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Edgy Moms Relocated to Two Moon Art House & Cafe

May 10, 2012 at 8PM: Brooklyn Reading Works presents the 6th Annual Edgy Moms, an annual reading of writing about motherhood and mothers by writers with sharp pens and razor fine wits, sponsored by Babeland.

FREE GIFT BAGS FROM BABELAND PLUS FREE WINE AND REFRESHMENTS!

This year’s line up includes Elizabeth Laura Nelson, Hoong Yee Lee Krakauer, Nicole Callihan, Karen Ritter, Jezra Kaye and special guests!

So what is an Edgy Mom?

She’s feisty and fun and a little bit zany. She whines to her friends and can be a bit of a martyr. She fantasizes about taking long trips without her children. She lets her kids have dessert before dinner and reheated pizza for breakfast. And she NEVER remembers to bring Cheeros or tissues to the playground. Except when she does and then she feels victorious.

Her kids have seen her fight, yell at her mother, and curse her sister on the phone. They’ve watched her cry. More than once. She’s been know to throw away her children’s old toys and art supplies when they’re not around. And then pretend she doesn’t know where they are when they ask.

And she knows not to miss Edgy Moms on May 10th because it’s gonna be a blast and the wine is free.

Continue reading Edgy Moms Relocated to Two Moon Art House & Cafe

Edgy Moms at Two Moon Art House & Cafe on May 10


May 10, 2012 at 8PM: Brooklyn Reading Works presents the 6th Annual Edgy Moms, an annual reading of writing about motherhood and mothers by writers with sharp pens and razor fine wits, sponsored by Babeland.

FREE GIFT BAGS FROM BABELAND PLUS FREE WINE AND REFRESHMENTS!

This year’s line up includes Elizabeth Laura Nelson, Hoong Yee Lee Krakauer, Nicole Callihan, Karen Ritter, Jezra Kaye and special guest Michele Madigan Somerville.

So what is an Edgy Mom?

She’s feisty and fun and a little bit zany. She whines to her friends and can be a bit of a martyr. She fantasizes about taking long trips without her children. She lets her kids have dessert before dinner and reheated pizza for breakfast. And she NEVER remembers to bring Cheeros or tissues to the playground. Except when she does and then she feels victorious.

Her kids have seen her fight, yell at her mother, and curse her sister on the phone. They’ve watched her cry. More than once. She’s been know to throw away her children’s old toys and art supplies when they’re not around. And then pretend she doesn’t know where they are when they ask.

And she knows not to miss Edgy Moms on May 10th because it’s gonna be a blast and the wine is free.

Continue reading Edgy Moms at Two Moon Art House & Cafe on May 10

Raise a Glass for Tattooed Heart and Come From Nowhere in Park Slope

Who can resist a hard-luck girl with a haunting secret and a love letter to New York? Don’t miss the launch party for two new novels written by Brooklyn authors at The Community Bookstore, one of New York’s great bookstores on April 15 from 5-7PM (143 7th Avenue in Park Slope, Brooklyn).

The Community Bookstore and 3RingPress invite you to celebrate the launch of two new novels, The Tattooed Heart, by Jezra Kaye, and Come From Nowhere, by Ellen Greenfield.  Toast these books and hear excerpts read by the authors, who will be available to sign copies.

At the start of the AIDS epidemic, Gracie—a hard-luck girl with a haunting secret—loses her best friend and lover, Marcus. But just before he dies, Marcus makes her promise to bear a child in his memory. He knows she’ll need someone to live for when he’s gone.  But he can’t know how tough and twisted Gracie’s journey will become. The Tattooed Heart has been called “a wild road trip through the American West, fueled by anger and loss.  Gracie’s is the tough and tender voice you won’t be able to get out of your head.”

Come From Nowhere has been called a love letter to New York City and all of its varied inhabitants.  “The seven characters we meet at the onset of this remarkable novel, each wrapped in her own particular music, are soon to experience the sudden arrival of darkness—New York City’s two-day black out of summer, 1977—and the subsequent transformation of everything.  Written with grace and perceptive intelligence, the narrative that follows is humane, mysterious, tragic, compelling and beautiful.” Chuck Wachtel, author of the novels 3/03, The Gates, and Joe The Engineer.

My New Venture: Brooklyn Social Media

So I’m starting a new business. It’s called Brooklyn Social Media. Check me out on Facebook and LIKE ME.

If you wanna LIKE ME.

Back in 2004 I was a blogging pioneer. I launched a blog before anyone knew what a blog was. Sure, some people did but most people said, “What’s a blog and why should I care?”

Others thought it was a great way to waste time.

I proved them wrong and made them care with Only the Blog Knows Brooklyn, a popular hyper-local blog for people who are addicted to where they live. Since 2004, I have posted 14,322 posts on OTBKB.

Soon, OTBKB had awesome reach. Lots of people were reading it. The New York Times, Crains New York, loads of blogs wrote about me. I had a weekly column in the Brooklyn Paper. I was interviewed by Brian Leherer, WNBC, Channel 12. I was recognized on the street. Entrepreneurs, artists and businesses barraged me with information about what they were up to because:

I was viewed as a major INFLUENCER.

In 2005, I was inspired to spread the blogging gospel and I founded the Brooklyn Blogfest, an annual networking event for bloggers and entrepreneurs. For six years I ran that event with passion and LOVE. I look back with pleasure and pride at that large community that came together year after year —and the many people who found each other there and made interesting and creative connections.

Interesting and creative connections: Isn’t that what’s it’s all about?

In 2010, the event was sponsored by Absolut  Vodka, who chose the Brooklyn Blogfest as a perfect launch pad for their new product, Absolut Brooklyn.

Flash forward to 2012: I have decided to share my blogging and social media expertise with those in need. My fees are flexible and affordable. I have resources up the wazoo and if I can’t do it I know who can. AND, I’m offering a free first consultation so get in touch if you’d like my input and ideas.

Continue reading My New Venture: Brooklyn Social Media

April 19: Funny Pages Curated by Marian Fontana at Brooklyn Reading Works

Brooklyn Reading Works presents Funny Pages: An  Evening of Humor curated by Marian Fontana on Thursday, April 19, 2012 at 8PM at The Old Stone House of Park Slope. A $5 donation includes wine and refreshments.

Author Marian Fontana knows funny and she is bringing together a great group of comic writers for this night of hilarity with Marian, Don Cummings, Ellen Ferguson, Gianna Messina, Billy Frolick, and Blair Fell.

DON CUMMINGS’ critically acclaimed plays have been produced on both coasts: His play, The Fat of the Land was a semifinalist for the Kaufman & Hart Award for new American comedy. A Good Smoke was a semifinalist for the Eugene O’Neill theater conference. It had a reading at The Public Theater in New York starring Meryl Streep and Debra Monk and has been optioned for Broadway. Piss Play is about Minorities so it’s Really Important was produced in the Summer Cringe Festival of 2009 where it received the Golden Pineapple award for best play. His latest play, Live Work Space, opens soon in Los Angeles. His collection of nonfiction essays are loosely held together in his yet-to-be-published memoir, Open Trench, named after his blog. He has acted in a lot of plays and been on a lot of sitcoms and writes movies and TV shows. Mr. Cummings is a graduate of Tufts University, The Neighborhood Playhouse and a member of The Dramatists Guild and the Ensemble Studio Theater Writer’s Unit. www.doncummings.net

ELLEN FERGUSON writes the “Diversity in the News” column for McSweeney’s, and her nonfiction has also been published in Diversity Prep, Publisher’s Weekly, and SPY.  Her McSweeney’s column has been widely reprinted online.  Her poetry can be found online on identitytheory and the Brooklyn Reading Works, and in print in Long Island Quarterly.  Before she started teaching English, Satire and Nonfiction in New Jersey and New Hampshire, she worked at The New Yorker Magazine and SPY.

Continue reading April 19: Funny Pages Curated by Marian Fontana at Brooklyn Reading Works

March 22: (Re)Discover Your Life Purpose with Momasphere

It’s always exciting and a bit startling when friends make a big change in their lives. A new job, a new home, a new child, a new city, a new career…

Melissa Lopata and her husband Larry have done just that. They left Brooklyn and are living on a farm in Connecticut. Okay, I will admit, I was a bit shocked to hear that these city slickers (and longtime supporters of the Brooklyn Blogfest) have pulled up roots and are doing the Green Acres thing. But then I read the following written by Melissa and I am wholeheartedly intrigued.

Continue reading March 22: (Re)Discover Your Life Purpose with Momasphere

This Thursday: In the Year of the Dragon

Don’t miss:

In the Year of the Dragon”, a reading celebration of Asian and Asian-American writers presented by Brooklyn Reading Works at  the Old Stone House on Thursday, March 15th at 8PM.

Hear…

Novelists SUSAN CHOI, CATHERINE CHUNG, SABINA MURRAY, HOONG YEE LEE KRAKAUER, playwright LINDA FAIGAO-HALL and Brooklyn’s Poet Laureate, TINA CHANG.

Curated by...

Novelist Sophia Romero, author of “Always Hiding” (William Morrow) who also blogs as “The Shiksa From Manila”.

Brooklyn Reading Works is on its sixth year and is a monthly thematic reading series  in Brownstone Brooklyn. Last year, “Voices from the East: In the Year of the Rabbit”  featured poet Joanna Sit, playwright Diana Son, and novelists Bino Realuyo, Thad Rutkowski and Ronica Dhar.  There will be a Q&A and mingling with the artists at the end.  The Old Stone House is located at J.J. Byrne Park on 5th avenue between 3rd and 4th streets.

Steno Classes: First Day of School

This is the 6th installment in an on-going series on my experience training to be a court reporter .

On a frigid Monday in February, I waited for the  Seventh Avenue bus to take me to the Grand Army Plaza subway station. Once on the train, I ran into an acquaintance from my daughter’s elemetary school. I made a point of not telling her that I was on my way to Park Place for my first day of court reporting school.

I felt stealth, a secret agent embarking on a new career .

When I entered the classroom at the New York Career Institute, more than thirty people were already seated and waiting for the teacher to arrive. At 9:30 on the  dot, Miss G, a skinny woman in late middle age with short spiky hair with specks of grey, entered the room.

The teacher!

She had big expressive eyes and bright red lipstick on her lips. Her outfit, I would later learn, was her teaching uniform: a flannel shirt, a wool scarf, grey sweat pants and white tennis shoes. She looked well put together, even stylish. Maybe it was her hair cut, which was neat and well coiffed.

Miss G, in a voice shrill, sharp and clear, directed a question to the classroom of newbies, mostly women in their early twenties and thirties.  “Why are you here? Nobody comes here without a reason. Rarely do people think of this themselves. They have to be told.”

I was sitting next to M, the grey-haired woman I met at the orientation (“I think you’re in my demographic”). At 63 and 53 respectively, M and I were the two oldest people in the room. As Miss G went around the room, people described aunts who worked as court reporters, friends, and mothers who had done it years ago.

I told the group that I was inspired during jury duty. M mentioned that she looked it up on the Internet.

“It’s the second highest paying job you can get without a college degree.” she told the group.

What’s the first?” someone shouted out.

“Air traffic control,” she said.

The room erupted in laughter. All the faces I would come to know so well blended together that day. There was a man who never came back and a few others we’d never see again. Satisfied with the group’s answers, Miss G addressed the class:

“I am offering you a wonderful, well-paid career. If you work hard and practice and take this vey seriously, there is an opportunity for you here. Don’t squander it. Many people have come through this school. I have seen people who’d never studied before and took to this thing. This was something they were able to do. It has literally saved people’s lives…”

I was moved by the sincerity and passion of her speech. Afterwards, she sent us downstairs in groups to pick up our machines. Most of the class had purchased machines, which wouldn’t be arriving for another couple of months. In the meantime, the school was loaning out what Miss G called clunkers, rusty, old machines used by multitudes before us.

Down in the administration office, there was a room full of clunkers lined up in black canvas bags (not rolling suitcases). I was very excited to receive one and proudly carried it back upstairs. The others were already putting their  machines together. Out of my bag I pulled out the machine itself, the foldable tripod legs, and the awkward metal drawer. Miss G went around the room offering aid to those who needed help. When everyone was set up, she told us to unwrap our first package of steno paper and showed us how to thread it through the machine.

We were ready to go.

Miss G showed us where to rest our fingers on the black keys. We learned a few letters: the two  S’s and the two T’s.

“If the letter is on the left side of the keyboard it’s called ‘initial’ and if it’s on the right side it’s called ‘final,'”she instructed us.

The initial S is hit by the left pinky on the far left of the keyboard (see diagram, above). The final S is hit by the right pinky on the right side of the keyboard (but don’t hit the D and Z by mistake). Sitting at her desk at the front of the room, Miss G began to drill us in a voice something between an army sergeant and a stern piano teacher.

“Initial S, final  S, initial S, final S, initial S..”

“Use the pinky,” she yelled out if she spotted someone who was using their ring finger instead of the pinkie.

“Initial T, final T, initial T, final T, initial T…”

Miss G drilled us for the rest of the class period, keeping an eagle eye out for fingering mistakes. A young woman, who had failed the class previously and was taking it again, sat near Miss G. She wore Pink brand sweat pants, hoodie, and expensive Nike sneakers and used the wrong fingering.

“I told you, use the correct fingers,” Miss G admonished her.

M approached the fingerings with great seriousness, she seemed to be struggling.  That first day I felt surprisingly calm. I enjoyed pressing the keys down as Miss G shouted out the letters. It was a satisfying sensation that reminded me of playing  an instrument. I hadn’t used my pinkies that  way since playing the  guitar. I liked the way it felt.  I almost wished the machine made a musical sound.

The time passed quickly. Before I knew it, it was noon and the class was winding down.

“The party’s over,” Miss G. said to the class. “Go home and practice.”

I was sure I would, and I knew I’d be back the next day.

To be continued…

Steno Chronicles: A Brief History of Shorthand

This is the 5th installment of an on-going series about my experience training to be a court reporter.

There is a long and interesting history of written and machine shorthand. There is even a permanent exhibition, The Gallery of Shorthand: The Evolution of a Timeless Profession, in the Alfonse M. D’Amato Federal Courthouse in Central Islip, Long Island.

Now that sounds like a very worthwhile excursion, doesn’t it?

In lieu of making the trek out to the Richard Meier designed Islip courthouse, I  was able to gather quite a few nifty historical tidbits from their interesting website.

In Ancient Rome there were scribes, individuals responsible for transcribing minutes of the Roman Senate. Before 63 BC they wrote from memory and these transcripts were sometimes published.

In 63 BC, Cicero, the great orator of Rome, developed Tironian Notes, the very  first system of short writing. To save time, this system used letters to represent common words, and left out letters, usually vowels, that weren’t necessary. Sometimes initials or other parts of several words were joined.  Speed was achieved by rarely removing the hand from the wax tablet.

In 59 BC, Emperor Julius Caesar sought to eliminate the secrecy of Senate deliberations, and ordered that they be recorded using Tironian Notes.

Hail Ceasar.

Apparently some Tironean Shorthand is still used in contemporary shorthand such as abbreviating by using only the first letters of common phrases (am, pm, USA).

During the middle ages, shorthand was outlawed because it was  viewed as crytography or secret writing, and therefore inherently evil. Despite the prohibition, monks were allowed to use shorthand to write. And that’s a good thing. Much of what we know about the intellectual and religious history of that time we know form these shorthand writing monks.

But I digress. Machine shorthand, as taught at the New York Career Institute, is what we are interested in here.

We have Miles M. Bartholemew to thank for the invention of the first English-language stenography machine in 1879. That precursor to today’s steno machine utilized dot/dash codes to form one letter at a time. It makes me think of Morse Code. 150 words per minute was the top speed you could reach on this machine. Apparently vowels were eliminated and words were written as phonetic abbreviations.

In 1866,  George Kerr Anderson designed the first word-at-a-stroke shorthand machine called. The Anderson Shorthand Typewriter. It used printed letters  instead of codes and was capable of fast writing speeds.

In 1911, the Ireland Stenotype Shorthand Machine was invented by Ward Stone Ireland. This steno innovator spent six years analyzing the arrangement of letters and sounds in the English language. He’s responsible for the chorded method and the ” two-row, tripartite key arrangement of initial consonants, final consonants, and middle vowels” that those of us who have studied Steno know and love. This groundbreaking system allowed” the greatest output with the fewest strokes.”

Indeed, that is the essence of steno: the greatest output with the fewest strokes. Make THAT your mantra.

Steno Chronicles: Orientation

This is part 4 of an on-going series about my experience training to be a court reporter.

The afternoon of the orientation for new students, maybe sixty of us were herded into a third floor classroom at the New York Career Institute. I looked around at the people sitting in folding chairs. Most looked only a few years older than my  19-year-old son.

There were white girls, black girls, hispanic  girls, Orthodox Jewish girls, and even a few Orthodox men wearing yamulkes (I later learned that court reporting is quite popular among the Orthodox). The average age was probably 25 but there were a few scattered middle-agers, as well.

I was heartened when I noticed one women with short, grey hair and made a note to speak to her after the orientation.  I struck up a conversation with the young African-American woman sitting next to me. She told me she studied steno in high school. “It was very difficult,” she said.

People sat in groups of two or three, friends from home, from high school. I eyed a table of cookies, donuts and soda but didn’t dare get up. No one did. Everyone seemed nervous, eager for the meeting to begin. I studied the stenotype machine at the front of the classroom. With its black keys, it looked more like a piano than a computer or typewriter keyboard .

When Mr. G, a short Hispanic man, who runs the court reporting program, came into the classroom, the crowd quieted down.

“Are there any paralegal or medical students in the room?” he called out.

Ten or fifteen people raised their hands. He told them to go to another classroom for a separate orientation meeting.

“Now that they’re out of here. Is everyone here registered for court reporting?” he said. There was a chorus of yeses.

“Court reporting is a great career. I did it for 18 years,” he told the group. “You can make a lot of money as a court reporter whether you decide to freelance or work in a court. But it takes a lot of work. Be prepared to practice  two hours every day. Every day. Alright, I’ll give you Sunday off. But you must practice for two hours, six days a week.”

I was starting to stress out. Two hours a day? That seemed like an awful lot of time to devote to that little machine. I was still in denial about how much time and practice it would take to reach the required speed of 220 words per minute. How hard could it be?

I’m not sure if this happened or if I imagined it but I think Mr. G lifted up the stenography machine and hugged it to his chest.  I am certain, however, that he said the following.

“I love this machine. I loved this machine from the minute I saw it. This machine gave me a life, a profession.’

My first thought: I will never love that machine. I was sure of it.

After the meeting I went up to Mr. G with a question:

“I’m a really fast typist, will that help me in court reporting?”

“Not really,” Mr. G told me. “One has nothing to do with the other.”

After that discouraging interchange with Mr. G, I sought out the woman with short grey hair.

“I think we’re in the same demographic,” I said cheerily.

“I don’t know about that. I think I’m a little older than you,” she said. “I’m 63.”

“Okay, you are a little bit older. So what did you think?”

The grey haired woman, who turned out to be smart and friendly, told me that she was excited. She’d been laid off from a development job at a major non-profit and was game for something new.

“I love school,” she said. “I have two master’s degrees. I love to study.”

“But aren’t you worried about learning to type that fast?” I said. “And the textbook. All this stenography. It looks like  gibberish.”

Anxiety was seeping out of me. I needed a reality check.

“Don’t worry, it’ll be fine,” the grey haired woman said. We exchanged phone numbers and decided to stay in touch.

For me, the orientation was actually disorienting. Afterwards, my doubts returned with a vengence. Leafing through Therory for Court Reporting Volume 1, the text book for the beginner class, I became unhinged. Why is ate spelled AEUT? Why is sew spelled SWE? Why is will you be HRUB? I wondered to myself.

This is silly, this is crazy. The book’s introduction wasn’t much help :

“The greatess of this keyboard lies in its simplicity. The four fingers of the left hand control all of the beginning consonants by striking two, three, and sometimes four keys at a time…”

What the hell was I getting into? My anxiety turned into full fledged panic. When I got home I was on the verge of tears.

“I’m not going back there. It was a terrible idea,” I told my husband.

He heard me out and didn’t try to change my mind. Just a few weeks before, he seemed shocked when I decided to become a court reporter in the first place. He’d gotten used to the idea, but I don’t think he was really sold on it. The next day, a Friday, I cried to a friend over coffee at Sweet Melissa’s that I had made a terrible mistake.

“Maybe I should learn digital video editing instead,” I remember telling her. I had been a film and video editor in a former career. At least it was  creative.

By Sunday night, I was feeling calmer and a thought floated into my mind. Why don’t I just try it? If this thing is really so wrong for me it’ll be obvious at the first class. If I don’t go, I’ll never know.

I slept soundly that night for the first time in days…

To be continued…

Steno Chronicles: Registration

This is Part 3 of an on-going series about my experience training to be a court reporter.

In Janaury of 2011, I put my doubts aside and decided to register for court reporting classes at NYCI. Sitting in the waiting area of the administration office, I was again struck by the plethora of young girls just out of high school, who populated the halls of the school.

I had a real Dorothy moment: You’re not in Park Slope anymore.

The look of the women couldn’t be more different from the schleppy boho meets Agnes B style of Connecticut  Muffin on Seventh Avenue in Park Slope. I saw tons of eye make-up, blow-dried hair, big earrings, and stylish clothes a la Forever 21 and Juciy Couture.

Bridge and Tunnel chic with a rolling backpack.

The girls looked well put together and smart.  Not worldly but looking to get ahead in the world. Many, I later learned, were from Staten Island. And many were there for their two-year college degree. As I waited I took at look at one of the school’s brochures:

New York Career Institute provides individuals with a higher educational experience designed to prepare them for productive careers in contemporary fields. The College’s programs offer students the opportunity to build a foundation for lifelong financial independence and success in their professional lives.

A certificate in court reporting is also an Associates Degree, equivilent to two years of college, so there are academic requirements for those with only a high school diploma, like math, English and psychology. Court reporting students are also required to take medical terminology, English for court reporting, courtroom procedures and computers for court reporting.

The director of admissions, who registered me, told me that that I’d be required to take beginner computer classes, because I never took college level computer classes (did they even have computers when I was in college?) and Written and Oral Communication.

I was dumbfounded. Didn’t years as a freelance writer and public speaker count for anything? And what about my computer expertise? I was a blogger, after all. I spoke with the Dean, who told me I could probably test out of the Computer Concepts class but I would not be able to skip the Oral and Written Communications class because I’d never taken a college level speech class. Needless to say, I was irked.

By the end of my registration session, I was registered for three classes: Intro to Court Reporting, Oral and Written Communication, and  Civil Litigation as an elective.

I was set to begin classes in February but not before the new students orientation.

To be continued…

Steno Chronicles: Decisions, Decisions

This is Part 2 of an on-going series about my experience training to be a court reporter.

Riding home on the subway after my admissions appointment, with my folder of New York Career Institute materials on my lap, I felt a mix of emotions.  The idea of studying to be a court reporter was like a lifeline. A rope had appeared out of the blue that would, hopefully, pull me out of my mid-life doldrums.

At the same time, the “I’m nots” were reverberating loudly in my head: I’m not young anymore, I’m not the mother of young children, I’m not employed, I’m not rich, I’m not successful, I’m not famous, I’m not especially happy, I’m not secure…

This court reporting lifeline was oddly compelling. At that moment, it seemed like a direct  route to something—a profession—that in my fantasy contained some of the elements that fueled my  passion for life: words, stories, personal histories, characters, listening. The challenge of achieving a steno speed of 220 words per minute was far from my mind.

The economic stability was also very seductive. The flexibility of such career would enable me, I thought, to continue as a writer and creative person. It would be the monetary crutch I needed to survive and move ahead in the world. Court reporting would be my  ticket to success, my armor against failure and economic demise.

In the weeks after my admissions’s appointment, I left the NYCI folder untouched on the dining room table. I entered a period of confusion and felt like I was split in two. “Old Me” was dead set against being a court reporter. She didn’t want to let go of the fantasy of a life as a sucessful writer, blogger and columnist.

“New Me” was being “realistic” and “practical.” She knew I needed to change course and find a way to reliably support the family.

“Old Me” and “New Me” were fighting it out. And they would be fighting it out until I made my decision…

To be continued…

Arts & Culture: A Salute to Allan Sherman in the Gowanus

As I’ve been saying, the new OTBKB is not going to do as many shout-outs about local cultural events. That said, I am, on occasion, still moved to do shout-outs about local cultural events.

I saw this and I couldn’t resist because Allan Sherman is such a classic. And the Famous Accordian Orchestra is such a class act (and a fave of OTBKB). They’re doing a tribute to Allan Sherman of “My Son, the Folksinger” Fame. He’s the guy who wrote, “The Ballad of Harry Lewis”, “Beautiful Teamsters” and “Don’t Buy the Liverwurst”.  There was a time you couldn’t walk into a thrift shop and not see that album in the LP bin. I know my family had a copy of it at one time.

On Sunday, March 4 at 5PM, Bob Goldberg and Mark Nathanson of the Famous Accordion Orchestra are going to performa their favorite songs by the great Allan Sherman including, “Hello Muddah Hello Faddah”, “The Streets of Miami”, “The Ballad of Sir Greenbaum”, “Sarah Jackman” (rumored to be a fave of JFK), “If I Were a Tishman” and of course “Seltzer Boy”.

You gotta love it.

Best of all, it’s a benefit. Proceeds from this performance will support the Famous Accordion Orchestra’s 2012 World Tour of Brooklyn, an annual series of free concerts in community gardens and other public spaces.

Even better, Manischewitz, Seltzer, and noshes will be served.   Special guests may appear!

My Son the Accordion Orchestra” – A Salute to Allan Sherman

Sunday, March 4th, at 5:00pm

Spoke the Hub Dancing

295 Douglass Street, 3rd Floor

Brooklyn, NY 11215

Postcard from the Slope: The Steno Chronicles

For an entire year, I went into Manhattan four days a week to study court reporting at the New York Career Institute.

People wondered why I aspired to be a court reporter.

Well, it’s a long story. Suffice it to say, I had my reasons. Economic, mostly.

I was on the subway one day thinking to myself: How can I make a nice, dependable income? and for some reason I  remembered the stenographer I observed seven years ago when I was on jury duty. I recalled her flying fingers and the graceful way she handled the long, thin sheets of paper.

How does someone get a job doing that?

Mind you, I didn’t realize that stenography was its own language. I didn’t realize court reporters type 220 works per minute and that it’s nothing like typing.

That said, I forged ahead. Thanks to Google, I found the only court reporting school in Manhattan and spoke with a nice woman in the admissions office. The next week I met with her at the school on Park Place in Manhattan. First impressions: Who were all these young women (and a few men) with black rolling suitcases?

There was a crowd of people – very young people of all sizes, shapes and colors –  smoking cigarettes outside the building. I noticed a few people my age but mostly it was a sea of young women just out of high school and college.

The admissions woman told me the training would take about a year to complete training if I was very motivated. She assured me that there were plenty of jobs in the field and that court reporting jobs—freelance and salaried—are very well paid (both statements are true). To train for this lucrative profession, I would need to buy or rent a machine and get one of those rolling suitcases I observed outside.

Of course, I assumed I was the motivated type and it wouldn’t take clever me long to reach the stratospheric speeds required of a court reporter. She showed me the stenography machine with its black keys. It didn’t look a thing like a typewriter but I was undeterred. I imagined myself in a cute suit working in a court room from nine to five. A regular paycheck, health insurance, benefits and all the rest.

This was in  October of 2010. I filled out an application, sent for my college transcripts, filled out the necessary forms and prepared to begin training in February of 2011. Admittedly it was a strange and out-of-character thing to do. I didn’t know anyone who was a court reporter but the idea of making a decent  income and all the courtroom stories I would hear sounded great.

And to be a scribe? Wasn’t that like being a writer?

Civics & Urban Life: Park Slope Food Coop Tweets

Maybe everyone has seen this by now but I thought it was worth a glance—and a laugh. A Food Coop member, who is also an editor at Reuters, tweeted the general meeting, which was held at Congregation Beth Ehohim last night.

You can read the epic live-tweeting of last night’s Park Slope Coop meeting here.

There really is a fine art to great tweeting.

Just yesterday I was telling my son and his friend how great the coop is. She’s a vegan and I know she’d love the food. Maybe this will inspire them to join. The general meetings are such high entertainment.

Arts & Culture: In the Year of the Dragon at the Old Stone House

On March 15, 2012 at 8 PM, Brooklyn Reading Works at The Old Stone House presents: IN THE YEAR OF THE DRAGON: A Celebration of Asian and Asian-American Writers.

Curated by author Sophia Romero (The Shiska from Manila), IN THE YEAR OF THE DRAGON includes a Brooklyn Poet Laureate, a playwright, and three novelist, all of whom will read excerpts from their latest work. A Q&A will follow the reading.

You won’t want to miss Brooklyn Poet Laureate Tina Chang, Novelists Susan Choi, Hoong Yee Lee Krakauer and Sabina Meyer and playwright Linda Faigao-Hall.

A $5 donation includes light refreshments and wine.

The Old Stone House, 336 Third Street. Between Fifth and Fourth Avenues. Due to construction in the park, enter from the Fourth Avenue side of the house.

2011-2012 BRW SEASON

September 15, 2011: Italian Americans: History, Politics and the Everyday curated by Joanna Clapps Herman

October 6, 2011: Tranformations on the Tongue curated by Pat Smith

November 17, 2011: Make Mine a Double (Why Women Like Us Like to Drink) curated by Gina Barreca

January 19, 2012: The Truth and the Ghostwriter curated by John Guidry

February 16, 2012: New Plays by Brooklyn Playwrights curated by Rosemary Moore

March 15, 2012: The Year of the Dragon: Voices from the East curated by Sophia Romero

April 19, 2012: Funny Pages: An Evening of  Humor curated by Marian Fontana

May 10, 2012: Edgy Mother’s Day curated by Louise Crawford and Sophia Romero

Postcard from the Slope: Park Slope’s Best Book Sale

The Slope’s best book sale is today and tomorrow at the Park Slope Methodist Church on Sixth Avenue at 8th Street.

A few months ago I ran into one of the organizers and she thanked me for all the times I listed that event, which is in its 19th year. I thanked her and we conversed very pleasantly; I told her that I was no longer blogging. .

Suprise. I am blogging. But as I tell people, I’m not doing hyper-local anymore. However, because she was so nice. Because I have a soft spot for people who thank me. Because I like book sales…

I am doing this shout out for this very worthwhile event.   Did I mention I have a soft spot for worthwhile events…

That’s what got me into this mess/blog in the first place

Postcard from the Slope: Internet Quicksand

It was great to get away from OTBKB and the quicksand of the Internet for a few months. I spent so many hours hunched over this hot computer, I really needed a  break. I didn’t even know how much I needed a break.

I needed a break.

The Internet feels like a new place just a few months later. 140 character tweets are really the currency of  the social media world right now. Yet, blogging doesn’t seem to have any less relevance. Scouting about, I discovered a world of blogs on xoJane and elsewhere.

And a world of comments. This week on xoJane, a blogger named Daisy is getting hammered for an interview she did with Tucker Max followed by a post she wrote called You Guys Hurt My Stupid F*cking Feelings, followed by an even sillier post she wrote called 14 Ways to Make Guys Love You (From the Girl Who Lives and Breathes It).

There were aspects of the You Guys Hurt My F*cking Feelings post that I related to. Back in my days of endless blogging, I would get hurt by comments on OTBKB and at the Brooklyn Paper. I forced myself to get a tough skin and to avoid comments. I see that Daisy is just now learning that important lesson.

I’ll be honest: There are times I don’t read the comments. It’s not worth the stress/anger/anguish. But mostly, I try to read them because I think you deserve that. And that it’s sort of part of an unspoken “deal” we have on this site.

That is: You took the time to read my piece (although not everyone does, which is also obvious), so I should check out what you have to say. I’ve been doing that for 10 months. But I think going forward? I might be do less of it.

Despite that insight, she decided to write a really snarky, sarcastic post that left a lot of her readers feeling insulted, which can happen when you take the opinion of a few commenters to be the opinion of your entire readership. That’s a mistake because it’s usually the people who disagree with you who make comments. Those who like what you’re doing don’t bother to say anything. If you decide to fight back it makes for some very defensive and not altogether pleasant writing.

So, I dunno if you guys, like, totally heard, or what, but word on the street is: I’m only in it to impress dudes. I know, right? Apparently I’m so concerned about doing this that I don’t even care if I totally throw other chicks under the bus. I don’t know why this is a big deal, or whatever, because, um, hel-lo! Boys are the best! They have, like, money and stuff to pay for my drinks. And penises! And obviously all of my daddy issues mean that I’m basically nothing unless men pay attention to ME ME ME ME ME.

One gets the feeling that the writer is either having a very public meltdown or she’s further milking the site for all the attention she craves. Here’s an example of one of the many comments she got from outraged readers:

I replied earlier but wanted to reply directly to you as well. No one is taking you seriously at this point, Daisy. It might be all in good fun for you, but it wasn’t fun for me. As a reader and xojane commenter (who did not comment on the two articles preceding this one), this made me feel…trying to find the right word…kind of unwelcome. Even though I didn’t comment on your other pieces and thought some comments were harsh, there were constructively critical comments that I did agree with and I read this piece feeling like I was swimming in passive-aggressive hostility.

And perhaps because I’m reading this as an editor too…I just want to red pen the last three pieces you’ve written and tell you to be an adult. It’s fine to provoke dialogue, but making your readers feel like shit is another thing entirely.

xoJane is an interesting place. The enormously popular site’s tagline  is “Where women go when they are feeling selfish and their selfishness is applauded.” Obviously that tag line is just dripping with irony or quotation marks. But the site truly is a haven for over-sharing and over-telling.  There’s a column called It Happened to Me, which  features stories like My Father Tried to Kill My Whole Family, My Father Disinherited Me (a beautiful and heartbreaking piece written by my friend Elizabeth Nelson), I Had My Third Nipple Removed, I Am in a Sexless Marriage and so on.

xoJane is actually a fascinating place to spend some time. That said,  it does remind me how dangerous a place the Internet can be. The on-going cycle of over-sharing as a means for attention can be pretty scary. And it reminds me of why I needed to take a break from my own blog back in September. Thick skin is the name of the game but so is careful and constructive writing with something compelling to say.

Postcard from the Slope: Coffee with OTBKB

Taking a break from this blog was like a separation from a long marriage. Seven years and I needed a breather. It was my seven year itch, my seventh inning  stretch.

My hiatus began last June. But I’d been flagging since I began training to be a court reporter in February of 2011. In July, I embarked on a trip to Europe and I knew that I wouldn’t be writing from there. So the timing seemed right.

Indeed, it was well-timed and necessary separation from life with OTBKB. Here’s what I wrote on September 13, 2011:

Last Spring, for the first time in a very long time, I just couldn’t find the time, the will, or the interest to blog.  Because I was in school, OTBKB wasn’t the primary thing I was doing; I felt I had to step away to make room for the new. Stepping away was actually easier than I imagined it would be. I was spending more and more time in Manhattan and my non-stop attention to Brooklyn was waning

Marital separations can go one of two ways. In the best case scenario, they provide much needed time for solo reflection and a chance to explore what went wrong—and what went right.

They can also herald the end of a marriage.

Well, I’ve had my time away from the blog and I find myself kinda sorta missing it. I miss the daily discipline of it, the outlet for creative expression, the readers, the community connection, the ability to promote Brooklyn Reading Works and other local events.

So I decided that me and OTBKB needed to get together for coffee and talk about getting back together.  And that’s exactly what we did. We met at the Purity Diner in Park Slope. I had a cup of coffee, OTBKB was fine with just a glass of water. The conversation went like this.

Me: I miss you.

OTBKB: I miss you, too.

Me: I want to get back together. But in a different way.

OTBKB: What do you mean?

Me: Well, I want to be together but not like before. I need some space, some boundaries, some time for myself.

OTBKB: Does that mean that we shouldn’t live together?

Me: Not exactly. It’s just that I can’t post as often as I did. I can’t spend most of my day typing away on a hot computer (like at a hot stove) working on posts. I need to do some of my own writing, I need to make money, I need to do other things, too.

OTBKB: I understand…

Me: You do?

OTBKB: Sure, I could see that you were losing interest, that you were tired. That you were frustrated being with me all the time.

Me: Thanks for understanding.

OTBKB: So what do you want to do?

Me: I want to give it a try, again.

OTBKB: Sounds great to me. It’s been kind of  boring lately.

Me: I know.

OTBKB: Let’s not overthink this. Let’s just see what happens.

Me: Now that sounds like a great idea.

OTBKB: Happy Valentines Day, by the way.

Me: You too.

Arts & Culture: Ghost Writers in the House

John Guidry, who writes the blog The Truth and Rocket Science (and does other important things in the non-Internet world) curated last months Brooklyn Reading Works, The Truth and the Ghost Writer. Pictured above are (left to right) James Braly, Sarah Deming, Keith Greenberg and Alisa Bowman. All are authors in the own name and ghost writers.

On his blog are words and pictures about this wonderful event. I quote him below. From there you should link to his blog and read the rest.

Words are everywhere.

They surround us very much like the air we breathe. Sometimes they are visible, in bookstores, in grocery stores, or on bill boards. Sometimes they are invisible: you see the leather seats, but not the word luxury. Words are many things, even as they represent many other things. Words change lives. They make you stop, push, pull, sit, wait, and be quiet. Words can kill as easily as they create.

As children, we learn magical words – abracadabras and shazams and opensesames. As adults, we learn that all words can be magical in one way or another, whether manifest, latent, silent, or spoken. Some of us fall under words’ spell. We become writers.

In this world of words, there are no strays. For all the words in the world, we can make a few observations:

Somebody wrote the words.
Somebody will be paid for them.
Somebody will claim to be their author.

These statements hold true for all the words we can see in the world. The exception is for private words: the letters, personal journals, notes or emails that people write to specific somebodies or to no one at all.  Under closer scrutiny, however, this exception falls away, for private words tend to become public when the opportunity cost of maintaining their privacy exceeds the actual cost of making them public.  Or put differently, when the public value of private words exceeds their private value, it’s only a matter of time before they become public.  Paid or unpaid, words have value, and those who claim authorship will hold that value dear, whether money is on the table or not.

The interesting thing about the above referenced somebodies is that they are not always the same somebody. Any stroll past the bestseller shelves in a bookstore (or surfed across the pages of Amazon.com) reveals a fundamental division of labor between writing and authorship, and the authors are always paid more than the writers. Additionally, agents, editors, marketers, and publishers also share in the take from any well-written (or at least well-selling) set of words. Just how the writers fit into this is an open question, because our society’s fetish for authorship is indeed a pretty solid hedge marking the boundary between our enacted reality and the real labor that makes it possible.

Read more  the Truth and Rocket Science

Feb 7: Show & Tell/Artists Talk and Answer Questions

Show and Tell: Artists Talk and Answer Questions with Shawn Dulaney and Hugh Crawford

On Tuesday, February 7 , 2011 from 8-10 p.m. at The Old Stone House

Remember Show and Tell in elementary school? When you got a chance to bring something in from home to show your classmates. It was simple, innocent, and fun.

Show and Tell: Artists Talk and Answer Questions will attempt to conjure the innocence and wonder of those experiences. In the cozy upstairs gallery at The Old Stone House in Park Slope, painter Shawn Dulaney and photographer Hugh Crawford will answer questions about their work and their creative process. An informal gathering with wine and light refreshments, the artists will explore the themes that inspire their work and their reasons for making it. For the audience, it’s a chance to go behind the scenes of the the creative process and find out the why’s, what’s and how’s of an artistic endeavor.

Says organizer Hugh Crawford (whose work is currently on view at The Old Stone House): “I have found that talking with others about my work brings to light aspects I was not consciously aware aware of while making it. It is a big part of the creative process and often fuels more work.”

Come be inspired!

Shawn Dulaney’s work is currently on view at the Sears Peyton Gallery in Chelsea. Her style, a layered construction of color merging to form spacious abstractions, has been described by William Zimmer of the New York Times as belonging to “a very strong tradition, that of 19th-century Northern European Romanticism in which nature was seen as corresponding to human emotional states.” He says of her work, “Ms. Dulaney makes it clear that her inner life is very much a part of each painting, and this alone distinguishes it from most abstraction…Shawn Dulaney is deliberately out for grandeur. but she is also out for intimacy. Her paintings take advantage of their innate ambiguity and declare themselves to be very current in the thinking that lies behind them.”

Shawn Dulaney has worked as a painter for over three decades, exhibiting nationwide. Her paintings can be found in extensive public collections worldwide-the Hunterdon Museum of Art in New Jersey, the Trump International Hotel in New York, The Venetia Resort in Macan, China, as well as in the private collections of author Annie Proulx, actor Steve Buscemi, artist Jo Andres and musician Stuart Copeland.

Hugh Crawford studied photography and received a BA from Bard College, and an MFA from the California Institute of the Arts. His work has appeared in Rolling Stone, New York Magazine and Tattler.  His fine art work has been exhibited in numerous galleries in NYC and San Francisco. A recipient of a grant from the Rockefeller Foundation, he was also an artist-in-residence at ArtPark in Buffalo, NY. He is currently at work on a book about Polaroid photographer Jamie Livingston. His photos can be seen daily on the No Words Daily Pix feature of Only the Blog Knows Brooklyn.

Show and Tell: Artists Talk and Answer Questions

Tuesday, February 7, 2012  8-10 p.m

The Old Stone House

Third Street between Fourth and Fifth avenues in Park Slope

Due to park construction, enter on the 4th Avenue side of the house

718-768-3195

For information and interviews: 718-288-4290

Feb 16: New Plays by Brooklyn Playwrights

FIVE PLAYWRIGHTS AT THE OLD STONE HOUSE!

On Thursday, February 16, 2012 at 8 p.m., Brooklyn Reading Works presents the 2012 edition of New Plays by Brooklyn Playwrights, an annual event curated by playwright Rosemary Moore.

New Plays by Brooklyn Playwrights brings together five accomplished playwrights presenting their latest works-in-progress. Here’s your chance to look behind the curtain of the creative process and find out what these artists are up to.

Another year, another great selection of staged readings of new plays (and a musical) by Trish Harnetiaux, Marian Fontana & Leah Gray Mitchell, Karen Hartman, and Joseph Goodrich. Introduced by Rosemary Moore.

Suggested donation of $5 includes refreshments. For information or interviews call Louise Crawford 718-288-4290 or louise_crawford@yahoo.com

Marian Fontana is a playwright and performer whose plays and one-woman shows have been performed at Playwrights Horizons,the Vineyard Theater, Variety Arts and more.  Her writing has appeared in The New Yorker and Vanity Fair.  Her memoir “A Widows Walk” was  published by Simon and Schuster in 2005 and was chosen as People Magazines “Top Ten Reads” for that year. She recently finished her second memoir, Middle of the Bed.

Joseph Goodrich is an Edgar award-winning playwright and the editor of Blood Relations: The Selected Letters of Ellery Queen, 1947-1950 (Perfect Crime Books). His plays have been produced across the United States and in Austrialia, and are published by Samuel French, Playscripts, Inc., The Padua Hills Press and others.

Trish Harnetiaux is a Brooklyn based playwright. Her most recent full-length plays include Your Pretty Little World, adapted from Shirley Jackson’s novel, The Bird’s Nest, Welcome to the White Room, and Mr. Bungle and the Incident on Lambdamoo. She has been a two-time fellow at both the MacDowell Colony and The Corporation of Yaddo.  Harnetiaux received her MFA from Mac Wellman’s playwriting program at Brooklyn College and currently, she is a member of the 2011/2012 Soho Rep Writer/Director Lab where she is writing her new play, an unconventional love story, titled The Convention.

Karen Hartman’s Goldie, Max, and Milk premiered last season at Florida Stage and the Phoenix Theater, and was nominated for the Steinberg and Carbonell Awards.  Wild Kate opened at ACT in San Francisco ,and will be published by Playscripts this month. An alumna of New Dramatists, Karen has taught playwriting extensively, including at the Yale School of Drama, and currently leads popular writing workshops in New York.  Her prose has been published in the New York Times.

Leah Gray Mitchell graduated from the NYC High School of Performing Arts as a music major and received her BFA in dance from SUNY Purchase. She  has performed in numerous films and theatre projects, as well as composing and performing original music.

Rosemary Moore’s Side Street, Slight Kidnapping, The Bar Play, Aunt Pieces, Pain of Pink Evenings and Pineapple have been read or staged at the Cherry Lane Alternative, The New Group, New York Theater Workshop, New Georges, Manhattan Theater Source, The Old Stone House, Barbes and Here. Her play The Pain of Pink Evenings was published in The Best American Short Plays of 2001 by Applause Books.  During the day she teaches writing at Rutgers University. Rosemary holds an MFA from the Dramatic Writing Program of Tisch School of the Arts at New York University where she studied with Maria Irene Fornes and Tony Kushner

2011-2012 SEASON

September 15, 2011: Italian Americans: History, Politics and the Everyday curated by Joanna Clapps Herman

October 6, 2011: Tranformations on the Tongue curated by Pat Smith

November 17, 2011: Make Mine a Double (Why Women Like Us Like to Drink) curated by Gina Barreca

January 19, 2012: The Truth and the Ghostwriter curated by John Guidry

February 16, 2012: New Plays by Brooklyn Playwrights curated by Rosemary Moore

March 15, 2012: The Year of the Dragon: Voices from the East curated by Sophia Romero

April 19, 2012: An event curated by Marian Fontana

May 10, 2012: Edgy Mother’s Day curated by Louise Crawford and Sophia Romero