Last night at 7PM I knew I had to get myself over to the Brooklyn Academy of Music (BAM) to see Brooklyn Omnibus, which is part of their Next Wave Festival at the Harvey Theater. I didn’t have a ticket, I didn’t have anyone to go with but I felt compelled. It felt necessary.
I didn’t even know that show started at 7:30 PM and it was pure luck that I got there, by Eastern car service, just in the nick of time.
Pure luck, too, that there were still tickets. When I finally sat in my seat the lights dimmed immediately and the show began.
Stew, an attractive and rotund African American composer/musician/performer, was front and center in a kilt (a kilt!) with a bright red electric guitar. He was surrounded by his 12-piece band, The Negro Problem, which includes his co-writer/composer Heidi Rodewald on guitar, vocalist Eisa Davis, who starred in Passing Strange, the composers’ Tony and Obie award winning musical and players on tuba, accordion, sitar, sax, trumpet, drums and keyboards by Joe McGinty, of Loser’s Lounge fame.
I may have been expecting more of a character-driven musical theater piece. Instead, Brookyn Omnibus is a song cycle with a slew of hyperactive, inter-connected short stories on the theme of Brooklyn, from the vantage point of the composers, who are newly settled in the borough. As Stew says on a video on the BAM website, “We’re not experts on Brooklyn, we bring to it who we are.”
And that really is the fascination of the piece. Stew, who is now living in Ft. Greene, and Rodewald, who lives in Park Slope, have been living their lives in Brooklyn and they’re mirroring back what they see and feel about this place. In the process they have become a part of this place.
The Brooklyn Omnibus is their invented car service (a la Eastern), which takes them around the borough. They’ve even composed telephone hold music called “Five minutes.”
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