My New Venture: Brooklyn Social Media

So I’m starting a new business. It’s called Brooklyn Social Media. Check me out on Facebook and LIKE ME.

If you wanna LIKE ME.

Back in 2004 I was a blogging pioneer. I launched a blog before anyone knew what a blog was. Sure, some people did but most people said, “What’s a blog and why should I care?”

Others thought it was a great way to waste time.

I proved them wrong and made them care with Only the Blog Knows Brooklyn, a popular hyper-local blog for people who are addicted to where they live. Since 2004, I have posted 14,322 posts on OTBKB.

Soon, OTBKB had awesome reach. Lots of people were reading it. The New York Times, Crains New York, loads of blogs wrote about me. I had a weekly column in the Brooklyn Paper. I was interviewed by Brian Leherer, WNBC, Channel 12. I was recognized on the street. Entrepreneurs, artists and businesses barraged me with information about what they were up to because:

I was viewed as a major INFLUENCER.

In 2005, I was inspired to spread the blogging gospel and I founded the Brooklyn Blogfest, an annual networking event for bloggers and entrepreneurs. For six years I ran that event with passion and LOVE. I look back with pleasure and pride at that large community that came together year after year —and the many people who found each other there and made interesting and creative connections.

Interesting and creative connections: Isn’t that what’s it’s all about?

In 2010, the event was sponsored by Absolut  Vodka, who chose the Brooklyn Blogfest as a perfect launch pad for their new product, Absolut Brooklyn.

Flash forward to 2012: I have decided to share my blogging and social media expertise with those in need. My fees are flexible and affordable. I have resources up the wazoo and if I can’t do it I know who can. AND, I’m offering a free first consultation so get in touch if you’d like my input and ideas.

Continue reading My New Venture: Brooklyn Social Media

April 19: Funny Pages Curated by Marian Fontana at Brooklyn Reading Works

Brooklyn Reading Works presents Funny Pages: An  Evening of Humor curated by Marian Fontana on Thursday, April 19, 2012 at 8PM at The Old Stone House of Park Slope. A $5 donation includes wine and refreshments.

Author Marian Fontana knows funny and she is bringing together a great group of comic writers for this night of hilarity with Marian, Don Cummings, Ellen Ferguson, Gianna Messina, Billy Frolick, and Blair Fell.

DON CUMMINGS’ critically acclaimed plays have been produced on both coasts: His play, The Fat of the Land was a semifinalist for the Kaufman & Hart Award for new American comedy. A Good Smoke was a semifinalist for the Eugene O’Neill theater conference. It had a reading at The Public Theater in New York starring Meryl Streep and Debra Monk and has been optioned for Broadway. Piss Play is about Minorities so it’s Really Important was produced in the Summer Cringe Festival of 2009 where it received the Golden Pineapple award for best play. His latest play, Live Work Space, opens soon in Los Angeles. His collection of nonfiction essays are loosely held together in his yet-to-be-published memoir, Open Trench, named after his blog. He has acted in a lot of plays and been on a lot of sitcoms and writes movies and TV shows. Mr. Cummings is a graduate of Tufts University, The Neighborhood Playhouse and a member of The Dramatists Guild and the Ensemble Studio Theater Writer’s Unit. www.doncummings.net

ELLEN FERGUSON writes the “Diversity in the News” column for McSweeney’s, and her nonfiction has also been published in Diversity Prep, Publisher’s Weekly, and SPY.  Her McSweeney’s column has been widely reprinted online.  Her poetry can be found online on identitytheory and the Brooklyn Reading Works, and in print in Long Island Quarterly.  Before she started teaching English, Satire and Nonfiction in New Jersey and New Hampshire, she worked at The New Yorker Magazine and SPY.

Continue reading April 19: Funny Pages Curated by Marian Fontana at Brooklyn Reading Works

March 22: (Re)Discover Your Life Purpose with Momasphere

It’s always exciting and a bit startling when friends make a big change in their lives. A new job, a new home, a new child, a new city, a new career…

Melissa Lopata and her husband Larry have done just that. They left Brooklyn and are living on a farm in Connecticut. Okay, I will admit, I was a bit shocked to hear that these city slickers (and longtime supporters of the Brooklyn Blogfest) have pulled up roots and are doing the Green Acres thing. But then I read the following written by Melissa and I am wholeheartedly intrigued.

Continue reading March 22: (Re)Discover Your Life Purpose with Momasphere

This Thursday: In the Year of the Dragon

Don’t miss:

In the Year of the Dragon”, a reading celebration of Asian and Asian-American writers presented by Brooklyn Reading Works at  the Old Stone House on Thursday, March 15th at 8PM.

Hear…

Novelists SUSAN CHOI, CATHERINE CHUNG, SABINA MURRAY, HOONG YEE LEE KRAKAUER, playwright LINDA FAIGAO-HALL and Brooklyn’s Poet Laureate, TINA CHANG.

Curated by...

Novelist Sophia Romero, author of “Always Hiding” (William Morrow) who also blogs as “The Shiksa From Manila”.

Brooklyn Reading Works is on its sixth year and is a monthly thematic reading series  in Brownstone Brooklyn. Last year, “Voices from the East: In the Year of the Rabbit”  featured poet Joanna Sit, playwright Diana Son, and novelists Bino Realuyo, Thad Rutkowski and Ronica Dhar.  There will be a Q&A and mingling with the artists at the end.  The Old Stone House is located at J.J. Byrne Park on 5th avenue between 3rd and 4th streets.

Steno Classes: First Day of School

This is the 6th installment in an on-going series on my experience training to be a court reporter .

On a frigid Monday in February, I waited for the  Seventh Avenue bus to take me to the Grand Army Plaza subway station. Once on the train, I ran into an acquaintance from my daughter’s elemetary school. I made a point of not telling her that I was on my way to Park Place for my first day of court reporting school.

I felt stealth, a secret agent embarking on a new career .

When I entered the classroom at the New York Career Institute, more than thirty people were already seated and waiting for the teacher to arrive. At 9:30 on the  dot, Miss G, a skinny woman in late middle age with short spiky hair with specks of grey, entered the room.

The teacher!

She had big expressive eyes and bright red lipstick on her lips. Her outfit, I would later learn, was her teaching uniform: a flannel shirt, a wool scarf, grey sweat pants and white tennis shoes. She looked well put together, even stylish. Maybe it was her hair cut, which was neat and well coiffed.

Miss G, in a voice shrill, sharp and clear, directed a question to the classroom of newbies, mostly women in their early twenties and thirties.  “Why are you here? Nobody comes here without a reason. Rarely do people think of this themselves. They have to be told.”

I was sitting next to M, the grey-haired woman I met at the orientation (“I think you’re in my demographic”). At 63 and 53 respectively, M and I were the two oldest people in the room. As Miss G went around the room, people described aunts who worked as court reporters, friends, and mothers who had done it years ago.

I told the group that I was inspired during jury duty. M mentioned that she looked it up on the Internet.

“It’s the second highest paying job you can get without a college degree.” she told the group.

What’s the first?” someone shouted out.

“Air traffic control,” she said.

The room erupted in laughter. All the faces I would come to know so well blended together that day. There was a man who never came back and a few others we’d never see again. Satisfied with the group’s answers, Miss G addressed the class:

“I am offering you a wonderful, well-paid career. If you work hard and practice and take this vey seriously, there is an opportunity for you here. Don’t squander it. Many people have come through this school. I have seen people who’d never studied before and took to this thing. This was something they were able to do. It has literally saved people’s lives…”

I was moved by the sincerity and passion of her speech. Afterwards, she sent us downstairs in groups to pick up our machines. Most of the class had purchased machines, which wouldn’t be arriving for another couple of months. In the meantime, the school was loaning out what Miss G called clunkers, rusty, old machines used by multitudes before us.

Down in the administration office, there was a room full of clunkers lined up in black canvas bags (not rolling suitcases). I was very excited to receive one and proudly carried it back upstairs. The others were already putting their  machines together. Out of my bag I pulled out the machine itself, the foldable tripod legs, and the awkward metal drawer. Miss G went around the room offering aid to those who needed help. When everyone was set up, she told us to unwrap our first package of steno paper and showed us how to thread it through the machine.

We were ready to go.

Miss G showed us where to rest our fingers on the black keys. We learned a few letters: the two  S’s and the two T’s.

“If the letter is on the left side of the keyboard it’s called ‘initial’ and if it’s on the right side it’s called ‘final,'”she instructed us.

The initial S is hit by the left pinky on the far left of the keyboard (see diagram, above). The final S is hit by the right pinky on the right side of the keyboard (but don’t hit the D and Z by mistake). Sitting at her desk at the front of the room, Miss G began to drill us in a voice something between an army sergeant and a stern piano teacher.

“Initial S, final  S, initial S, final S, initial S..”

“Use the pinky,” she yelled out if she spotted someone who was using their ring finger instead of the pinkie.

“Initial T, final T, initial T, final T, initial T…”

Miss G drilled us for the rest of the class period, keeping an eagle eye out for fingering mistakes. A young woman, who had failed the class previously and was taking it again, sat near Miss G. She wore Pink brand sweat pants, hoodie, and expensive Nike sneakers and used the wrong fingering.

“I told you, use the correct fingers,” Miss G admonished her.

M approached the fingerings with great seriousness, she seemed to be struggling.  That first day I felt surprisingly calm. I enjoyed pressing the keys down as Miss G shouted out the letters. It was a satisfying sensation that reminded me of playing  an instrument. I hadn’t used my pinkies that  way since playing the  guitar. I liked the way it felt.  I almost wished the machine made a musical sound.

The time passed quickly. Before I knew it, it was noon and the class was winding down.

“The party’s over,” Miss G. said to the class. “Go home and practice.”

I was sure I would, and I knew I’d be back the next day.

To be continued…

Steno Chronicles: A Brief History of Shorthand

This is the 5th installment of an on-going series about my experience training to be a court reporter.

There is a long and interesting history of written and machine shorthand. There is even a permanent exhibition, The Gallery of Shorthand: The Evolution of a Timeless Profession, in the Alfonse M. D’Amato Federal Courthouse in Central Islip, Long Island.

Now that sounds like a very worthwhile excursion, doesn’t it?

In lieu of making the trek out to the Richard Meier designed Islip courthouse, I  was able to gather quite a few nifty historical tidbits from their interesting website.

In Ancient Rome there were scribes, individuals responsible for transcribing minutes of the Roman Senate. Before 63 BC they wrote from memory and these transcripts were sometimes published.

In 63 BC, Cicero, the great orator of Rome, developed Tironian Notes, the very  first system of short writing. To save time, this system used letters to represent common words, and left out letters, usually vowels, that weren’t necessary. Sometimes initials or other parts of several words were joined.  Speed was achieved by rarely removing the hand from the wax tablet.

In 59 BC, Emperor Julius Caesar sought to eliminate the secrecy of Senate deliberations, and ordered that they be recorded using Tironian Notes.

Hail Ceasar.

Apparently some Tironean Shorthand is still used in contemporary shorthand such as abbreviating by using only the first letters of common phrases (am, pm, USA).

During the middle ages, shorthand was outlawed because it was  viewed as crytography or secret writing, and therefore inherently evil. Despite the prohibition, monks were allowed to use shorthand to write. And that’s a good thing. Much of what we know about the intellectual and religious history of that time we know form these shorthand writing monks.

But I digress. Machine shorthand, as taught at the New York Career Institute, is what we are interested in here.

We have Miles M. Bartholemew to thank for the invention of the first English-language stenography machine in 1879. That precursor to today’s steno machine utilized dot/dash codes to form one letter at a time. It makes me think of Morse Code. 150 words per minute was the top speed you could reach on this machine. Apparently vowels were eliminated and words were written as phonetic abbreviations.

In 1866,  George Kerr Anderson designed the first word-at-a-stroke shorthand machine called. The Anderson Shorthand Typewriter. It used printed letters  instead of codes and was capable of fast writing speeds.

In 1911, the Ireland Stenotype Shorthand Machine was invented by Ward Stone Ireland. This steno innovator spent six years analyzing the arrangement of letters and sounds in the English language. He’s responsible for the chorded method and the ” two-row, tripartite key arrangement of initial consonants, final consonants, and middle vowels” that those of us who have studied Steno know and love. This groundbreaking system allowed” the greatest output with the fewest strokes.”

Indeed, that is the essence of steno: the greatest output with the fewest strokes. Make THAT your mantra.

Steno Chronicles: Orientation

This is part 4 of an on-going series about my experience training to be a court reporter.

The afternoon of the orientation for new students, maybe sixty of us were herded into a third floor classroom at the New York Career Institute. I looked around at the people sitting in folding chairs. Most looked only a few years older than my  19-year-old son.

There were white girls, black girls, hispanic  girls, Orthodox Jewish girls, and even a few Orthodox men wearing yamulkes (I later learned that court reporting is quite popular among the Orthodox). The average age was probably 25 but there were a few scattered middle-agers, as well.

I was heartened when I noticed one women with short, grey hair and made a note to speak to her after the orientation.  I struck up a conversation with the young African-American woman sitting next to me. She told me she studied steno in high school. “It was very difficult,” she said.

People sat in groups of two or three, friends from home, from high school. I eyed a table of cookies, donuts and soda but didn’t dare get up. No one did. Everyone seemed nervous, eager for the meeting to begin. I studied the stenotype machine at the front of the classroom. With its black keys, it looked more like a piano than a computer or typewriter keyboard .

When Mr. G, a short Hispanic man, who runs the court reporting program, came into the classroom, the crowd quieted down.

“Are there any paralegal or medical students in the room?” he called out.

Ten or fifteen people raised their hands. He told them to go to another classroom for a separate orientation meeting.

“Now that they’re out of here. Is everyone here registered for court reporting?” he said. There was a chorus of yeses.

“Court reporting is a great career. I did it for 18 years,” he told the group. “You can make a lot of money as a court reporter whether you decide to freelance or work in a court. But it takes a lot of work. Be prepared to practice  two hours every day. Every day. Alright, I’ll give you Sunday off. But you must practice for two hours, six days a week.”

I was starting to stress out. Two hours a day? That seemed like an awful lot of time to devote to that little machine. I was still in denial about how much time and practice it would take to reach the required speed of 220 words per minute. How hard could it be?

I’m not sure if this happened or if I imagined it but I think Mr. G lifted up the stenography machine and hugged it to his chest.  I am certain, however, that he said the following.

“I love this machine. I loved this machine from the minute I saw it. This machine gave me a life, a profession.’

My first thought: I will never love that machine. I was sure of it.

After the meeting I went up to Mr. G with a question:

“I’m a really fast typist, will that help me in court reporting?”

“Not really,” Mr. G told me. “One has nothing to do with the other.”

After that discouraging interchange with Mr. G, I sought out the woman with short grey hair.

“I think we’re in the same demographic,” I said cheerily.

“I don’t know about that. I think I’m a little older than you,” she said. “I’m 63.”

“Okay, you are a little bit older. So what did you think?”

The grey haired woman, who turned out to be smart and friendly, told me that she was excited. She’d been laid off from a development job at a major non-profit and was game for something new.

“I love school,” she said. “I have two master’s degrees. I love to study.”

“But aren’t you worried about learning to type that fast?” I said. “And the textbook. All this stenography. It looks like  gibberish.”

Anxiety was seeping out of me. I needed a reality check.

“Don’t worry, it’ll be fine,” the grey haired woman said. We exchanged phone numbers and decided to stay in touch.

For me, the orientation was actually disorienting. Afterwards, my doubts returned with a vengence. Leafing through Therory for Court Reporting Volume 1, the text book for the beginner class, I became unhinged. Why is ate spelled AEUT? Why is sew spelled SWE? Why is will you be HRUB? I wondered to myself.

This is silly, this is crazy. The book’s introduction wasn’t much help :

“The greatess of this keyboard lies in its simplicity. The four fingers of the left hand control all of the beginning consonants by striking two, three, and sometimes four keys at a time…”

What the hell was I getting into? My anxiety turned into full fledged panic. When I got home I was on the verge of tears.

“I’m not going back there. It was a terrible idea,” I told my husband.

He heard me out and didn’t try to change my mind. Just a few weeks before, he seemed shocked when I decided to become a court reporter in the first place. He’d gotten used to the idea, but I don’t think he was really sold on it. The next day, a Friday, I cried to a friend over coffee at Sweet Melissa’s that I had made a terrible mistake.

“Maybe I should learn digital video editing instead,” I remember telling her. I had been a film and video editor in a former career. At least it was  creative.

By Sunday night, I was feeling calmer and a thought floated into my mind. Why don’t I just try it? If this thing is really so wrong for me it’ll be obvious at the first class. If I don’t go, I’ll never know.

I slept soundly that night for the first time in days…

To be continued…

Steno Chronicles: Registration

This is Part 3 of an on-going series about my experience training to be a court reporter.

In Janaury of 2011, I put my doubts aside and decided to register for court reporting classes at NYCI. Sitting in the waiting area of the administration office, I was again struck by the plethora of young girls just out of high school, who populated the halls of the school.

I had a real Dorothy moment: You’re not in Park Slope anymore.

The look of the women couldn’t be more different from the schleppy boho meets Agnes B style of Connecticut  Muffin on Seventh Avenue in Park Slope. I saw tons of eye make-up, blow-dried hair, big earrings, and stylish clothes a la Forever 21 and Juciy Couture.

Bridge and Tunnel chic with a rolling backpack.

The girls looked well put together and smart.  Not worldly but looking to get ahead in the world. Many, I later learned, were from Staten Island. And many were there for their two-year college degree. As I waited I took at look at one of the school’s brochures:

New York Career Institute provides individuals with a higher educational experience designed to prepare them for productive careers in contemporary fields. The College’s programs offer students the opportunity to build a foundation for lifelong financial independence and success in their professional lives.

A certificate in court reporting is also an Associates Degree, equivilent to two years of college, so there are academic requirements for those with only a high school diploma, like math, English and psychology. Court reporting students are also required to take medical terminology, English for court reporting, courtroom procedures and computers for court reporting.

The director of admissions, who registered me, told me that that I’d be required to take beginner computer classes, because I never took college level computer classes (did they even have computers when I was in college?) and Written and Oral Communication.

I was dumbfounded. Didn’t years as a freelance writer and public speaker count for anything? And what about my computer expertise? I was a blogger, after all. I spoke with the Dean, who told me I could probably test out of the Computer Concepts class but I would not be able to skip the Oral and Written Communications class because I’d never taken a college level speech class. Needless to say, I was irked.

By the end of my registration session, I was registered for three classes: Intro to Court Reporting, Oral and Written Communication, and  Civil Litigation as an elective.

I was set to begin classes in February but not before the new students orientation.

To be continued…

Steno Chronicles: Decisions, Decisions

This is Part 2 of an on-going series about my experience training to be a court reporter.

Riding home on the subway after my admissions appointment, with my folder of New York Career Institute materials on my lap, I felt a mix of emotions.  The idea of studying to be a court reporter was like a lifeline. A rope had appeared out of the blue that would, hopefully, pull me out of my mid-life doldrums.

At the same time, the “I’m nots” were reverberating loudly in my head: I’m not young anymore, I’m not the mother of young children, I’m not employed, I’m not rich, I’m not successful, I’m not famous, I’m not especially happy, I’m not secure…

This court reporting lifeline was oddly compelling. At that moment, it seemed like a direct  route to something—a profession—that in my fantasy contained some of the elements that fueled my  passion for life: words, stories, personal histories, characters, listening. The challenge of achieving a steno speed of 220 words per minute was far from my mind.

The economic stability was also very seductive. The flexibility of such career would enable me, I thought, to continue as a writer and creative person. It would be the monetary crutch I needed to survive and move ahead in the world. Court reporting would be my  ticket to success, my armor against failure and economic demise.

In the weeks after my admissions’s appointment, I left the NYCI folder untouched on the dining room table. I entered a period of confusion and felt like I was split in two. “Old Me” was dead set against being a court reporter. She didn’t want to let go of the fantasy of a life as a sucessful writer, blogger and columnist.

“New Me” was being “realistic” and “practical.” She knew I needed to change course and find a way to reliably support the family.

“Old Me” and “New Me” were fighting it out. And they would be fighting it out until I made my decision…

To be continued…

Arts & Culture: A Salute to Allan Sherman in the Gowanus

As I’ve been saying, the new OTBKB is not going to do as many shout-outs about local cultural events. That said, I am, on occasion, still moved to do shout-outs about local cultural events.

I saw this and I couldn’t resist because Allan Sherman is such a classic. And the Famous Accordian Orchestra is such a class act (and a fave of OTBKB). They’re doing a tribute to Allan Sherman of “My Son, the Folksinger” Fame. He’s the guy who wrote, “The Ballad of Harry Lewis”, “Beautiful Teamsters” and “Don’t Buy the Liverwurst”.  There was a time you couldn’t walk into a thrift shop and not see that album in the LP bin. I know my family had a copy of it at one time.

On Sunday, March 4 at 5PM, Bob Goldberg and Mark Nathanson of the Famous Accordion Orchestra are going to performa their favorite songs by the great Allan Sherman including, “Hello Muddah Hello Faddah”, “The Streets of Miami”, “The Ballad of Sir Greenbaum”, “Sarah Jackman” (rumored to be a fave of JFK), “If I Were a Tishman” and of course “Seltzer Boy”.

You gotta love it.

Best of all, it’s a benefit. Proceeds from this performance will support the Famous Accordion Orchestra’s 2012 World Tour of Brooklyn, an annual series of free concerts in community gardens and other public spaces.

Even better, Manischewitz, Seltzer, and noshes will be served.   Special guests may appear!

My Son the Accordion Orchestra” – A Salute to Allan Sherman

Sunday, March 4th, at 5:00pm

Spoke the Hub Dancing

295 Douglass Street, 3rd Floor

Brooklyn, NY 11215

Postcard from the Slope: The Steno Chronicles

For an entire year, I went into Manhattan four days a week to study court reporting at the New York Career Institute.

People wondered why I aspired to be a court reporter.

Well, it’s a long story. Suffice it to say, I had my reasons. Economic, mostly.

I was on the subway one day thinking to myself: How can I make a nice, dependable income? and for some reason I  remembered the stenographer I observed seven years ago when I was on jury duty. I recalled her flying fingers and the graceful way she handled the long, thin sheets of paper.

How does someone get a job doing that?

Mind you, I didn’t realize that stenography was its own language. I didn’t realize court reporters type 220 works per minute and that it’s nothing like typing.

That said, I forged ahead. Thanks to Google, I found the only court reporting school in Manhattan and spoke with a nice woman in the admissions office. The next week I met with her at the school on Park Place in Manhattan. First impressions: Who were all these young women (and a few men) with black rolling suitcases?

There was a crowd of people – very young people of all sizes, shapes and colors –  smoking cigarettes outside the building. I noticed a few people my age but mostly it was a sea of young women just out of high school and college.

The admissions woman told me the training would take about a year to complete training if I was very motivated. She assured me that there were plenty of jobs in the field and that court reporting jobs—freelance and salaried—are very well paid (both statements are true). To train for this lucrative profession, I would need to buy or rent a machine and get one of those rolling suitcases I observed outside.

Of course, I assumed I was the motivated type and it wouldn’t take clever me long to reach the stratospheric speeds required of a court reporter. She showed me the stenography machine with its black keys. It didn’t look a thing like a typewriter but I was undeterred. I imagined myself in a cute suit working in a court room from nine to five. A regular paycheck, health insurance, benefits and all the rest.

This was in  October of 2010. I filled out an application, sent for my college transcripts, filled out the necessary forms and prepared to begin training in February of 2011. Admittedly it was a strange and out-of-character thing to do. I didn’t know anyone who was a court reporter but the idea of making a decent  income and all the courtroom stories I would hear sounded great.

And to be a scribe? Wasn’t that like being a writer?

Civics & Urban Life: Park Slope Food Coop Tweets

Maybe everyone has seen this by now but I thought it was worth a glance—and a laugh. A Food Coop member, who is also an editor at Reuters, tweeted the general meeting, which was held at Congregation Beth Ehohim last night.

You can read the epic live-tweeting of last night’s Park Slope Coop meeting here.

There really is a fine art to great tweeting.

Just yesterday I was telling my son and his friend how great the coop is. She’s a vegan and I know she’d love the food. Maybe this will inspire them to join. The general meetings are such high entertainment.