Some of you may remember the inaugural Brooklyn Holiday Book Fair last year at The Old Stone House (organized by Honey & Wax Booksellers). In the afternoon, Pete Hamill read the great O’Henry story “The Gift of the Magi” and one of his own from “A Christmas in Brooklyn.”
On December 7th from 11AM until 5PM, independent Brooklyn bookshops and antiquarian booksellers will fill Park Slope’s Old Stone House with rare, vintage, and out-of-print books in a celebration of the borough’s rich history of printing, reading, and writing.
Building on the success of last December’s inaugural fair featuring Pete Hamill, this year’s event includes an expanded range of local booksellers, from general-interest open shops to specialized private dealers, and will conclude with a public reading by Paul Auster of his Brooklyn holiday classic, “Auggie Wren’s Christmas Story.” He will be reading at 4PM. The organizers are expecting a big crowd, so arrive early to shop and see Auster.
That’s right. Paul Auster will be reading his classic story. I’m excited. Super. Here’s a list of the booksellers included in this wonderful fair—just in time for Christmas. You know, books are so easy to wrap.
2013 participants include:
Honey & Wax Booksellers
Joe Maynard, Bookseller
Open Air Modern
Singularity & Co.
Tom Davidson, Bookseller
Full Disclosure: Honey & Wax Booksellers is a client of my company Brooklyn Social Media. But I’d be excited about this anyway. Very.
Happy Birthday to Joni Mitchell who turned 70 yesterday. She was my songwriting guru back in the seventies when I played her record Blue until it got scratched and cackly and wrote songs about my own life and loves with weird guitar tunings.
What a kaleidoscopic artist. A Canadian art school folkie, she moved to Laurel Canyon and defined the Los Angeles songwriting scene at its best (she was, after all, a lady of the canyon). She painted Van Gogh-esque portraits of herself. By the age of 30, she’d written such iconic songs as “Both Sides Now,” ”Chelsea Morning,” “The Circle Game” and ”Woodstock.” But it was albums like Blue, Court and Spark and Hejira that established her as a musical and poetic force and an artist of the highest degree. Later, smitten by the work of jazz bassist Charles Mingus, she brought the idiom of jazz into her work with serious attention to jazz modes and melodies. Herbie Hancock dedicated an album to her songs called River: The Joni Letters.
Oh we love Joni for her strength of character, her refusal to be marginalized as “just another girl singer,” her determination to be recognized as a major 20th century musical innovator, even her exasperating quotes and grandiosity. She IS “a woman of heart and mind” and a powerful influence on American popular music.
Poet Patricia Spears Jones writes: “You want vivid details in your poems, study the lyrics of Joni Mitchell—she can go from yearning to seduction and dejection in like a nano second. Happy birthday to the great pop music contrarian.”
In honor of Joni Mitchell, I am producing Court and Spark Turns 40 on January 16, 2014 at 8PM at The Old Stone House in Park Slope, a concert performance of the entire album with many performers. Sheila Weller, author of Girls Like Us will be there and will share her thoughts on Joni Mitchell and the making of that particular album.
Click on the link below for more information about this incredible event: https://www.facebook.com/events/536216586463886/?ref_dashboard_filter=calendar
Nicole Krauss, the author of Great House and The End of Love, two novels that I adore, is moving away from Park Slope She and her husband Jonathan Safran Foer are selling their great Park Slope house and heading to points unknown.
I remember seeing her read and discuss Great House at Congregation Beth Elohim quite a few years back. I admired her intelligence, her quiet strength and her grace. She said that a desk that came with their Second Street house inspired the novel.
That house must be very inspiring because it inspired a brilliant tale about (and I quote from her website here because the book, something of a long shaggy dog tale, isn’t that easy to describe, “a reclusive American novelist, who has been writing at the desk she inherited from a young Chilean poet who disappeared at the hands of Pinochet’s secret police; one day a girl claiming to be the poet’s daughter arrives to take it away, sending the writer’s life reeling.”
This is indeed a loss to Park Slope as it was wonderful to have two such fine writers among the many writers in this neighborhood. They made us proud, they illuminated us (pardon the pun), they were among our literary stars. I wish them the very best and much great writing in the future.
Here’s a quote from Great House, which is well worth a read.
Ten days together in this house, and the most we’ve done is stake out our territories and inaugurate a set of rituals. To give us a foothold. To give us direction, like the illuminated strips in the aisles of emergency-stricken planes. Every night I turn in before you, and every morning, no matter how early I rise, you are awake before me. I see your long gray form bent over the newspaper. I cough before entering the kitchen, so as not to surprise you. You boil the water, setting out two cups. We read, grunt, belch. I ask if you want toast. You refuse me. You are above even food now. Or is it the blackened crusts you object to? Toasting was always your mother’s job. With my mouth full, I talk about the news. Silently, you wipe the sputtered crumbs and continue to read. My words, to you, are atmospheric at most: they come through vaguely, like the twitter of birds and the creak of the old trees, and, as far as I can tell, like these things they require no response from you.
Anne-Katrin Titze writes about film for Eye For Film. She also writes about Prospect Park and is a passionate Park watchdog. Gothamist called her a “wildlife rehabilitator” and had this to say: “If you read about a dead animal discovered in Brooklyn’s Prospect Park, see a photo of an injured swan caught on fishing line, or hear commentary on the mass Canada goose slaughters in the area… it’s most likely coming from Anne-Katrin Titze.”
This week she did an interview with the great documentarian Barbara Kopple (pictured above), who won an academy award for her acclaimed documentary Harlan County USA. Her new film, Running from Crazy, is about Mariel Hemingway and the other Hemingway women.
“Running From Crazy, Barbara Kopple’s intimate and revealing portrait of the Hemingway women – Ernest’s granddaughters and great-granddaughters, and the men in their lives – is a documentary on American royalty. The uniqueness of the film consists in the combination of frank interviews with Mariel Hemingway, who has been running from the crazy stigma all her life, and never before seen footage presented by her sister Margaux, who committed suicide in 1996.
“When I arrived at Kopple’s office in New York City to discuss her film, the news had just broken about shootings at LAX airport. Barbara left a message for Mariel inquiring if everything was okay at her end and we spoke about Julian Schnabel’s dream. The name Hemingway, like Kennedy, triggers immediate emotions. Running From Crazy is less interested in the myth than the traumas, fears and internal demons that haunt the clan.”
You can read Titze’s interview here: http://www.eyeforfilm.co.uk/feature/2013-11-02-interview-with-barbara-kopple-about-running-from-crazy-feature-story-by-anne-katrin-titze
Brooklyn Reading Works presents WRITING WAR: Fiction and Memoir by Veterans curated by Peter Catapano of the The New York Times with Phil Klay, Kevin R. McPartland, Maurice Emerson Decaul and Lynn Hill. This is the third time we are presenting this event and we always get a huge crowd. As always, it will be at The Old Stone House, 336 Third Street between Fourth and Fifth Avenues. A $5 donation includes wine and snacks.
The drawing is by Jess Ruliffson, who wrote about last year’s WRITING WAR event on her blog Calling the Dog:
”I had the pleasure and good fortune to meet Peter Catapano at the Joe Bonham Project exhibition reception this past weekend and he told me about a reading he was co-hosting at The Old Stone House. Presented by Brooklyn Reading Works, the reading showcased the incredible writing talents of several young writers who are recent alumni of the NYU Veterans Writing Workshop and have been using their war experiences to inform their creative writing. It was an incredible evening and I am looking forward to hearing more from this group of great writers.”
Of the print above, Mike writes: “He’s simply called “The Monster” in Mary Shelley’s classic horror novel Frankenstein, but you can call him Frank. Wanted by angry villagers everywhere, this adorable face can now be hanging on your own wall. Printed with a ghoulish green on a pumpkin orange background.”
Mike started Art in Brooklyn in 2008 as a way to make art more accessible to the public. As an extension of this mission, he’s been creating a series of handmade prints at extremely affordable price.
All of the works are made from original drawings and printed individually from blocks carved by hand. Each piece has unique characteristics created during the printing process – no two are exactly the same.
Works are printed on high quality, acid free paper and signed by the artist. More designs will be added to the collection over time.
Mike lives in Brooklyn with his wonderful wife Eleanor (who runs a blog called Creative Times). He works at an art studio in Red Hook. His paintings, which I love, can be seen at www.MikeSorgatz.com.
I’ve been a fan for quite some time. I loved Cliff Thompson’s novel Signifying Nothing, which he read at the Brooklyn Reading Works event called Young, Gifted and Black Men curated by Martha Southgate a few years back. And when Love for Sale, his award-winning collection of essays from Autumn House Press came out I was over the moon.
I guess you could say I feel good about the Whiting Award coming Cliff Thompson’s way.
The Whiting Writers’ Awards is given annually to 10 writers who have “exceptional talent and promise in early career.” The awards were announced Monday. Each writer receives $50,000 from the Mrs. Giles Whiting Foundation, established in 1963 by Flora E. Whiting. The awards honor fiction, nonfiction, poetry and plays and are intended to identify writers, the foundation says, “who have yet to make their mark on the literary culture.” The 2013 winners are Hannah Dela Cruz Abrams (“The Man Who Danced With Dolls”), Amanda Coplin (“The Orchardist”), Jennifer duBois (“Cartwheel”), Virginia Grise (“Making Myth”), Ishion Hutchinson (“Far District: Poems”), Morgan Meis (“Ruins”), C. E. Morgan (“All the Living”), Rowan Ricardo Phillips (“The Ground”), Clifford Thompson (“Signifying Nothing”) and Stephanie Powell Watts (“We Are Taking Only What We Need”).
On October 22 at 7PM at KGB Bar, three successful writers who give back by teaching workshops through the New York Writers Coalition, will be reading from their recently published works. The special workshops they teach are for at-risk and disconnected youth, the homeless and formerly homeless, the incarcerated and formerly incarcerated, war veterans, people with disabilities, cancer and major illness, immigrants, seniors and others. These workshops are led by wonderful writers, a few of whom will be at KGB this Tuesday night.
The event is called NYWC Inside Out, a benefit reading and artist round table at KGB Bar (85 E. 4th Street, Manhattan), featuring a few of the talented poets and writers that make up NYWC’s arts and social justice circle.This is a small benefit for the Coalition, with a suggested donation of $10-$20.
I feel no sense of religion except this.
Each hand like
a bastard on my lap.
I am thinking of the size
of a tiny darkness
in my palms
that shake out verse
like emerald hummingbirds.
I keep thinking of the word Rhododendron.
In my mind there is only this word
in different sentences.
I plant a rhododendron where your head should be.
It is Christmas Eve in Brooklyn.
I peal an orange in the nebulous vapor
and everything is quiet.
I take toast to the window
and throw the rind at the moon
that recedes into the clouds
like an iridescent testicle into the holy lap of the atmosphere—
I am thinking of the body again.
Tonight at 8PM: Poetry by D. Nurkse, MRB Chelko, Bianca Stone and music by Caitlin Claessens at The Old Stone House (336 Third Street, between 4th and 5th Avenues in Park Slope).
I get it Big City; there’s no end
to your street light, what
lies beyond (nothing) lurks
out there, but now you must wait
(forever) until morning as I have waited
(forever) to fall asleep, and wait
still and wait now and wait just
a second. It takes two of me to screw
in a light bulb: one to keep my eyes closed
(forever) and one to be open eyed and
satisfied when the switch works just fine.
Now look how the apartment becomes
a box of light; it burns like the others.
Be (forever) grateful. It takes each photon
1 million years to escape the sun.
Tonight at 8PM: Poetry by D. Nurkse, MRB Chelko, Bianca Stone and music by Caitlin Claessens at The Old Stone House (336 Third Street, between 4th and 5th Avenues in Park Slope).
We are frequently asked, What is death like?
Like tossing a frisbee in Prospect Park,
making sure the release
is free of any twitch or spasm—
any trace of the body’s vacilation—
will the disc to glide forward
of its own momentum never verring,
in a trance of straight lined.
Like waving in traffic at Hoty-Fulton
waving away the squeegee man
with his excessive grin and red-veined eyes.
Tonight at 8PM: Poetry by D. Nurkse, MRB Chelko, Bianca Stone and music by Caitlin Claessens at The Old Stone House (336 Third Street, between 4th and 5th Avenues in Park Slope).
On Thursday, October 17 at 8PM, Brooklyn Reading Works presents Holiday in Reality, an evening of poetry curated by Patrick Smith at The Old Stone House (336 Third Street, between Fourth and Fifth Avenues, F Train to Fourth Avenue, R Train to Union Street).
Smith is thrilled to present Dennis Nurkse, the acclaimed author of A Night in Brooklyn (Alfred A. Knopf) a magical and haunted collection of poems, that is something like a love letter to our fair borough. Brooklyn Poet Laureate Tina Chang wrote of the book: ”…as much a celebration of the borough as it is a meditation on history, time and the furious love of the places the poet inhabits.”
Sensual, urgent and fierce, Nurkse’s language evokes a white alley cat that mysteriously survives a Bensonhurst winter; the narrow bed where young love took place; the wild gardens behind tenements. In the title poem” We undid a button, turned out the light and in that narrow bed/we built the great city—/water towers, cisterns, hot asphalt roofs, parks/septic tanks, arterial roads, Canarsie, the intricate channels…
Nurkse is the author of numerous collections of poetry, including The Rules of Paradise (2001), The Fall (2003), and The Border Kingdom (2008). His parents escaped Nazi Europe during World War II—his Estonian father worked for the League of Nations in Vienna, his mother was an artist—and moved to New York. Nurkse’s family moved back to live in Europe for a number of years, returning to the United States around the time of the Vietnam War. Nurkse lives in New York and teaches at Sarah Lawrence. He was at one time Poet Laureate of Brooklyn.
Also reading on Thursday night: MRB Chelko, Bianca Stone and Pat Smith. Music by Caitlin Claessens. A $5 donation includes beer, wine and snacks.
Fashion blog meets mommy blog: What My Daughter Wore presents gorgeous illustrations by a Brooklyn mom of her daughter’s daily sartorial choices.
The drawings are simply gorgeous and the outfits are wonderful, too. To me, it feels like a collaboration between mother and daughter—but who knows. Some of the outfits feel mildly subversive on the part of the daughter, like the one where she’s wearing a colander on her head.
In a way it’s so representative of what’s interesting and questionable about a certain strata of Brooklyn at this time: the look-at-my-fabulous-kid thing; the sense of “we’re so ultra cool”; the need to shout it out.
But isn’t that the pot (me) calling the kettle black. The drawings are truly lovely and the mom and daughter are equally gifted.
As a former mommy columnist myself I wonder if the blogger’s kids are turned off by the entire endeavor. Mine certainly were. That said, this blog is done with such love and beauty. Wouldn’t anyone be thrilled to have such a record of their lives?
Tags: 11215, Brooklyn, Fashion blog, Mommy blog, What My Daughter Wore
On Thursday October 17, Brooklyn Reading Works present TWO events:
WHAT DO WOMEN WANT? Adventures in the Science of Female Desire. A conversation with author Daniel Bergner and and Babeland co-founder Claire Cavanah (author of Moregasm). Presented Babeland and Edgy Moms.
Where: Babeland, 462 Bergen Street in Park Slope at 7PM
HOLIDAY IN REALITY: An evening of poetry curated by Pat Smith with acclaimed and award winning poet and former Brooklyn Poet Laureate D. Nurske, author of A Night in Brooklyn (Knopf) joining a fabulous and festive roster of poets and performers, including MLB Chelko, Pat Smith, Bianca Stone and Caitlin Claessons.
Where: The Old Stone House, 336 Third Street in Park Slope at 8PM.
Do them both! A Lit crawl from Babeland to The Old Stone House.
Well, I have no idea who Gail Ghezzi is though I am fascinated by GH last names because my maiden name, may father’s family name is Ghertler.
Meditation grabbed me, too. Then I saw mortality. Then I saw shadow boxes… Click. Reader, I opened the email.
Below is a description of Gail Ghezzi’s artwork that looks very interesting. She collects things—records, artifacts, pop culture odds and ends—and turns them into shadow boxes a la Joseph Cornell but with a different kind of attitude. Way different.
The point of the email was to announce the debut of a website Birth, Death Repeat and an exhibition at Jalopy Tavern through October 12th. The details are below. I’m sorry I missed the opening on Saturday but I was in the thick of the Brooklyn Book Festival so I probably would have missed it anyway. But it’s not too late to see the show, or to check out the website. Ghezzi’s artwork sounds interesting and very interactive. Read ahead and you’ll see what I mean:
“Birth, Death, Repeat…” is an art/writing project featuring the shadow boxes of the Brooklyn designer Gail Ghezzi. Ghezzi’s shadow boxes are meditations on mortality that use antique artifacts and found objects she acquires at antique fairs, online and on her sidewalk. Each box imagines the final moments of a fictional character, and then surrounds that character with the detritus of a life. These lives are captured in short paragraphs attached to each box to make this the first collaboration between the artist and her husband/author Ben Greenman since the births of their children.
Anyone can participate by submitting a short story at birthdeathrepeat.com
Ghezzi’s art was debuted at Jalopy Tavern on Saturday, September 21 in Brooklyn. After the opening, the party continued next door at Jalopy Theater with live music by Lara Ewen . Ewen performed from her new record “The Wishing Stone Songs,” which features package design by Ghezz
Tags: Ben Greenman, birth, Brooklyn, death repeat, Gail Ghezzi, Jalopy Tavern, New Yorker, Red Hook, shadow boxes
What was Park Slope like before it became the affluent Brooklyn neighborhood it is today? In the Park Slope of Brownstone Dreams, a new novel by Kevin R. McPartland, there are no cappuccino cafes, Bugaboo strollers or real estate offices selling million dollar apartments. Author McPartland spins a tragic tale about the mean streets of 1960’s Brooklyn, evoking the sights and sounds of tenements, bars, and schoolyards that comprise the battleground of warring teenage gangs.
The year is 1962. It’s early summer and it’s already a hot one. 19-year-old Bobby Dutton, street tough and gang member, is in a state of turmoil, after stealing the gun of local wiseguy Vincent Casseo. Still high on glue and beer, Bobby has to figure out how to get the gun back to crazy Vincent, without getting himself killed.
“The next morning Bobby sat leaning on one elbow on a cluttered kitchen table. He sat watching his grandfather go about his morning ritual of drinking tea by the fire-escape window while he shaved and complained. ‘Someday you’ll know what this is all about, Bobby-boy. It’s not fuckin easy makin’ a buck in the world. Look at me, other men work on ships that go to sea. I work on a stinking barge in a filthy goddamn canal called Gowanus.”
But Bobby isn’t interested in how hard it is to make a buck in the world He is much more concerned about Vincent Casseo and his missing gun.
Brownstone Dreams is a gripping thriller about fear, anger and revenge. It is also the story of a Brooklyn neighborhood where drugs and alcohol take control of people’s lives; where working-class immigrant families fill tenement buildings; where hardworking men drown their disappointments in seedy pubs, while their sons fight each other with sticks and bats in Prospect Park.
Bobby, forever the dreamer, believes he can get the gun back to Vincent without incident. But that is just the first of many miscalculations that makes Brownstone Dreams such a compelling—and heartbreaking read.
Born and bred in Park Slope, McPartland writes about the world he grew up in with the eloquence and grit of Pete Hamill and Malachy McCourt. “McPartland’s is as authentic a voice from New York City’s streets as you’re ever likely to hear.” write Peter McDermott, Deputy Editor of the Irish Echo.
Bobby’s story comes to a head with the savage beating of one of his best friends by Vincent. That’s when Bobby’s game plan changes and he goes on the offensive, unafraid of Vincent’s reputation or his threats, determined to avenge his friend’s beating.
So begins a downward spiral from which Bobby will never return. Even the love of Cathy, a good neighborhood girl, can’t save Bobby from his inevitable trajectory. “Before Park Slope became the trendy family neighborhood of New York’s wealthy elite, it was the home of Bobby Dutton, an Irish-American teenager growing up in the cockroach infested flats of McPartland’s Brownstone Dreams,” writes Marian Fontana, award-winning author of A Widow’s Walk: A Memoir of 9/11. “The book captures a bygone era with a voice as fresh as it is engrossing,”
Brownstone Dreams will engross fans of Pete Hamill, Joe Flaherty and Frank McCourt, who will discover in McPartland a brave and bold writer with an urban story worth telling.
About the author: Kevin R. McPartland is a native Brooklynite, novelist and short story writer. His work has appeared in AIM Magazine, Grit Mag and in Adventures in Hell, an anthology of short stories by Vietnam Veterans.
Tags: 11215, Brooklyn, brooklyn fiction, Brooklyn history, Kevin R. McPartland, Park Slope
Do you know this woman hiding half her face behind her fingers? That’s Bernette Rudolph, my neighbor and a wonderful artist who lives on Third Street in Park Slope. She is also one of the organizers of the Park Slope/Windsor Terrace Artists Open Studio Tour this Columbus Day Weekend (October 12-14, 2013).
At their website,there’s a map, studio addresses and information about the exhibiting artists. It’s a wonderful group of artists including Tom Keough, who does wonderful and mysterious night paintings of Brooklyn Streets. The other artists are Phillip de Loach, Joy Walker, Bernette Rudolph, Janie Samuels, Lloyd Campbell, Bob Hagan, Robin Epstein, Darcy Lynn, Grace Markman and David Listokin
At her studio, Bernette will show what she’s calling “Master Paintings in Three Dimension.” By that she means 3-D treatments of Chagall’s wedding couple flying off the surface, Picasso’s Guernica, and other master paintings.
I think it sounds fun.
Below is a painting by exhibiting artist Joy Walker:
In no particular order, these panels at the Brooklyn Book Festival appealed to me. There’s so much to choose from and many look very good. Frankly I’ve never gotten into one of these panels. It’s always so crowded.
ONE. 10:00 A.M. The So-Called ‘Post-Feminist, Post-Racial’ Life in Publishing: Best-selling author Deborah Copaken Kogan sparked a firestorm with her explosive essay in The Nation, and her experience as a 21st-century female author was marked by slut-shaming, name-calling and an enduring lack of respect. Poet, activist and author of sixteen books,Sonia Sanchez (Homegirls and Handgrenades) has consistently addressed the lack of respect for the struggles and lives of Black America. Author and founder of Feministing, Jessica Valenti, has devoted considerable time to transforming the media landscape for women. Moderated by Rob Spillman, Tin House. Borough Hall Courtroom.
TWO. 2:00 P.M. André Aciman and Claire Messud in Conversation: The experience of otherness and dislocation are preoccupying themes forAndré Aciman (Harvard Square) and Claire Messud (The Woman Upstairs). The conversation will explore how these themes inform their sense of character, as well as their understanding of the very nature of the fictional enterprise. Moderated by Albert Mobilio (Bookforum). Borough Hall Courtroom.
THREE. 3:00 P.M. Publish and Perish? E-books are killing publishing! The corporations are killing publishing! Self-publishing is killing publishing! While headlines continually bemoan the end of the literary world as we know it, others argue that the reports of publishing’s demise have been greatly exaggerated. Janet Groth (The Receptionist) and Boris Kachka(Hothouse) take a look inside two of our most storied institutions—The New Yorker and Farrar, Straus and Giroux—and consider the past while taking the pulse of the literary world today. Brooklyn Historical Society.
FOUR. 5:00 P.M. What Fills the Void After War? Three acclaimed writers from countries that have known conflict and political unrest discuss war’s aftermath and how it informs their work. With Irish writer Colum McCann(TransAtlantic), Sri Lankan writer Ru Freeman (On Sal Mal Lane) and Iraqi writer Sinan Antoon (The Corpse Washer). Moderated by Rob Spillman (Tin House). Borough Hall Courtroom.
FIVE. 5:00 P.M. Let’s Talk About (Writing) Sex: Everyone’s writing about it.Sam Lipsyte (The Fun Parts) pens sardonic short stories about sex in a misanthropic world. Amy Grace Loyd (The Affairs of Others) depicts an apartment building filled with violence, mystery, and, of course, sex. AndSusan Choi (My Education) puts a (sexy) new twist on the student-teacher relationship. Short readings and discussion. Moderated by Angela Ledgerwood (Cosmopolitan Magazine). Main Stage.
SIX. 11:00 A.M. Mommy Dearest: Some women would sacrifice anything to have a child. Others consider having a child a sacrifice in itself. The complications of adoption, of lost chances, and of the relationship between past and present are all held together by a mother’s instinct, or lack thereof. Jennifer Gilmore (The Mothers), Claire Messud (The Woman Upstairs), and Jamaica Kincaid (See Now Then) debate the different roles that motherhood plays in their latest novels. Moderated by Harold Augenbraum, National Book Foundation. St. Francis Auditorium.
SEVEN. 4:00 P.M. Art Spiegelman and Jules Feiffer in Conversation: Pulitzer-Prize winning graphic novelist Art Spiegelman‘s newest release, Co-Mix, is a career retrospective that covers his work from Raw to Maus to the New Yorker (and Garbage Pail Kids in between). Joined by Jules Feiffer (Out of Line: The Art of Jules Feiffer), also a Pulitzer winner, they debate the purpose and impact of comics art, its history and development, and their visions of its future. Featuring screen projection. St. Francis Auditorium.
EIGHT. 5:00 P.M. On Nonfiction: American literature is in the midst of a renaissance of sorts, from the glossies to the blogosphere, with an unforeseen proliferation of investigative journalism, memoir, and personal essay. Join Svetlana Alpers (Roof Life), George Packer (The Unwinding) and Clifford Thompson (Love for Sale and Other Essays) in conversation with Phillip Lopate (Portrait Inside My Head) about the renewal and relevance of nonfiction writing today. St. Francis Auditorium
NINE. 10:00 A.M. Family Inheritances: It’s all in the family. Sometimes it’s the one we’re born into and sometimes it’s the one we make for ourselves.Joanna Hershon (A Dual Inheritance), Caroline Leavitt (Is This Tomorrow), Callie Wright (Love All), and Donna Hill (What Mother Never Told Me) discuss the secrets, mysteries and hidden truths that permeate these generational relationships and lifelong bonds. Moderated by Brigid Hughes, A Public Space. St. Ann’s
TEN. 12:00 P.M. Arts and Politics in Fiction: Art has always been a tool for political and social change. In these novels, it comes in the form of protest-pop songs, motorcycle photography and high-end fashion. Alex Gilvarry(From the Memoirs of a Non-Enemy Combatant), Rachel Kushner (The Flamethrowers) and Nicholson Baker (Traveling Sprinkler) shed new light on the timeless relationship between art and politics. Moderated by Joel Whitney. St. Ann’s.
THIS IS THE WEEK of the Brooklyn Book Festival, which gathers 40,000 people to Brooklyn Borough Hall for New York City’s largest Book Festival and America’s third largest.
From emerging writers to icons, this year includes readings and panels with Pete hamill, Jamaica Kincaid, James McBride,Claire Messud, Colum McCann, Sharon Olds, George Packer, Karen Russell, Sapphire, Art Spiegelman, Meg Wolitzer and Tom Wolfe and many, many more.
The Bookend events, parties, readings and panels during this week leading up to the Book Festival, are really fun, too. Tonight there’s a big bash at The Bell House. On Tuesday, Brooklyn by the Book presents Paul Harding, author of the Pulitzer Prize winning Tinkers in conversation with Michele Filgate. That’s at the main branch of the Brooklyn Public Library at Grand Army Plaza.
On Wednesday, September 18 at 8PM there’s a celebration of the short story with Elissa Schappell, Dawn Raffel, Gregory Spatz, Clifford Thompson and Ron Parsons. At the Old Stone House, or course. Hope to see you there.
On Thursday September 19, you can cat ch Catherine Gigante-Brown reading from ner novel “The El” at the Brooklyn Navy Yard at 6:30 PM.
Also on Thursday, a tribute to Alexander Cockburn and a celebration and a new collection of his work: A Colossal Wreck: A Road Trip Through Political Scandal, Corrption and American Culture at powerHouse Arena in DUMBO at 7PM.
Friday is the Fourth Annual Brooklyn Indie Part at Greenlight Bookstore in Ft. Green starting at 7PM.
For all the info you need; go to brooklynbookfestival.org
After last year’s successful inaugural season the BEAT Festival’s second season focuses on site-specific and immersive theatrical experiences in unusual and non-theatrical settings.
BEAT stands for Brooklyn Emerging Artists Theater but the BEAT roster includes a whole lot more than emerging artists with seasoned and accomplished artists like Ping Chong, Lemon Andersen, Brave New World Repertory and others. But there are lesser known groups as well like LeeSaar and the Institute for Psychogeographic Adventure.
This past Sunday night at Congregation Beth Elohim, Brave New World Repertory Theater presented a reading of reflections by those involved with the CBE Feeds initiative, which has been serving food to victims of Hurricane Sandy for the past year and intends to continue.
Also at Beth Elohim, on September 21 they will presenting Ping Chong’s Brooklyn 1963, about events connected with civil rights and the fight for freedom in Brooklyn.
There’s a whole lot more to the festival, including a performance on Saturday, September 21 of the “striking, sexy and assertive choreography” of LeeSaar, a dance company established in Israel in 2000 by Lee Sher and Saar Harari.
Tags: 11215, Brooklyn, Congregation Beth Elohim, Dance, music, Park Slope, performance
― Haruki Murakami
On September 18, 2013 at 8PM, Brooklyn Reading Works at the Old Stone House will present a Brooklyn Book Festival Bookend Event: SOFT SHADOWS: A CELEBRATION OF THE SHORT STORY with Elissa Schappell, Dawn Raffel, Gregory Spatz,, Clifford Thompson and Ron Parsons, who will read and discuss their work and their favorite short stories. Louise Crawford will host.
Audience members will be invited open-mic style to share their favorite published stories and read the first paragraph.
A $5 suggested donation will include wine and snacks. Books will be sold and signed.
The Old Stone House: 336 Third Street between 5th and 4th Avenues. R train to Union Street, F train to Fourth Avenue. 718-768-3195. For interviews and inquiries: 718-288-4290
ABOUT THE FEATURED AUTHORS
DAWN RAFFEL’s illustrated memoir, The Secret Life of Objects, was published in June and was on Oprah’s Summer Reading List and Best Memoir List for 2012. She is also the author of two story collections— Further Adventures in the Restless Universe and In the Year of Long Division (soon to be reissued)—and a novel, Carrying the Body. Her stories have appeared in O, The Oprah Magazine, BOMB, Conjunctions, Black Book, Fence, Open City, The Mississippi Review Prize Anthology, The Anchor Book of New American Short Stories, Arts & Letters, The Quarterly, NOON, and numerous other periodicals and anthologies. She was a fiction editor for many years, followed by a seven-year stint as Executive Articles Editor at O, The Oprah Magazine and three years as Editor-at-Large at More magazine; she has also taught in the MFA program at Columbia University and at the Summer Literary Seminars in St. Petersburg, Russia; Montreal; and Vilnius, Lithuania. She is now Editor at Large, Books at Readers Digest, and the editor of The Literarian, the magazine for the Center for Fiction in New York. She lives outside New York City with her husband and sons.
ELISSA SCHAPPELL is the author of Blueprints for Building Better Girls and Use Me, a finalist for the Pen/Hemingway Award. She is a contributing editor at Vanity Fair, where she the author of the “Hot-Type” column. She has been a Senior Editor at the Paris Review and is a founding editor of the literary magazine, Tin House. Elissa has also been the co-editor of the anthologies, The Friend Who Got Away and Money Changes Everything. She lives in Brooklyn, New York with her family.
GREGORY SPATZ is the author of novels Inukshuk, Fiddler’s Dream and No One But Us, as well as short story collections, Half as Happy and Wonderful Tricks. His short stories have appeared in literary journals and magazines such as Glimmer Train Stories, New England Review, Kenyon Review, Epoch, Santa Monica Review, The New Yorker, etc., and he has published numerous book and music reviews for The Oxford American. He’s won numerous grants from the Washington State Artist Trust, as well as a Washington State Book Award, and in 2011 he was named Individual Artist of the Year by the Spokane Arts Commission. He is also the recipient of a 2012 National Endowment for the Arts literature fellowship.
CLIFFORD THOMPSON is the author of Love for Sale and Other Essays from Autumn House Press. His essays about books, film, jazz, and American identity have appeared in The Threepenny Review, The Iowa Review, Commonweal, Film Quarterly, Cineaste, Oxford American, Black Issues Book Review, and elsewhere. He is the author of a novel, Signifying Nothing. He lives in Brooklyn, New York, with his wife and children.
RON PARSONS is the author of the new story collection The Sense of Touch from Aqueous Books. He is writer living in Sioux Falls. Born in Michigan and raised in South Dakota, he was inspired to begin writing fiction in Minneapolis while attending the University of Minnesota. His short stories have appeared in such places as The Gettysburg Review, Indiana Review, The Briar Cliff Review, Flyway, and The Onion. This is his debut collection.
ABOUT THE HOST
Louise Crawford runs Brooklyn Readings Works, which has been called “the best place to chase fiction with a little history” by Conde Nast Traveler. She is the founder of the popular blog Only the Blog Knows Brooklyn and the Brooklyn Blogfest, an annual networking event for bloggers. Her company Brooklyn Social Media gets the word out about artists and entrepreneurs.
Janine Nichols, a Brooklyn performer and leader of the band SEMI-FREE, has plenty to be excited about.
First, she got a glorious CD review wondering why she is not famous by David Malachowski! Click below to read it:
Second, SEMI-FREE now has a band photo (see above). Pictured are Nicols and bandmates Brandon Ross and Charlie Burnham.
And third: Semi-Free now has a video on You Tube: http://www.youtube.com/watch?v=ObT_hq7-2oA
The photo and video were shot by the visual artist Peter Seward at John Brown’s Farm in Lake Placid, NY. It was from there that John Brown organized his assault on the Kansas Territory and, later, Harper’s Ferry. Hallowed ground.
The song in the video, shot wild on borrowed guitars, is a new one, MOON OR NO MOON, the story of a slave escape. Nichols based it on a character in the Pulitzer Prize-winning novel, The Known World by Edward P. Jones.
On the second day of Rosh Hashanah at Congregation Beth Elohim, Pulitzer Prize finalist James Goodman will be interviewed by Rabbi Andy Bachman about the binding of Isaac, the subject of his new book But Where is the Lamb? Imagining the Story of Abraham and Isaac (Schocken).
Goodman and Rabbi Bachman will grapple with a story that Jews have been trying to make sense of and arguing about for more than 2000 years. It is a story many Jews believe is the most enduring symbol — the very definition — of what it means to be a Jew (Abraham’s willingness to sacrifice the son he so longed for to God) and many others wish weren’t even in the Bible.
They will discuss a story that lovers of peace and love and joy (and haters of war and sacrifice and blind obedience and faith) love to hate. He will ask how and why we would want to worship a God who (for no good reason) would ask a man to sacrifice his son, and how and why we would celebrate and revere, as the patriarch of patriarchs, a man who without protest, question, or hesitation, set out to obey. He will explore the answers that other people have given over the years. Although there is a lot not to like about the story, we can take comfort even hope in the endless debate about it and the thought that there has never been a time when people read the story we read and wanted to leave it as it is, on the page.
After the class, everyone is invited to Community Bookstore for wine and snacks catered by D’Vine Taste. James Goodman will sign books.
JAMES GOODMAN is a professor at Rutgers University, Newark, where he teaches history and creative writing. He is the author of two previous books, including Stories of Scottsboro, which was a finalist for the Pulitzer Prize. His new book But Where is the Lamb? Imagining the Story of Abraham and Isaac comes out September 15 from Schocken Books. He lives in New York.
Full disclosure: James Goodman is a client of Brooklyn Social Media.
So nice to get a book in the mail. So nice when that book is from Ugly Duckling Presse. So nice when that Ugly Duckling Presse book is by a friend. Even nicer when that friend is Brooklyn’s Michael Ruby, author of five full-length collections of poetry, including the brand new American Songbook.
American Songbook is Ruby’s poetic response to an ambitious sweep of 20th century vocal music, including blues, jazz and country standards, Hip Hop, rock and disco. Lewis Warsh writes “You can sing along to Michael Ruby’s delirious new poems in American Songbook, your voice echoing down (to mis-qute Fred Neil) “the canyon of your mind,” until you can’t sing any more and the poem goes off on its own.”
It’s an inviting book, which begins with the words, “Girls, beef up the rackets, and plasticize the seven dwarfs” in a poem called “Pinchbacks—Take ‘Em Away” for the great Bessie Smith.
“Come As You Are” is a poem for Kurt Cobain that begins: “Come circumnavigate this eyeball in a see of eyeballs/As you are glowing polyurethane or coconut soda.”
“I just called the chocolate relief/to say four hearts poise/I love you in the varnished spring/I just called the highboy song…” is from a poem called “I Just Called to Say I Love You” for Stevie Wonder.
Reading Ruby’s book is like browsing through someone’s iTunes playlist. Someone with a really good playlist, that is. All the poems are named for songs and performers, some familiar, some obscure. Quickly the poems take the reader into strange terrain, mangling the lyrics in ways that are complex and compelling. This is language-y stuff that tracks meaning in discombobulating ways. Clearly, he knows (and loves his music) but he also lets loose in the realm of the hallucenogenic poetic imagination.
Ruby’s other books include Memories, Dreams and Inner Voices, Compulsive Words and At an Intersection. You can learn more about them here.
I woke up this morning to an email with a link to the Bodies issue of Insight Magazine, a project run by my friend Atiba Edwards. I thought it looked incredible on my iPhone. Fascinating art, words, ideas. I urge you to take a look.
We are amazing – we have beautiful bodies that come in an assortment of shapes, sizes, colors etc. We seek out a body (or bodies) to hold near and dear to us. Bodies to keep us warm. Bodies to motivate us. Bodies to challenge us. Bodies that leave a lasting impression on our mind and body as if it were made out of memory phone. Bodies that we long for and cry for. Bodies that somehow manage to be a point of dislike or hate. Bodies that embody feelings which we fail to ever put into the right set of words. Bodies that sometimes are our own.
The journey you are about to take captures all of the above and more. We have a great selection of visual art and word art that expresses a collection of artists seeking out what the body means to them. Through paint, music, word and composition they took the risk and decided to share that with you. Click here to begin.
Bodies (ISSUE 35) CONTRIBUTORS:
AuksOne / Michael Alan / Anirudh ‘Eka’ Dhullipalla / Atiba T. Edwards / Christian Ericson / Simone Frame / Jordan Kifer / Allison Maritza Lasky / Dolly Martinez/ Kristine Palma / Kerff Petit-Frere / Kira Pearson / Gail Ressler / Filipa Silva / Tessa Hirschfeld-Stoler / Stephanie Winbush / Jozi Zwerdling
INSIGHT magazine is based on the concept that we often look to art to define past civilizations. In turn, we provide insight into the artists who are shaping our culture through their work today. We provide insight into the worlds of actors, musicians, designers, fine artists, emerging artists and those who do not immediately come to mind when thinking about the arts/artists, such as culinary artists and industrial designers.
It was standing room only. And I might add, there were some very tall people standing, which made it difficult to see the small television screens flanking the bar.
The bar was noisy and crowded when I got there at 8:30 for the 9PM show. I wondered if it would get quiet enough to actually hear the show. But when the show came on, someone screamed, “It’s on!” and there was radio silence.
The audience was rapt as they watched last night’s incredible episode, which truly belonged to Hank. But no spoilers here.
Nice touch: The Gate gave out small plastic bags of blue rock candy, which looked an awful lot like Heisenberg’s crystal. Is that demented or what?
Next best thing to watching the show? When the crowd cleared out, a few people stayed behind and shared deep thoughts about the meaning of the show, conjecturing where it can go from here. Interesting stuff.
I’ll be at The Gate next week but I’m gonna get there early. I want to get a seat at the bar.
By MATTHEW TAUB
Chris Roberts – Brooklyn short story writer nominated for the Pushcart Prize and author of Kindle Single “Hazy Shade of Winter” — considers himself the literary world’s most ruthless critic and relentless muckraker of a padded, self-protective industry largely impervious to new and emerging writers lacking connections or arbitrary praise. But to others, he’s simply a nasty, mean-spirited troll – though he vehemently disputes the title. He recently sat down with fellow aspiring, frustrated, and unpublished writer Matthew Taub, of Only the Blog Knows Brooklyn, for a few questions.
MAT: You’ve been been described as “the king of the one-star review” (for the long list of books others praised but which you’ve canned), a “mangler of English” (for your unsolicited, expletive-laden diatribes on social media), and more innocuously (but by no means less sympathetically), as an “aggressive suitor” when seeking to have your own work accepted or promoted. How do these descriptions sit with you? Are you misunderstood? Should others should view you more kindly?
CR: It would be easy to say I am misunderstood and that is why I am not. I only really seek a reaction from my writings. Even then I make it a point not to respond to one-star reviews, it is bad form, old-fashioned or not. I find most people to be inconsequential and do not care what they think, I am truly my own man. I would rather spend time with a meth head, who is naturally inclined with more insight than ten Faulkners. And yes, I know Mr. American South is dead, it is an illustration.
MAT: You have some published articles from several years ago (in 3:AM Magazine, e.g.) that critically lampoon The New Yorker and others as sort of a self-protective, repetitive promotion for those already in the literary stratosphere. This criticism still resonates today. For example, I read a lovely piece by Zadie Smith in the New Yorker in February, but here she is again this week, with yet another work of short fiction, while new or emerging writers essentially don’t have a chance (as your 3:AM article describes). But is this really “collusion,” as you insist, or simply shortsightedness? And what, if anything, should the literary big wigs do differently to cultivate new talent?
CR: Short-sighted invariably and to the detriment more for “The New Yorker” than its readership. The leadership must groan when they have to run one more story from a Franzen or others who style their work via redundancy. I can easily say that most at the New Yorker are suffering from depression, the sameness clouding their eyes. How can you not laugh at their plight?
The first twelve parents to sign up are in for a treat as Antonio and Tom (That’s Tom Martinez who frequently posts pictures on OTBKB) are offering a free workshop focusing on general tips about composition, camera settings and a word or two about post production tweaks.
Bring your kids and your camera and take your photography to the next level! Shooting mostly with an iPhone? No worries. Bring your phone! We’ll play with the light and the kids and provide some useful tips on lighting, portraiture, etc. What: Free Photo Workshop for the first 12 parents to sign up.
Where: Milk & Honey (1119 Newkirk Avenue, 1 block east of Coney Island)
When: Tuesday morning August 13th at 10:AM
Opening on August 1 (that’s this Thursday), Everyone in the Pool is a group show of artwork from members of the 440 Gallery artist collective, which was named “Best Gallery” by The L Magazine.
“Ours is an artistic gene pool where ideas meet, hybridize, evolve, and powerful synergies constantly occur. As a collective we are in this together, sink or swim. This exhibit expresses this theme through conversations among the artwork while celebrating the summer season through paintings, photography, sculpture and video,” reads the blurb on the press release.
It’s not everyday that you have the opportunity to see the work of all fourteen of 440′s members: Vicki Behm, Fred Bendheim, Tom Bovo, Ellen Chuse, Shanee Epstein, GailFlanery, Jay Friedenberg, Laurie Lee-Georgescu, Karen Gibbons, Susan Greenstein, Katharine Colona Hopkins, Nancy Lunsford, Amy Williams, EllaYang.
Everyone in the Pool opens at the 440 Gallery, located at 440 Sixth Avenue inBrooklyn, on Thursday, August 1, and will run through Sunday, September 8, 2013. There will be a reception for the artists from 6:00-9:00 PM, Thursday, August 1.