about BrownstonerA Brooklyn Life was mentioned in the New York Times in a column about P.J. Hanley’s bar on Court Street. During the transit strike, there was a an article in the NY Times about Express Train.

On Brownstoner this week: Hugh Crawford has a stunning photo essay on Sunset Park. There are also photo essays by other photographers on Vinegar Hill and Crown Heights.

Beautiful.

Serving Park Slope and Beyond