Category Archives: Civics and Urban Life

POSTCARD FROM THE SLOPE_DUCKY’S FIRST THANKSGIVING

Louson_1Ducky’s first Thanksgiving.

She will watch the Thanksgiving Parade on TV while she cruises around the apartment, babbles into her play telephone, looks at her board books, or hugs her soft baby doll.

She will eat her breakfast and lunch in the high-tech high chair in the dining room picking and choosing between Yo-Baby yogurt, homemade mashed vegetables, and that old standby: apple sauce.

She will listen to one of the many children’s CD her mother plays frequently. Which will it be: Raffi, Music Together or Dan Zanes? Anyone in the mood for Kumbaya?

She will go to the Tot Spot in Propspect Park for a quick romp on the miniature playground equipment perfect for an active 15-month-old.

She’ll watch as her mother pulls out the outfits she is deciding between. There will be much discussion about which dress will be most perfect for Ducky’s first Thanksgiving.

All this talk about dresses, shoes and tights will make her sleepy. She will fall asleep in her crib, resting up for the big event.

When she wakes up, her mother will dress her the chosen outfit, the appropriate tights and shoes.

Her parents will bundle her in the cozy down sleeping bag she wears in her stroller. Strapped into her carseat, she will drive across the Brooklyn Bridge to Manhattan.
where she attend a restaurant Thanksfiving in a West Village restaurant in the company of 21 members of her family on her maternal grandmother’s side.

There will be much in the way of oohing and ah-ing, cooing and oh-ing. Her many female relatives will want to hold her in their arms. Even her male relatives will come around.

She will be bathed in the love of her family, which she will return with her winning smile that illuminates whatever room she is in.

We give thanks for such joy.

POSTCARD FROM THE SLOPE_JARHEAD

Son and his friends snuck into the movie "Jarhead" on Thursday night. They bought tickets for "Prime," the comedy with Uma Thurman and Meryl Streep,  which they had no intention of seeing, and went straight into the theater where Jarhead was playing.

Son told me nothing about this plan. I found out when I called the mother of his friend who said that the kids (a group of 5 or 6) were at the theater. She offered to buy them tickets to this R-rated movie but they declined her offer.

Life happens fast when you’re the mom of a teen. I never had a chance to allow or forbid Son’s plan to buy tickets for "Prime" and see "Jarhead" instead. Son knew that he had my
permission to see "Jarhead." In fact, Husband was game to go see it with him.

"Jarhead" sounds like an important film. While it’s not getting great reviews in the press, it seems to be something the kids Son’s age really want to see. I think this is great because the film, sucessfully or not, addresses some of the most serious issues of our day. The fact that the kids want to see it says to me that they are thinking about what is going on in the world. Just 14-years-old now, if the draft is reinstated, Son could be drafted in less than four years. I support any effort he makes to educate himself about the military in this country.

That said, I would not have allowed him to SNEAK into an R-rated movie. It’s the SNEAKING IN part that worried me. Of course, the SNEAKING IN part is what makes it such a classic teen maneuver (who didn’t do stuff like that?).

What does the movie theater do if they find kids in an R-rated movies? Kick them out, report them to the police, call their parents?

I was, however, glad that Son wanted to see "Jarhead" in the first place even if it does contain lots of foul language. According to Son, there practically no violence and only allusions to sex.

To me, it seemed an appropriate film to see on the eve of Veteran’s Day. I haven’t seen the film but I assume that it contains a anti-war sub-text as well as a non-idealized view of the American soldier in the Gulf War.

The film is adapted from Anthony Swofford’s 2003 book, a realer-than-real first-hand account of the Gulf War that shows barely any combat and lots of frustration, angst, longing, and reckoning on the part of the very young soldiers, as they wait for the battle to begin.

A witty, profane, down-in-the-sand account of the war many only know
from CNN, this former sniper’s debut is a worthy addition to the
battlefield memoir genre. There isn’t a bit of heroic posturing as
Swofford describes the sheer terror of being fired upon by Iraqi
troops; the elite special forces warrior freely admits wetting himself
once rockets start exploding around his unit’s encampment. But the
adrenaline of battle is fleeting, and Swofford shows how it’s in the
waiting that soldiers are really made. With blunt language and
bittersweet humor, he vividly recounts the worrying, drinking, joking,
lusting and just plain sitting around that his troop endured while
wondering if they would ever put their deadly skills to use.

The film, directed by Sam Mendez (American Beauty and Road to Perdition) is one of the few movies ever made about the Gulf War. It is a visually stylized  chronicle of what it means to be an American soldier in a desert war. As Village Voice film critic, J. Hoberman writes:

Mainly what these guys do is bear witness, stumbling through a landscape
of incinerated jeeps, charred corpses, and oil wells blazing in the
beyond-Coppola apocalyptic night.

Son thought Jarhead was very, very good. "It’s not anti- or pro-war. It’s about the insanity. These guys go to war to fight for their country, or because they want to go to college. And they go insane waiting to do something," he said.

According to Son, in the film’s most depressing scene, the Peter Sarsgaard and Jake Gyllenhaal characters, both snipers, finally get an assignment to kill someone. But just as they’re about to shoot, a commanding officer shows up and tells them not to do it.  "The planes are coming and they’re all ready," the commander says. The Peter Sasgard character sobs uncontrollably and screams at the commander.

According to Son, "The film is about how the Marines were useless in the war. The Gulf War was fought by planes and not people. But the people were sent to war to do nothing.  And this caused the insanity."

POSTCARD FROM THE SLOPE_I LEFT MY HEART IN BARBES

Barbes, the bar and performance space located on 9th Street near 6th Avenue, won my heart on Tuesday night.

Two friends and I stopped by for a drink after voting on Tuesday. While I have been abundantly aware of their nightly schedule of world music and jazz, I had never actually set foot in the place.

Well, Tuesday changed all that. The Slavic Soul Party was on hand to offer a rollicking good time that suffused the small, dark bar with old world atmosphere and mind-bending energy. 

The place is like something out of your dreams of Europe, the Left Bank, a wonderful night in a make-believe place. You are drinking beer – tall glasses of Stella Artois or Cognac,  and talking to dear friends when…

…a band of musicians comes through the room and everyone is transported to an old world village somewhere – Russia, Bulagaria, Romania. It is  the happiest music you’ve ever heard. And yet it is melancholy, too. The sound of a place and time that no longer exists except in this dreamlike world. How can something so happy be so sad? The band evokes that perfect mix of sounds that makes your heart swell and your eyes tear. It makes you laugh as much as it makes you want to dance in a circle with everyone in the room.

One Tuesday night you must give Barbes a try because the SLAVIC SOUL PARTY, a Balkan Party is there every Tuesday. For ever!

According to the blurb on the Barbes calendar: "Matt Moran leads one of the best Balkan Brass Bands anywhere. Experience a take on Balkan Music which is as brash and as strong as Slivovitz (the Serbian Plum Brandy) – equal parts fire, funk, free-form and old school-exuberance. SSP will make you feel like you’re attending wedding orchestrated by Emir Kusturica .With Shane Endsley & Ben Holmes (trumpet), Oscar Noriega (clarinet), Jacob Garchik and Brian Drye (trombone), Ron Caswell (tuba), Peter Stan (accordion), Take Toriyama & Matt Moran () $8 suggested."

I found out that the bar is named for a neighborhood in northern Paris famous for its large North African population as well as the record stores
which helped launch the Rai music explosion of the mid-1980’s.

Owned and operated by two French musicians and long-time Brooklyn
residents, Barb

POSTCARD FROM THE SLOPE_VOTING

Like millions of other New Yorkers, I fulfilled my democratic duty yesterday by casting my vote for mayor, comptroller, city councilman, borough president, judges, public advocate, and 4 propositions in a voting booth at John Jay High School.

It’s a familiar ritual; one that I enjoy a great deal. For one thing, it’s the only time I ever go into that big high public school on Seventh Avenue that now houses 3 middle schools.

Forgetting what district I’m in, I asked a pollster at a lobby table to look up my address.
"You’re In District 36," she says. "Go into the auditorium."

Once in the auditorium I remember that my voting booth is on the far left in front of the stage.
A pollster gives me a number like I’m at Zabars waiting to buy lox. They are up to 225 and I am number 240.

Fellow citizens wait in the auditorium seats napping, reading, chatting with one another. A Third Street neighbor asks me if I want to read the Voter’s Guide. A good thing because I need to read up on Propositions 1-4. I hate seeing that stuff for the first time in the voting booth. Sometimes I miss it altogether because it’s on the lower right of the ballot and I don’t see it until i am leaving.

Proposition 2 is a no-brainer. Money to improve public transportation. A Second Avenue Subway. Improvements to the quality of life of millions. Way to go.

The others take a little more study. By the time the pollster calls my number, I’ve pretty much figured out what and who I am voting for. It’s time to buy the lox.

To me, there is something almost sacred about being in a voting booth. Closing the curtain behind me and moving the red lever, I feel alone and important as I face the choices before me.
I know that must sound corny, but I guess I’ve bought into the romance of democracy, the sense of empowerment that it brings at those moments.

For the most part, I am well-prepared. The vote for judges throws me. I wasn’t expecting that but I get through it. The whole process takes a little more than a minute. I press the levers down – the good old fashioned way. I know that soon we will be converting to computerized voting machines soon. For now,  I appreciate this connection with the history of voting in New York City.

How many people have voted in this booth? How many fingers have touched those levers helping to decide the future of this city? This country?

At 7 p.m. when I voted, there wasn’t an overwhelming number of people at the polls. I had to wait about a half hour. Maybe people voted in the morning, or during the day. Afterwards, when I walked out onto the Avenue I felt connected to something larger than me. I felt that I had done something that, in some small way, makes me a good citizen of this town.

 

 

POSTCARD FROM THE SLOPE_Election Day

My son knew before I did that there was no school on two days this week: Election Day and Veteran’s Day.

"Omigod," I screamed when I finally looked at the school calendar that hangs in our kitchen. "Did you know that you have two days off…" I didn’t need to finish…

"I know. We’re off on Tuesday and Friday,"  he said with a big smile on his face.

What a week. Three days in. Two days out. That’s what my son considers one cool week of school.

And for parents it’s a bit of a challenge. Child care arrangements and playdates must be set up for the 8-year-old. Limits must be set for the teenager.

Monday night was like a Saturday night on Seventh Avenue. Crowds of teenagers were walking up and down the Avenue doing whatever it is they do. There were bunches of them in front PS 321, Artisana and Maggie Moo’s. I saw my son sitting in the front booth at Pino’s with about eight other kids. His back was to the window.

Tap. Tap. Tap. His friends saw me before he did. They tried to get his attention but he was laughing, talking, poking a girl who was lying on his lap. Hmmmmmm.

We finally made eye contact. I pointed at my watch as if to say, "Look at the time. Be home in an hour."  He nodded. "Okay," he mouthed.

It was a strange moment. He wasn’t exactly caught in the act (the act of what?). But I did see him at Pino’s. With his friends. Having fun.

Why did it feel so illicit?

Election Day he’s sleeping late. Nothing like a Tuesday without school. A great way to catch up on some zzzzzzzzzz’s when you’re too young to vote, coming into your own, being a teenager in Park Slope.

POSTCARD FROM THE EDGE_STEVE BUSCEMI SHOW IN GOWANUS AREA

Were you at the Issue Project Room last night? I wasn’t. But I wish I’d been able to get in there.

My husband went but he couldn’t get in because he didn’t have a RESERVATION. They set up a space for some of the overflow crowd to view the event on video. But he couldn’t even get in there. Located in a silo-like building near the Carroll Street Bridge in the Gowanus area, the Issue Projects Room is not a very large space.

But in the teeming rain, there was, of course, a huge crowd for local celebrity-hero Steve Buscemi and Stanley Tucci.

If you were on the e-mailing list of Issue Project Room, you might have known about this  special evening which presented Steve Buscemi and Stanley Tucci, reading excerpts from screenplays of current remakes of films by the late Dutch filmmaker Theo Van Gogh.

Turns out Tucci was NOT scheduled to be there. "Stanley Tucci was rumored to be here," Buscemi told the crowd pre-show. "He was never planning to come. He hates Brooklyn. Actually he’s working." (paraphrase by a friend who was there.)

Ida Tuturro was there and, according to my friend, delivered a knock out performance in "Blindate" with Steve Buscemi. My friend, whose boyfriend was smart enough to make reservations on Sunday, said that all the actors were top notch and that it was an incredibly great evening.  The surprise musical guests were Chocolate Genuis, but she didn’t stay to hear them.

"Interview", directed by Buscemi, is the story of a star political journalist who must interview a popular soap opera actress against his will.

"Blinddate" directed by Tucci, tells of a grieving couple who cope with the loss of their child by acting out new identities through personal ads.

Excerpts were read from a third Van Gogh screenplay "06", a tale of two people who meet on a phone sex hotline and develop arelationship without ever meeting. Originally nominated for a Dutch academy award in 1994, "06" is set to be directed by Bob Balaban.

And it only cost $20.

ISSUE: Project Room provides "an open and versatile enviroment where both established and emerging artics can conduct, exhibit and perform new and site-specific work according to their respective vision."

Get on their mailing list and find out about innovative projects, rare artist appearances (I’ll say),  first time showings, and multidisciplinary events.

ISSUE PROJECT ROOM
400 Carroll Street
(between Bond & Nevins)
on the Gowanus Canal
www.issueprojectroom.org
info@issueprojectroom.org

POSTCARD FROM THE SLOPE_THE SQUID AND THE WHALE

Nyet32110031716widecOn Friday, after being turned away from the 1:30 showing of THE SQUID AND THE WHALE because of the Pavillion’s short-lived policy of not allowing strollers or large bags into the theater, I met my husband in front of the theater for the 4:30 show. This time, I brought a small purse as I was determined to see this movie.

When I got to the theater, I noticed a new sign posted, which said that the  movie theater was now just checking all bags. The woman who turned me away at 1:30 looked a little sheepish when she saw me. She said that the manager who had put up the original sign had gone "a little overboard." She agreed that the policy of a few hours ago was "ridiculous."

The theater was more than half full: a mix of 20-somethings and middle-agers. We sat through trailers for "Shop Girl" and something called" North Country," a film with a strong "Norma Rae" vibe about a woman mine worker, starring Francis McDormand, Sissy Spacek, and Charlize Theron.

THE SQUID AND THE WHALE, directed by Noah Baumbach (pictured at left), is a scathing and, in the end, even loving indictment of two self-absorbed, intellectual Park Slope parents who separate after 16 years of marriage. Their shared custody arrangement wreaks havoc on the emotional lives of their children. Frank, the younger son, who is more comfortable with his mother, embarks on a strange, pre-adolescent sexual odyssey. Walt, the older son, who idolizes and imitates his father, finds himself struggling through his first relationship, simulating his father’s putrid attitude toward woman, and indirectly blaming his girlfriend for his mother’s betrayal.

The mom, played by Laura Linney, is a not altogether flattering portrait of a woman who, after years of infidelity, asks her husband, a once-sucessful novelist and creative writing teacher, for a divorce.

The father, like the mother, is so realistically and specifically rendered as a character,  that, while mostly unlikable and pompous, it is impossible to believe that he does not exist. Indeed, the film is a semi-autobiographical coming-of-age  narrative of Baumbach, who himself grew up in Park Slope of the 1980’s.

The painful pleasures of this film are many. Vignette after vignette, every scene drips with diaglogue and situations that are astutely specific to life in a certain milieu of brownstone Brooklyn. The director manages to create a spot-on replica of the world of 1980’s Park Slope; the shakey-cam photography captures the rapturous autumn colors, the landmark beauty and discreet melancholy of the neighborhood and its brownstones.

Slope viewers will delight in a guessing game of: What street is that? Which school? Where is that house? Sighs of recognition were audible in the theater throughout the film; they accompanied the sighting of a familiar building or the  versimilitude of a phrase or a concept that, in its odd eccentricity, is only possible in Park Slope.

The Slope of the THE SQUID AND THE WHALE is a Slope where struggling writers and creative writing teachers can  afford to buy a brownstone. Parking is a never-ending hassle and the streets are littered with Volvos and Peugeots. There are no strollers, or cafes, or Music Together classes. The parents are "sixties people,"  who firmly believe  in the value of their personal actualization and creative expression.

1970’s feminism and sexual liberation are what fuels the world-view of these parents. Coming out of their own repressive childhoods, this generation wanted a different life for themselves and their children. If this meant too much sexal honesty and inappropriate conversational tropes, so be it.

The matter of fact way that these parents tell their children they are divorcing is especially chilling.  "Aren’t most of the kids in your class divorced?" one of the parents asks as if to normalize the situation. The way in which these unwittingly narcissistic characters completely
ignore the real needs of their children, who are struggling mightily and
paying the price of the break up of the marriage, is devastating.

These are not 1990’s parents, who agree to put their careers on hold in order to sing along with their kids at Music for Aardvarks or watch them ride Little Tikes trikes at the Beth Elohim drop-in center. The child-centered world of contemporary Park Slope is a sensibility away from this movie.

It’ll be interesting to see, in years to come, the coming-of-age movies that are made about the child-centered world of 1990’s Park Slope. These films will probably be equally scathing and hopefully no less artful.

At the heart of the film are the two sons, Frank and Walt, who are the victims of their parent’s marital quagmire.  While the parents believe that it is possible to equitably split up the week into equal parcels, they give little thought to the toll this will take on their sons. When the father buys a fixer-upper house n Ditmas Park one of the boys says, "Is that even in Brooklyn?"

The boys are realer than real (and stranger than strange) in the way that children are. Sometimes unlikable, unpleasant, hopelessly sad, and unintentionally funny, these are not the treacly sweet children of so many films. These are real kids, with real issues, and real scars from the well-meaning lives their parents have given them.

Anna Paquin, as one of the father’s creative writing students who moves into his house, says at one point in the film : "There are the kinds of families that allow soda and sweet cereal and those that don’t." Walt and Frank are from the no soda and sweet cereal kind of family. They are also not supped to use paper towels to clean up a spill. In a heartbreaking effort not to disappoint the father he adores, Walt removes a piece of paper towel from the garbage. Theirs are parents who are nutritionally and environmentally correct, but give little thought to the ways that their actions hurt their children.

Both Laura Linney and Jeff Daniels are so believable as the parents that they ultimately reveal themselves to be appealingly flawed. Like any great fictional creations, they are textured and "dense" as the father would say. Warts and all, we can all see ourselves in them as we can poignantly relate to the plight of their boys.

I left the theater still feeling connected to the characters I had just seen on screen. I also felt a twinge of excitement that a film so well-written and quirky was made out of the morass of a Park Slope childhood. I wondered what people who don’t live in Brooklyn, let alone New York, will make of this fractured family, where the children drink beer, discuss whether "A Tale of Two Cities," is a minor work of Dickens, and decide which days their cat will live in which parent’s house.

The Squid and the Whale is, in a way, a tale of two cities within one broken family. It elucidates the way that parent’s conflicts can manifest themselves in a child’s psyche and create a schisim. The ability to understand the blows of childhood and transform it into a work of art is, thankfully, what Baumbach has achieved. And we are the richer for it.

 

POSTCARD FROM THE SLOPE_TASCHLICH

I found this piece on Travels in Booland, the blog of a former New Yorker named Elswhere who now lives in Seattle with a partner and their young daughter named Mermaid Girl or MG. I met the two of them last spring when they came to New York. They made a special trip to the now closed Fou Le Chakra Cafe in Park Slope so that my husband could take a picture of them.  It was nice talking with Elswhere face to face at the cafe; like a reunion with a college friend that I didn’t actually go to college with. 

This piece reminds me of one of the really special rituals of the Jewish New Year. It’s called Taschlich, the custom on Rosh Hashanah of throwing crumbs of challah into a river, a lake, the ocean, as a way to toss away the sins of the past year.

Challah Crumbs in the Ocean by Elswhere

On the way home, I suggested we have our own taschlich by the water (this synagogue is right near the beach). I’d brought some old challah for the purpose. She got it right away, as soon as I tossed a piece of challah into Puget Sound and called, "I’m throwing away the sin of being impatient!"

"Me too!" said MG, tossing her own piece of challah, which was quickly snapped up by a seagull. All its friends and relations came over to see what was up.

"I’m throwing away the sin of saying mean things!" I said, throwing some more bread in. The seagulls moved in closer.

"I’m throwing away the sin of hurting people’s feelings!" MG said, hurling a crumb-sized piece of bread onto the wet sand. Now the seagulls were nearly upon us. We could feel their hot hungry seagull breath on our sandy feet.

We took a break to run back and forth on the beach and shoo the seagulls away. Then we threw away the sins of stalling and procrastinating, not doing chores, wasting time, not enjoying every moment, not feeding Shy Kitty his wet food, staying up too late, not listening to our bodies, and hurting our friends. (She mentioned that one a few times. Hmm.)

There were more, too. I wish I could remember them all. MG came up with some good ones. Most of our sins went right into the seagulls’ beaks (does that make them scapegulls?), but a few made it out onto the waves.

On the way home, I thought of another one: being scared to do things. So I took invisible bread and threw it out the window in the direction of the water. When we were almost home, MG wanted to throw out the sin of "not singing and clapping when everyone else is." She tossed hers out the window, too.

I haven’t done tashlich very many times in my life, but now I want to do it every year. With a five-year-old, if possible. She really got it. It was inspirational.

My New-Years’ resolve was only slightly dampened by the evening’s events. I was harrying MG to get her pajamas on, stop playing when she was supposed to be getting ready for bed, bla de bla bla. "Remember, you threw away being impatient with me," she huffed.

"Well, you threw away stalling and not going to bed on time, remember?" She looked busted. I gave a little lecture on how it’s hard to change, for grownups too, and if it was as easy as just throwing bread in the water we wouldn’t have to do it every year.

Then, when she was finally all ready for bed and I was about to turn the lights out, she suddenly had to go to the bathroom. She was in there for a loooooong time, and finally I knocked on the door. "MG, aren’t you done yet?"

She was sitting on the toilet, looking at a magazine. "I needed help! I was waiting for you!" she whined accusingly.

"First of all, you didn’t tell me you needed help, so how was I supposed to know? Second of all, even if you need some help wiping, there’s nothing to stop you from getting up from the toilet by yourself and getting started. You can’t just sit on the toilet and wait for me and not wipe yourself and not even say anything!"

"Well," she countered, "I didn’t throw that sin away!"

It’s true: she did not specifically throw away the sin of sitting on the toilet with a magazine and expecting me to psychically know she was done and needed help wiping her butt.

I can see that our tashlich was not all-inclusive. Maybe I should’ve brought more bread.

SLOPISMS

I found this piece about the coming shakedown of Park Slope restaurants on Daily Slope, the new blog on the block.

Famdoc wrote in the Park Slope Message Boards:
"Long-time Park Slope residents can recall when the nabe was a
wasteland, restaurant-wise. Any decent restaurant was doomed by boomers
who preferred fast-food or trips to Manhattan."

"Then came Cucina. And Al Di La. And Blue Ribbon. And Cocotte. And
Belleville. And The Minnow. And now the explosion. What is clear is
that the large number of restaurants on Fifth Ave. and the new
additions on Seventh cannot all survive. How will things shake down?
Well, people vote with their pocketbooks …"

"Tastes change, but PS is full of people with sophisticated taste.
What tasted good at Belleville two years ago doesn’t taste as good now
that you’ve tried Stone Park. Al Di La still creates masterpieces. Blue
Ribbon’s fish is fresher than almost anywhere, except maybe The Minnow.
A half-dozen sushi chefs around the slope create inventive sushi.
Everyone likes to try the new place."

"What’s a person to do? Look for creativity. Look for value. Look
for ambience. If you’re 25 years old and want to drink, ambience means
crowds and noise. If, like me, you’re in your forties and accustomed to
NYC restaurants, you want a quiet room, the ability to see and hear
your dining companion, fresh, inventive food and good wine."

"Communicate with fellow PSers about your experiences. This blog is one forum. An even better forum is chowhound.com.
Don’t be afraid to tell a waitperson, host or owner what you liked and
what you didn’t like about their restaurant. (I’ve eaten at Stone Park
frequently since they opened. Following last year’s two star NYTimes
review, they copped an attitude, which only got more unpleasant during
Brooklyn restaurant week. I shared my concern with a hostess and was
happy to see things revert back to the old warmth I expected there)."

"A year from now, at least a dozen PS restaurants will be out of
business. That leaves three dozen to thrive and thrill our tastebuds.
Support the restaurants that please you."

ADVERTISING ON OTBKB

I’m making a big push to get advertisers on OTBKB. My daily readership is pretty big: On average I see about 1000 readers per day. Last spring, based on a story with national interest, it hit 4000 readers a day.

Clearly, OTBKB is a good place to advertise in Brooklyn as Orange Blossom Kids, Slope Sports, Celebrate Brooklyn, Elizabeth Pongo, and others can attest.

So bring it on. If you are a small or large business and are interested in advertising here, e-mail me at louise_crawford@yahoo.com and we can talk. The prices are EXTREMELY reasonable.

Sincerely, OTBKB

POSTCARD FROM THE SLOPE_Daily Slope

I guess I haven’t been paying enough attention. Just found out yesterday that there’s a new blog on the block: The Daily Slope.

Personally I am thrilled. There’s more than enough news to go around. In fact, it’s hard for the lone OTBKB to do it all. The more the merrier — more information, points-of-view, breaking stories. I plan on posting as a reader of The Daily Slope, a great way to get the word out about events, issues, and neighborhood news.

Modeled after Daily Heights, a Prospect Heights blog, The Daily Slope is a message board, with posts by locals about restaurants, politics, development, real estate, stores, and local news.

The Daily Slope is edgy and informative, and like Daily Heights, it’s full of interesting tidbits about new things going on in the nabe, as well as rants about unpleasant establishments and bad food.

A community blog, the Daily Slope doesn’t have a distinct voice. It has many voices, and many moods, depending on who is posting

Duh. Now I get it: Daily Slope and Daily Heights are connected. Maybe it’s a franchise or something. What’s next Daily Gardens (Carroll Gardens), Daily Ditmas, Daily Green (Ft. Green), Daily Clinton (Clinton Hill)?  I got this response from The Daily Slope about that idea:

A franchise? Hey, not a bad idea… who’s buying?? :)

Doing Daily Slope was inevitable… the Daily Heights site
was an experiment in community. We originally
wanted to have a blog covering both the Slope and the Heights, but
decided to keep the focus as narrow as possible to prove that it could
be done.

And in the past few months, Daily Heights has
really taken on a life of its own, both online and offline… there
have been fundraiser bake sales, happy-hour meetups, and game nights organized by DH regulars, independently of the site administration. All
the most interesting stories come from the readers, and nearly every
one of the stories that’s made it into local papers (including 2
mentions in the New York Times in as many months) were reader-generated.

We had been fighting to contain the focus to Prospect Heights, but
there’s just too much really interesting stuff going on in Park Slope,
as readers of OTBKB can attest to.

I wonder if it too will take on a life of its own both offline and online. I have a feeling it will though Park Slope has a different vibe than Prospect Heights. Over there it’s edgier, slightly less expensive, more diverse, more involved in the Atlantic Rail Yards/Ratner mess, less developed (and I mean that in a good way).

There’s lots of good information at The Daily Slope.  I found out that there’s going to be a new restaurant on Ninth Street.

Anyone been to Borgo Antico in Greenwich Village? Owner Giovanni Iovine (pictured, with Diego) and wife Lisa LoBue
are opening "Futura Bistro Modern" on 9th St. in Park Slope. Partner in
the venture is Davor Petrovic. Seems like Futura will be "affordable
eats" and "comfort fare" that is "strongly influenced by the duo’s
Argentine and Italian heritage" matched with wines from Italy, France,
Argentina and the United States. Grand Opening is Sunday, Oct. 2nd at 6 pm.

Futura Bistro Modern | 287 9th Street, Park Slope, Brooklyn, 11215. 718.832.0085.
Hours: 12:00pm-midnight daily; brunch on Saturdays and Sundays.

Good info. And there’s lots more. Good luck to Daily Slope and welcome to the blogohood.

 

POSTCARD FROM THE SLOPE_ PICNIC HOUSE REOPENS

The one year, $3-million renovation of the Picnic House in Prospect park is done. On Monday, couples who were married there were invited to admire the newly renovated space with its new roof, a new hardwood floor, modernized rest rooms, a
fresh coat of paint and ground-floor office space for Prospect Park
staff.

Built in 1928, the Picnic House was originally a shelter for park visitors on rainy days. Later, it became a gathering place for elderly men playing poker, Tupper Thomas, Prospect Park’s administrator told the Daily News. I found out even more about its history at the Prospect Park website.

The Picnic House represents a favorite picnicking spot for generations of New Yorkers seeking the great outdoors. In 1868, the Park’s opening year, 75 parties of over 100 received permits to host gatherings along the Long Meadow, and that was before the Park’s construction was even completed. The rapidly growing influx of picnickers earned the Park a national reputation as a prime outdoor attraction, and this inspired the 1876 construction of the original Picnic Shelter. Made of wood and brick, the rustic structure provided shelter from abrupt summer storms, first-aid assistance, restrooms and a refreshment concession. The current Picnic House, designed by Jay Sarsfield Kennedy, took its place in 1928, after a fire destroyed the original shelter.Another obsolete Park feature also made its home near the Picnic House. A wooden, octagonal carousel operated by a team of real horses catered to turn-of-the-century picnickers. After spinning creekily for 30 years, a newer version replaced the old carousel, only to burn down in 1933. In 1952, the Park’s current Carousel, located on the park’s eastern edge, was brought from Coney Island.

After an earlier renovation in the 1980’s, the picnic became a popular spot for weddings, school auctions, parties, recitals and other festive events.

"We’ve had christenings, bar and bat mitzvahs, Sweet 16 parties, anniversary parties and fund-raisers," Thoma said. About 100 weddings are held in the space each year.

Couples are invited to bring their wedding pictures to the exhibit: "Picture Perfect at the Prospect Park Picnic House." Long Meadow, Prospect Park. Enter park at 95 Prospect Park West at Fifth Street. (718) 965-8999.

POSTCARD FROM THE SLOPE_Begin to Begin

In the new normal, September 11th is the new Labor Day. By that I mean that the autumn season doesn’t really begin until we have mourned our losses from 9/11.

Falling on a Sunday, this year’s anniversary did feel like a national day of remembrance. Even though it looked like a typical fall Sunday and people did typical Sunday things – it wasn’t really a typical day at all.  At Ground Zero, at houses of worship, homes, firehouses, cemeteries, gardens, and
streets throughout the city, people commemorated the loss of the
nearly 3000 people who died on September 11. Bells tolled at the exact times the
planes hit, as well as the times the south and north towers fell.

This year, I didn’t take part in any 9/11 memorial activities. In the past I have gone to the Brooklyn Botanic Garden to meditate on the grass or to Old First Church to sit and listen to the church bells ring. Last year I attended a dinner at Al Di La given by a friend whose husband died on that day. She wanted to thank all her friends for their support and love.

Yesterday, I was aware of it being September 11th from the moment I woke up. Listening to the names being read at Ground Zero was a stark reminder of that Tuesday’s tragedy. And this year the siblings read the names, which brought its own stirring poignancy.

I don’t think the beginning of September will ever mean anything other than 9/11 and the dispair we felt on that day. And September 12th will always bring relief because on that day in 2001 we slowly began to put back the pieces. Through our tears, our panic, and our bewilderment,  we began the protracted healing process that continues to this day.

9/11 will always be the day we took the hit. But on the day after, we begin to begin again and celebrate the goodness that persists despite the evil we have seen.

Continue reading POSTCARD FROM THE SLOPE_Begin to Begin

POSTCARD FROM THE SLOPE_Mindlessness Meditation: Insomnia

by Nancy Graham
OTBKB Guest Writer
   
         

My daughter was squirming next to me and when I got back in bed after taking her to the bathroom, I couldn’t get comfortable.

Jack Mercer, as Popeye, was singing the Dredel Song in my head. 

I know that makes no sense but it really keeps you awake, let me tell you.

Then
it was the "Chewing Chewing All Day Long" song from Charlie and the
Chocolate Factory. Danny Elfman really has a way with an earworm.

So many positions to try, and none of them lead to sleep.

The eye and jaw muscles:  so tense and unforgiving!

Crickets.  Sure are loud, aren’t they?

The funny thing is, in the winter, when the crickets are dead, our baseboard heat sounds just like them. 

My husband set up his computer to beep every five seconds before he went to bed.  Wonder why he did that?

He
had something perilously close to a job interview yesterday. Please
cross your fingers, say prayers or throw pennies in fountains for him.
Not forgetting for a moment your internal chant of World Peace, of
course.

Having updated myself, however provisionally, on the
smear campaign against Cindy Sheehan, I’m going to go take a hot bath
with stories by Stephen Dixon.

There goes a garbage truck, accelerating up Pine Street, punctuated every five seconds by a beep. 

OK,
I’m going. But before I go I’ll just post here a word chosen at random
from Webster’s New World Dictionary. It would be better to choose at
random from Random House but I don’t have that one.

Leech 2 n.
[LME lyche, akin to ON lik Du lijk, boltrope IE base *leig-, to bind,
fasten L ligare, to tie] 1 the after edge of a fore-and-aft sail 2
either of the vertical edges of a square sail.

Sample:  Next week my husband and I celebrate nine years of marriage

POSTCARD FROM THE SLOPE_WELCOME TO BROOKLYN DUCKY

BalloonsMy sister, bro-in-law and Sonya (Ducky) arrive in New York City on August 28th. And so begins their life in Brooklyn togehter.

And Brooklyn awaits with open arms. There is Seventh Avenue to be strolled (and no $800 dollar stroller for Ducky. She’s got a very tasteful McClaren, thank you very much).

Prospect Park will be Sonya’s stomping ground. She may even take her first steps there. Wait’ll she sees the Third Street, Ninth Street, and Tot Spot Playgrounds. Life’s a playground, Ducky. there are swings to swing, slides to slide, sandboxes to dig in. Wait till you see.

And Ducky, who already shows an interest in music, will enjoy Music Together with Toby Williams, or the hipster alternative: Music for Aardvarks, where the family can learn songs like: I’M A CITY KID:  "Beep Beep, honk, honk, can you spare a dime. Have a bagel with schmear and see the Guggenheim…" and other Aardvark classics.

There are so many one-year-olds for Ducky to befriend. My sister’s building is crammed with kids as is the rest of the Slope. The drop-in center at Beth Elohim will be a great place to meet and greet the nabe.

When I close my eyes, I can see my  sister on the bench at Connecticutt Muffin with Ducky in her stroller. Ducky will sip from her cup – she’s was weaned early from the bottle at the orphanage – while my sister has her morning coffee with all the other new Slope moms.

There’s much for a one-year-old and her parents to do in Park Slope. Parks, playgrounds, parties, and playdates. Ducky, you’re not in Perm, Russia anymore. (And if you miss Russia, Brighton Beach is just a hop, skip, and a jump.) No worry: you’ve landed in the land of children, where you will be loved and adored by your devoted family of friends and neighbors.

Welcome to Park Slope!

THE SUN SLAMS THE FOOD COOP

Since many OTBKB readers don’t read the conservative New York Sun, I thought I’d alert you to reporter Laura Mechling’s bashing of the Park Slope Food Coop called: Welcome Shoppers, but Please Don’t Paw the Persimmons.

The Sun only lets you read an short excerpt from articles on-line if you’re not registered and I haven’t bothered to register although I do like to see what the Sun has to say most every day. I particularly appreciate their arts coverage and daily calendar.

Thanks to a friend, I now hve the complete text of the Sun article.  The reporter obviously went looking for the coop cliche – militant crunchies who have no tolerance for those  who don’t want to follow the rule. Instead she found slightly boring and tired  coop workers with little to do. It was her first day at work afterall. From my reading, the worst thing she can say about the coop is that she had a hard time striking up a conversation with her fellow workers.
She didn’t really get her story, did she? The story she wanted to tell about the "Granola Nazis" she’d heard so much about.

The Park Slope Food Co-Op is thought
by many to be a terrifying place, a netherworld of rules and suspensions and
withering stares if you forget to bring your own biodegradable shopping bag.
The one time I’d gone there, as somebody’s guest, when I reached out to pick up
a persimmon only to be scolded by a dutiful member, who must have been
following me through the aisles the whole time. "Excuse me," she
said. "Guests aren’t allowed to handle the produce."

Richard, leader of a recent Sunday
afternoon orientation session, was so determined to present the Co-Op’s gentler
side that he had set up a table with organic treats such as carrots and humus
and peach nectar for 30 prospective members. Before getting into anything as
off-putting as regulations or free-range ethics, he started off the meeting by
telling us how much the Co-Op has improved his life. "My ingestion has
really changed," he said. "I’m juicing now!"

Founded in 1973, the Park Slope Food
Co-Op is the oldest and largest member-run food co-op of the approximately 300
in the country. Membership, currently at 12,000, has been growing at an annual
rate of 20% in the past five years, with no sign of slowing down. The store
reaps an annual gross of $20 million. It sells half a ton of bananas a day.

People join because the prices are
cheap and the food is fresh and healthful. The organic radishes and plastic
wrapped cheeses at the Park Slope Food Co-Op cost about half what they would at
a regular health food store, but customers pay for it in other ways. For starters,
there are the rules – no eating in the store, no joining if your spouse or
roommate won’t join, no buying an apricot for a non-member friend. The
cornerstone of a membership to the organic-opolis is the mandatory shift: In
exchange for shopping rights, members work, for free, for nearly three hours
every month. In addition, the store makes prospective members sit through an
orientation session that lasts nearly as long as one of the work shifts.

The range of jobs covers the gamut,
including bookkeeping, "sign committee," putting on an anti-frostbite
suit and tidying up the freezer, and unloading boxes from the backs of trucks.
In my circle, the "food packaging" shift is known as one of the
better (that is, less rigorous) ones, so long as you don’t mind wearing a
hairnet and spending an extended period in a Brooklyn basement.

At most times, the Co-Op’s main
floor doesn’t look that different than a regular health food store, its aisles
crammed with everything from organic almond butter to blueberry tofu knishes.
The basement feels markedly different, more like a kindergarten classroom, with
its annoyingly bright lighting and finger-paint smell. To add to the babyish
atmosphere, labels are attached to every hook, drawer, box, shelf, and door.
The cards say such things as "Orange Spice Tea" and "Tape and
Scissors," and, above two long brooms, two regular brooms, and a dustbin,
a sign reads, "Two long brooms, two regular brooms, and one dustbin on
these hooks."

They like their order at the Co-Op.
Frightened of getting into trouble on my first day as a member, I arrived early
and waited for the rest of my team to show up. The next arrival, a drowsy-eyed
beauty named Susannah, told me that Marty, our squad leader, was out for the
day, so we could have slept in. "It’s not going to be that
different," she said. "There’s never much that needs to be
done."

The next two people to turn up,
Jazmin and Sheldon, both put on the required aprons and started diligently
filling small plastic bags with tea and listening to the mayoral candidate C.
Virginia Fields talk about small businesses on a morning radio show. Sheldon
was shy and tall, and he wore his dreadlocks under a puffy hat. Jazmin’s mouth
remained cast in a frown as she listened to Ms. Fields talk about economic development.
"I don’t trust any politicians," Sheldon said, emptying another scoop
of tea into a bag.

Susannah went upstairs with a
clipboard to see if anything in the "packaged foods" section needed
replenishing, and Sheldon showed me how to package bulk tea, which wasn’t hard.
All you had to do was scoop loose tea into the little bags, then fasten them
shut with a red twistie, and finally weigh and price them with a digital scale
that prints out stickers.

Susannah returned with her notes.
The one thing they were out of upstairs, sun-dried tomatoes, was the one thing
they were out of downstairs. Everything else in the store was at least half
stocked. "See?" she said. "There’s really not much to do."

Soon Gabriella, a serious sort with
glasses and short black hair, showed up, and she took it upon herself to visit
the cheese case upstairs to see if anything was out of stock. She returned,
seeming slightly downcast, to report that nothing was immediately needed.

Lucky for her, even when there’s
nothing that desperately needs to be refilled, there are always huge bulk
items, such as logs of cheese, to be cut, and there are garbage bags of dried
figs to be redistributed into little household-friendly portions. I got to work
on a huge brown paper bag of Earl Grey tea while Gabriella used a wire to cut
Muenster cheese into triangular and rectangular hunks.

The shifts last two hours and 45
minutes, which didn’t seem that long when I’d signed up. Not even an hour into
my shift, though, I started to feel bored and panicked. Everyone remained
quiet, and when I tried asking people questions – how long they’d belonged,
what their favorite Co-Op items are – they gave me dead-weight answers like
"six months" and "herbed tofu spread." Eventually, thankfully,
Sheldon warmed up to me, and we got to talking about his twin daughters and the
Rasta way. He even put down his silver scoop to pull up his apron and show me
the lion on his T-shirt. Time started to pass a little faster.

About two hours into our shift, two
members in our squad, an older woman with a peppy attitude and a teenage boy
with a tangle of curls, showed up. The boy wandered away, never to be seen
again, and the woman took a seat at the table and worked on her muffin and
coffee.

Jazmin changed the radio to lite FM
and everyone started to sway to Lionel Richie’s "All Night Long."

"How very un-Co-Op," a
woman who had just materialized declared, holding a watermelon close to her
chest.

"Another customer and I want to
split this," she explained, and she used Gabriella’s cutting board to
slice the fruit.

When she left, Gabrielle let it be
known that she didn’t appreciate the hijacking of her workstation.

"Well, her watermelon was too
light inside. It didn’t look very juicy," Jazmin said, and everyone else
agreed, which seemed to make Gabriella feel better.

 

POSTCARD FROM THE SLOPE_Time to Leave Brooklyn

Cut the umbilical cord – it’s time to leave Brooklyn. In the overpacked Volvo, we drive up Third Street, turning right onto Seventh Avenue. Oooh, look at all the new stuff between 14th and 15th Street…Blue Apron, a brick oven pizza place in the works, Toast…

Cut the umbilical cord – it’s time to leave Brooklyn. We turn left onto the Prospect Expressway, passing a new condo development on Seventh. It’s looks a bit like a motel but it’s still under construction.

From the Prospect we see the edge of Windsor Terrace and Kensington looking very spiffy. Maybe we should’ve bought there. Real estate regrets plague me as we drive east toward Coney Island.

Cut the umbilical cord it’s time to leave Brooklyn. We come out of the Prospect onto Ocean Parkway, a veritable smorgasbord of new Mchouses, synagogues-in-progress, condos. So much to see.

Brighton Beach in the distance, and Coney Island beyond, we get onto the Belt Parkway and drive past mysterious Brooklyn: Sheepshead Bay, a riding academy, small beaches that look cool, a suburban style mall on the left (where are we, again?).

I call my son on my cell phone. He planned to stay in Brooklyn for another couple of days while we were at the beach. His plans have changed. "Do you want me to pick you up?" I say. "I thought you were in Sag Harbor already," he says.  "No, we haven’t left Brooklyn (though we’re within spitting distance of Queens. We’ll come home and get you."

It really is hard to leave Brooklyn. We exit the Parkway and get back on. Going the other way. We exit at Flatbush Avenue this time. Stop and go traffic, Kings Highway, Brooklyn College, Carribean Flatbush Avenue, Lefferts in the distance, the Public Library, Grand Army Plaza.

Hot, we are tired. Already. My daughter is saying whining: Why do we have to pick him up? Couldn’t he meet us out there…"

We pull up to Third Street. "Back so soon?" a neighbor says. We re-pack the Volvo adding bass guitars, an amp, a small duffel bag, etc.

Cut the umbilical cord, it really is time to leave Brooklyn. I sleep all the way to the Southern State Parkway. Don’t notice a thing.  So good to get away…

Extell Bids $150 Million vs. Ratner

2005_07_extellyardsA press release from Develop Don’t Destroy Brooklyn:

The Metropolitan Transportation Authority released the  two bids on Atlantic yards late Friday afternoon.  Extell Development  Company has bid $150 million in cash for the MTA’s Vanderbilt Yards  (aka Atlantic Yards), while Forest City Ratner Companies (FCRC) has bid  $50 million for the same 8.4-acre property. Extell has bid $56 per  square foot, while Ratner has bid $15 per square foot. The MTA, also on Friday, appraised the Vanderbilt Yards at $214.5 million.

Continue reading Extell Bids $150 Million vs. Ratner

COP BLOGGER CANNED BY NYPD

This just in from the New York Daily News:

A highly decorated cop got canned because of his Web site, NYPD Rant – a forum for disgruntled cops that is brutally true to its name.

Operating under the name Polecat, Police Officer Edward Polstein allowed his Finest brethren to take shots at Mayor Bloomberg, top cop Raymond Kelly, pompous bosses and even the police union.

Police brass weren’t amused – bringing departmental charges that have led to the dismissal of Polstein, a housing cop for 18 years. Now unemployed and trying to figure out how to support a wife and three daughters, Polstein defiantly says he did nothing wrong and is gearing up for a legal battle in federal court.

"The Rant was my diary; it was how I felt at the moment," Polstein, 43, told the Daily News yesterday. "It is my constitutional right to vent."

His lawyer Jeffrey Goldberg said the ex-cop has the First Amendment on his side. "If the Web site had said Kelly wasthe greatest police commissioner there wouldn’t be a problem," Goldberg said, "but Kelly’s thin-skinned, and he didn’t like the content."

Polstein ranted that the NYPD was run like the Nazi Party and posted a photo of Adolf Hitler addressing his storm troopers. Click on a photo of Kelly and it morphed into the cartoon character Popeye.

Polstein created NYPD Rant in 1999 as he became increasingly frustrated at being passed over for specialized units because, he believed, he didn’t have a "hook," police lingo for a high-ranking mentor.

He’s apparently touched a raw nerve in the blue ranks: The NYPD Rant message board averages more than 60,000 visits daily, and last month it recorded 126,048 visits the day a new police contract was announced. Some of the posters reveal their discontent with names like The Job Is Doomed, Burnt and NYPD Blew.

"A lot of cops don’t have avenues to vent and rant," Polstein said. "If you keep it inside, bad things happen."

Polstein was told the Internal Affairs Bureau was monitoring the site, but he continued his diatribes and remained an active cop. On his own time, he offered a free course to housing cops on spotting concealed weapons.

During a visit to Police Headquarters after 9/11, Polstein wanted to show how easy it was to smuggle weapons into the building. Flashing a bogus police ID card, he walked past security carrying a gym bag containing plastic knives, a stun gun and a mock pipe bomb.

Then he revealed his ruse to the sergeant on duty, offering to help with training. He didn’t hear back until October 2003, when the IAB slapped him with charges of "posting language and remarks" that were discourteous to police brass and elected officials, describing on the site how he "smuggled" weapons into headquarters, and using the NYPD logo on the site without permission.

Continue reading COP BLOGGER CANNED BY NYPD

SNEAKY DEVELOPERS IN THE SOUTH SLOPE

In the Village Voice, a story about developers pushing the envelope:

On a Saturday morning in April, neighbors on a quiet Brooklyn block on
the southern edge of Park Slope looked into their backyards to see
workmen erecting a construction fence on their properties. In
brownstone Brooklyn this is the face of war: sneak attack by
developers. One irate woman called her lawyer, who told her to call the
cops, who promptly tossed the workers off the site. But it was a brief
retreat. The developer quickly arrived, offering $3,000 in cash for the
right to work on their properties. His goal, he said, was to start
digging a big hole where a new building would rise on what had been a
100-by-100-foot parking lot on 15th Street between Seventh and Eighth
avenues near Prospect Park.

Continue reading SNEAKY DEVELOPERS IN THE SOUTH SLOPE

POSTCARD FROM THE SLOPE_One More Paul Auster Thing

2cbw2818_2Apparently, many women in Park Slope are aware of Paul Auster. It’s pretty hard not to be. "He’s so handsome," a friend told me yesterday as we walked past PS 321.

Another friend yelped when I mentioned his name. "He is so gorgeous," she squealed.

So I’m not the only one. It’s all in the eyes: they’re so dark and penetrating. His low voice; the way he seems to be deep in throught when he walks around Park Slope. Plus,  he wears such nice shirts.

I remember when playwright/movie star Sam Shepard was "the thinking woman’s sex symbol." He won a Pulitzer prize for his play, "Buried Child" and starred in  "Paris, Texas", "The Right Stuff", and "Days of Heaven". There was something about Sam..

But we in Park Slope may have a new candidate.

Paul Auster.  Why not?

He’s a world-class writer, a real innovator. He speaks French, makes wonderful independent movies and lives in a brownstone in Brooklyn. He is said to be a very generous, good person and has stayed married to a famous writer for years. He also has a dog.

What more could you want in a sex symbol?

Really.

P.S. Thanks to a friend who dropped off a copy of THE NEW YORK TRILOGY at my apartment. I’m going to start reading it this morning. On the subway. But I promise to be more careful.

Gehry & Ratner Show Their Card

skyline
Thanks to Brownstoner, for posting this picture and article from the New York Times. I was also interested to read Brownstoner’s comment in italics below.

July 5, 2005, NY Times — The massive building plan surrounding a new
Nets arena east of Downtown Brooklyn will include a ridge of a
half-dozen skyscrapers as high as 60 stories sweeping down Atlantic
Avenue, along with four towers circling the basketball arena, according
to new designs completed by the developer Bruce C. Ratner and the
architect Frank Gehry. The project, the largest proposed outside
Manhattan in decades, would include much more housing than originally
announced in 2003, growing to about 6,000 units from 4,500, according
to a plan made available to The New York Times. But the real impact
would be in the size and density of the buildings, which are taller and
bulkier than once envisioned. With 17 buildings, many of them soaring
40 to 50 stories, the project would forever transform the borough and
its often-intimate landscape, creating a dense urban skyline
reminiscent of Houston or Dallas. The project would be built in phases,
starting with the blocks around the arena, then the apartment complexes
along Dean Street at the Vanderbilt Avenue end, and finally the
northern stretch of housing along Atlantic Avenue. The arena is planned
to open for the 2008-9 basketball season, said James P. Stuckey, an
executive vice president at Forest City Ratner Companies, with the
entire project completed as soon as 2011. The project will come before
the Metropolitan Transportation Authority tomorrow as Mr. Ratner makes
a formal proposal to buy and develop the Atlantic Avenue railyards.

Brownstoner’s Comment: We have to admit that these renderings are pretty
exciting. Over the past several months, as the debate over the project
has intensified, we found our sympathies leaning towards the
anti-Ratner camp. We’re extremely uncomfortable with the concept of
eminent domain and if our brownstone happened to be directly affected
by the plan we’re sure we wouldn’t be pleased. But it’s hard to look at
Gehry’s renderings and not get swept up. We couldn’t give a rat’s ass
about having a local basketball team, but being at the center of
arguably the most significant urban development effort in a generation
(or more) is starting to outweigh our earlier reservations. Let’s hope
that it’s more than a giant P.R. stunt to close the deal. Enough
people’s lives are being uprooted that this better end up being
something special. From the looks of it, it just may be.

Instant Skyline Added to Brooklyn Arena Plan [NY Times]
An Appraisal [NY Times]

POSTCARD FROM THE SLOPE_Fireworks

2cbw2729_stdIt helps to have friends in high places. Especially on the fourth of July. And a river view doesn’t hurt.

My father and stepmother live in a high-rise apartment in Brooklyn Heights with a sumptuous view of New York harbor, the Statue of Liberty, and the lower Manhattan skyline. On 9-11, they watched in horror as  a plane crashed into one of the Twin Towers. Then, they were  evacuated frm their building in those first uncertain hours when it was feared that there might be more attacks to come.

Like the rest of the city, they have, for the most part, moved forward from that day. But their view will never be the same. Something that once brought them such pleasure is now tinged with death and destruction.

But it is still one of the most beautiful urban views in the world with its sparkling lights, elegant bridges, tall buildings, and boats in the harbor: it is an endlessly interesting vista to soak one’s sight in. And on the 4th of July there is no better place to revel in the booming brilliance of Macy’s fireworks.

This year was advertised as the best ever : right up there with the Brooklyn Bridge celebration,  the bicentennial, and the millenium. A group of eight adults and one seven-year old, we borrowed my father and stepmother’s apartment and used it as our viewing stand (they were upstate at their house in the country). We drank their champagne, we used their crystal glasses. We cleaned up after ourselves.

And we oohed and ahhed, privileged to have such a view. The Macy’s barges, which  were literally framed by the apartment’s windows, sent bouquets of shimmering colors and shapes so close to the window we could practically smell it.

We never found the radio station that had the music the fireworks were choregraphed to so we listened to some Aaron Copeland-esque  music on a random classical station. 

As always, I found  myself getting a little bored mid-way through. Oversaturated from the relentless glory, I kept wondering:  "Is this the finale?  No this is the finale. Now this must be the finale." Such an embarassment of riches, I sort of wanted it to stop.

But when the finale came it was really obvious. The color bursts just went on and on and on.  Can it get better?  It just did. Omigod, it’s even better now. Oh, that was gorgeous Then…

2cbw2784_stdit was over. Quiet. Still. Energy spent. Exhaustion. Hazy, smokey black sky. Cheers emanated from the crowd 27 stories below. Then, people began to disperse. Quickly the streets were clear.

The silence is about absence, about the loss of what came before, about what was just here and is now gone.

So incredibly overwhelming and so fleeting at the same time.

HAPPY BIRTHDAY LEAVES OF GRASS

3000098_stdI CELEBRATE myself, 
And what I assume you shall assume, 
For every atom belonging to me as good belongs to you. 

I loafe and invite my soul, 
I lean and loafe at my ease . . . . observing a spear of summer grass. 

Houses and rooms are full of perfumes . . . . the shelves are crowded with perfumes, 
I breathe the fragrance myself, and know it and like it, 
The distillation would intoxicate me also, but I shall not let it. 

The atmosphere is not a perfume . . . . it has no taste of the distillation . . . . it is 
    odorless, 
It is for my mouth forever . . . . I am in love with it, 
I will go to the bank by the wood and become undisguised and naked, 
I am mad for it to be in contact with me. 
 

The smoke of my own breath, 
Echos, ripples, and buzzed whispers . . . . loveroot, silkthread, crotch and vine, 
My respiration and inspiration . . . . the beating of my heart . . . . the passing of blood 
     and air through my lungs, 
The sniff of green leaves and dry leaves, and of the shore and darkcolored sea- 
     rocks, and of hay in the barn, 
The sound of the belched words of my voice . . . . words loosed to the eddies of 
     the wind, 
A few light kisses . . . . a few embraces . . . . a reaching around of arms, 
The play of shine and shade on the trees as the supple boughs wag, 
The delight alone or in the rush of the streets, or along the fields and hillsides, 
The feeling of health . . . . the full-noon trill . . . . the song of me rising from bed 
     and meeting the sun.

-Walt Whitman, 1855