Arts & Culture: In the Year of the Dragon at the Old Stone House

On March 15, 2012 at 8 PM, Brooklyn Reading Works at The Old Stone House presents: IN THE YEAR OF THE DRAGON: A Celebration of Asian and Asian-American Writers.

Curated by author Sophia Romero (The Shiska from Manila), IN THE YEAR OF THE DRAGON includes a Brooklyn Poet Laureate, a playwright, and three novelist, all of whom will read excerpts from their latest work. A Q&A will follow the reading.

You won’t want to miss Brooklyn Poet Laureate Tina Chang, Novelists Susan Choi, Hoong Yee Lee Krakauer and Sabina Meyer and playwright Linda Faigao-Hall.

A $5 donation includes light refreshments and wine.

The Old Stone House, 336 Third Street. Between Fifth and Fourth Avenues. Due to construction in the park, enter from the Fourth Avenue side of the house.

2011-2012 BRW SEASON

September 15, 2011: Italian Americans: History, Politics and the Everyday curated by Joanna Clapps Herman

October 6, 2011: Tranformations on the Tongue curated by Pat Smith

November 17, 2011: Make Mine a Double (Why Women Like Us Like to Drink) curated by Gina Barreca

January 19, 2012: The Truth and the Ghostwriter curated by John Guidry

February 16, 2012: New Plays by Brooklyn Playwrights curated by Rosemary Moore

March 15, 2012: The Year of the Dragon: Voices from the East curated by Sophia Romero

April 19, 2012: Funny Pages: An Evening of  Humor curated by Marian Fontana

May 10, 2012: Edgy Mother’s Day curated by Louise Crawford and Sophia Romero

Postcard from the Slope: Park Slope’s Best Book Sale

The Slope’s best book sale is today and tomorrow at the Park Slope Methodist Church on Sixth Avenue at 8th Street.

A few months ago I ran into one of the organizers and she thanked me for all the times I listed that event, which is in its 19th year. I thanked her and we conversed very pleasantly; I told her that I was no longer blogging. .

Suprise. I am blogging. But as I tell people, I’m not doing hyper-local anymore. However, because she was so nice. Because I have a soft spot for people who thank me. Because I like book sales…

I am doing this shout out for this very worthwhile event.   Did I mention I have a soft spot for worthwhile events…

That’s what got me into this mess/blog in the first place

Postcard from the Slope: Internet Quicksand

It was great to get away from OTBKB and the quicksand of the Internet for a few months. I spent so many hours hunched over this hot computer, I really needed a  break. I didn’t even know how much I needed a break.

I needed a break.

The Internet feels like a new place just a few months later. 140 character tweets are really the currency of  the social media world right now. Yet, blogging doesn’t seem to have any less relevance. Scouting about, I discovered a world of blogs on xoJane and elsewhere.

And a world of comments. This week on xoJane, a blogger named Daisy is getting hammered for an interview she did with Tucker Max followed by a post she wrote called You Guys Hurt My Stupid F*cking Feelings, followed by an even sillier post she wrote called 14 Ways to Make Guys Love You (From the Girl Who Lives and Breathes It).

There were aspects of the You Guys Hurt My F*cking Feelings post that I related to. Back in my days of endless blogging, I would get hurt by comments on OTBKB and at the Brooklyn Paper. I forced myself to get a tough skin and to avoid comments. I see that Daisy is just now learning that important lesson.

I’ll be honest: There are times I don’t read the comments. It’s not worth the stress/anger/anguish. But mostly, I try to read them because I think you deserve that. And that it’s sort of part of an unspoken “deal” we have on this site.

That is: You took the time to read my piece (although not everyone does, which is also obvious), so I should check out what you have to say. I’ve been doing that for 10 months. But I think going forward? I might be do less of it.

Despite that insight, she decided to write a really snarky, sarcastic post that left a lot of her readers feeling insulted, which can happen when you take the opinion of a few commenters to be the opinion of your entire readership. That’s a mistake because it’s usually the people who disagree with you who make comments. Those who like what you’re doing don’t bother to say anything. If you decide to fight back it makes for some very defensive and not altogether pleasant writing.

So, I dunno if you guys, like, totally heard, or what, but word on the street is: I’m only in it to impress dudes. I know, right? Apparently I’m so concerned about doing this that I don’t even care if I totally throw other chicks under the bus. I don’t know why this is a big deal, or whatever, because, um, hel-lo! Boys are the best! They have, like, money and stuff to pay for my drinks. And penises! And obviously all of my daddy issues mean that I’m basically nothing unless men pay attention to ME ME ME ME ME.

One gets the feeling that the writer is either having a very public meltdown or she’s further milking the site for all the attention she craves. Here’s an example of one of the many comments she got from outraged readers:

I replied earlier but wanted to reply directly to you as well. No one is taking you seriously at this point, Daisy. It might be all in good fun for you, but it wasn’t fun for me. As a reader and xojane commenter (who did not comment on the two articles preceding this one), this made me feel…trying to find the right word…kind of unwelcome. Even though I didn’t comment on your other pieces and thought some comments were harsh, there were constructively critical comments that I did agree with and I read this piece feeling like I was swimming in passive-aggressive hostility.

And perhaps because I’m reading this as an editor too…I just want to red pen the last three pieces you’ve written and tell you to be an adult. It’s fine to provoke dialogue, but making your readers feel like shit is another thing entirely.

xoJane is an interesting place. The enormously popular site’s tagline  is “Where women go when they are feeling selfish and their selfishness is applauded.” Obviously that tag line is just dripping with irony or quotation marks. But the site truly is a haven for over-sharing and over-telling.  There’s a column called It Happened to Me, which  features stories like My Father Tried to Kill My Whole Family, My Father Disinherited Me (a beautiful and heartbreaking piece written by my friend Elizabeth Nelson), I Had My Third Nipple Removed, I Am in a Sexless Marriage and so on.

xoJane is actually a fascinating place to spend some time. That said,  it does remind me how dangerous a place the Internet can be. The on-going cycle of over-sharing as a means for attention can be pretty scary. And it reminds me of why I needed to take a break from my own blog back in September. Thick skin is the name of the game but so is careful and constructive writing with something compelling to say.

Postcard from the Slope: Coffee with OTBKB

Taking a break from this blog was like a separation from a long marriage. Seven years and I needed a breather. It was my seven year itch, my seventh inning  stretch.

My hiatus began last June. But I’d been flagging since I began training to be a court reporter in February of 2011. In July, I embarked on a trip to Europe and I knew that I wouldn’t be writing from there. So the timing seemed right.

Indeed, it was well-timed and necessary separation from life with OTBKB. Here’s what I wrote on September 13, 2011:

Last Spring, for the first time in a very long time, I just couldn’t find the time, the will, or the interest to blog.  Because I was in school, OTBKB wasn’t the primary thing I was doing; I felt I had to step away to make room for the new. Stepping away was actually easier than I imagined it would be. I was spending more and more time in Manhattan and my non-stop attention to Brooklyn was waning

Marital separations can go one of two ways. In the best case scenario, they provide much needed time for solo reflection and a chance to explore what went wrong—and what went right.

They can also herald the end of a marriage.

Well, I’ve had my time away from the blog and I find myself kinda sorta missing it. I miss the daily discipline of it, the outlet for creative expression, the readers, the community connection, the ability to promote Brooklyn Reading Works and other local events.

So I decided that me and OTBKB needed to get together for coffee and talk about getting back together.  And that’s exactly what we did. We met at the Purity Diner in Park Slope. I had a cup of coffee, OTBKB was fine with just a glass of water. The conversation went like this.

Me: I miss you.

OTBKB: I miss you, too.

Me: I want to get back together. But in a different way.

OTBKB: What do you mean?

Me: Well, I want to be together but not like before. I need some space, some boundaries, some time for myself.

OTBKB: Does that mean that we shouldn’t live together?

Me: Not exactly. It’s just that I can’t post as often as I did. I can’t spend most of my day typing away on a hot computer (like at a hot stove) working on posts. I need to do some of my own writing, I need to make money, I need to do other things, too.

OTBKB: I understand…

Me: You do?

OTBKB: Sure, I could see that you were losing interest, that you were tired. That you were frustrated being with me all the time.

Me: Thanks for understanding.

OTBKB: So what do you want to do?

Me: I want to give it a try, again.

OTBKB: Sounds great to me. It’s been kind of  boring lately.

Me: I know.

OTBKB: Let’s not overthink this. Let’s just see what happens.

Me: Now that sounds like a great idea.

OTBKB: Happy Valentines Day, by the way.

Me: You too.

Arts & Culture: Ghost Writers in the House

John Guidry, who writes the blog The Truth and Rocket Science (and does other important things in the non-Internet world) curated last months Brooklyn Reading Works, The Truth and the Ghost Writer. Pictured above are (left to right) James Braly, Sarah Deming, Keith Greenberg and Alisa Bowman. All are authors in the own name and ghost writers.

On his blog are words and pictures about this wonderful event. I quote him below. From there you should link to his blog and read the rest.

Words are everywhere.

They surround us very much like the air we breathe. Sometimes they are visible, in bookstores, in grocery stores, or on bill boards. Sometimes they are invisible: you see the leather seats, but not the word luxury. Words are many things, even as they represent many other things. Words change lives. They make you stop, push, pull, sit, wait, and be quiet. Words can kill as easily as they create.

As children, we learn magical words – abracadabras and shazams and opensesames. As adults, we learn that all words can be magical in one way or another, whether manifest, latent, silent, or spoken. Some of us fall under words’ spell. We become writers.

In this world of words, there are no strays. For all the words in the world, we can make a few observations:

Somebody wrote the words.
Somebody will be paid for them.
Somebody will claim to be their author.

These statements hold true for all the words we can see in the world. The exception is for private words: the letters, personal journals, notes or emails that people write to specific somebodies or to no one at all.  Under closer scrutiny, however, this exception falls away, for private words tend to become public when the opportunity cost of maintaining their privacy exceeds the actual cost of making them public.  Or put differently, when the public value of private words exceeds their private value, it’s only a matter of time before they become public.  Paid or unpaid, words have value, and those who claim authorship will hold that value dear, whether money is on the table or not.

The interesting thing about the above referenced somebodies is that they are not always the same somebody. Any stroll past the bestseller shelves in a bookstore (or surfed across the pages of Amazon.com) reveals a fundamental division of labor between writing and authorship, and the authors are always paid more than the writers. Additionally, agents, editors, marketers, and publishers also share in the take from any well-written (or at least well-selling) set of words. Just how the writers fit into this is an open question, because our society’s fetish for authorship is indeed a pretty solid hedge marking the boundary between our enacted reality and the real labor that makes it possible.

Read more  the Truth and Rocket Science